• Think they may be thinking of re naming this site.......

    "Ai Crossdressing.anyfuckingwhere.fakes"


    Think they may be thinking of re naming this site....... "Ai Crossdressing.anyfuckingwhere.fakes" 😂🤣😂🤣😂🤣😂🤣
    Like
    Haha
    4
    3 التعليقات 0 المشاركات 1040 مشاهدة
  • Hi
    #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
    Hi 😇🖤 #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
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    Like
    3
    0 التعليقات 0 المشاركات 1247 مشاهدة

  • #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
    🙂❤️ #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
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    Like
    Yay
    4
    0 التعليقات 0 المشاركات 1094 مشاهدة
  • Feet pic
    #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
    Feet pic 🙂 #nylons #stockings #crossdressimg #femboy #crossdresser #sissy #maid
    Like
    1
    0 التعليقات 0 المشاركات 1066 مشاهدة
  • I think you're a hot looking chick with a dick...is my kind of woman
    I think you're a hot looking chick with a dick...is my kind of woman 💋❤️💋
    Love
    Like
    10
    3 التعليقات 0 المشاركات 664 مشاهدة
  • Sorry about the hairy legs, it's too hot for stockings or tights, not to mention wigs
    I'm looking forward to some cooler weather in the next few days
    Sorry about the hairy legs, it's too hot for stockings or tights, not to mention wigs 🥵🌡️🌞 I'm looking forward to some cooler weather in the next few days ☺️
    Love
    Like
    16
    0 التعليقات 0 المشاركات 1320 مشاهدة
  • I am ready to change my life. It is my moment, and I am prepared and determined to start being the woman I feel I am. I am looking for a man who treats me well and supports me in being his woman. I am ready to move forward without looking back and start this transition together with a man who will support me in all my decisions regarding gender change.
    I am ready to change my life. It is my moment, and I am prepared and determined to start being the woman I feel I am. I am looking for a man who treats me well and supports me in being his woman. I am ready to move forward without looking back and start this transition together with a man who will support me in all my decisions regarding gender change.
    Love
    Wow
    2
    3 التعليقات 0 المشاركات 935 مشاهدة
  • Jerking off to a pretty sissy doesn't make someone a sissy. Some of us are straight alpha masculine manly prowess and I personally prefer a hot looking chick with a dick. I'm the man and the sissy is the female. We'd be heterosexual.
    Jerking off to a pretty sissy doesn't make someone a sissy. Some of us are straight alpha masculine manly prowess and I personally prefer a hot looking chick with a dick. I'm the man and the sissy is the female. We'd be heterosexual.
    Love
    2
    0 التعليقات 0 المشاركات 1434 مشاهدة
  • me wishing I was out dancing and drinking in my boots and skirt flirting
    me wishing I was out dancing and drinking in my boots and skirt flirting
    Love
    Yay
    11
    1 التعليقات 0 المشاركات 2452 مشاهدة
  • Good morning! wow, I get in from work and spend like 20 minutes looking for scammy feckin twats to report and block. And, then remember this is still a social site! So I'm being social and posting a pic, well just incase you all forgot what I looked like?? Ok, so I changed my lippy shade, did you notice?
    Good morning! wow, I get in from work and spend like 20 minutes looking for scammy feckin twats to report and block. And, then remember this is still a social site! So I'm being social and posting a pic, well just incase you all forgot what I looked like?? Ok, so I changed my lippy shade, did you notice? 🤣🤣😍💋💋💋
    Love
    Like
    14
    5 التعليقات 0 المشاركات 1476 مشاهدة
  • MistressEllitee blocked as they are a scammer. Here's a list of people who are down as 'friends' on their profile. There's only two types on the list, gullible and other scammers typically dom cis women. Sorry to be brutal to the genuine people but if I was you I'd be removing my friend with this person and blocking them and generally the majority of profiles that have M1stress or G0dess or Domin... in their name are scammers. Check your profile and remove them from your friends list unless you are absolutely sure they are genuine and can be trusted. The more attention these scammers get just encourages them to keep at it. They aren't interested in being your friend but only in your wallet or purses content
    MistressEllitee blocked as they are a scammer. Here's a list of people who are down as 'friends' on their profile. There's only two types on the list, gullible and other scammers typically dom cis women. Sorry to be brutal to the genuine people but if I was you I'd be removing my friend with this person and blocking them and generally the majority of profiles that have M1stress or G0dess or Domin... in their name are scammers. Check your profile and remove them from your friends list unless you are absolutely sure they are genuine and can be trusted. The more attention these scammers get just encourages them to keep at it. They aren't interested in being your friend but only in your wallet or purses content
    Like
    Love
    9
    2 التعليقات 1 المشاركات 3496 مشاهدة
  • Making friends
    Making friends
    Love
    Like
    5
    5 التعليقات 0 المشاركات 1165 مشاهدة
  • I wish someone would go on a date with me, would like to meet up with someone and see what happens. I don't do well with online dating n stuff. Before anyone starts on me, I know this isn't a dating app, I'm just taking in general
    I wish someone would go on a date with me, would like to meet up with someone and see what happens. I don't do well with online dating n stuff. Before anyone starts on me, I know this isn't a dating app, I'm just taking in general
    Love
    1
    3 التعليقات 0 المشاركات 875 مشاهدة
  • The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag.
    I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one.
    They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both.
    The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down.
    Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark.
    A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape.
    I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run.
    She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago.
    "You're late," I said, voice low, muffled by chiffon.
    "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances."
    "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?"
    She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice.
    "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments."
    I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be.
    "And what do you want from me?" I asked.
    "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first."
    I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both.
    "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes."
    She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price."
    I nodded once. The rain drummed harder, like applause for bad decisions.
    "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done."
    She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing.
    I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean.
    The city exhaled around me, smoke, rain, rust.
    I started walking toward Cutler Street.
    The rainbow dress in the wardrobe would have to wait another night.
    Some colours aren't meant to be worn in the light.
    The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag. I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one. They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both. The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down. Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark. A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape. I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run. She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago. "You're late," I said, voice low, muffled by chiffon. "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances." "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?" She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice. "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments." I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be. "And what do you want from me?" I asked. "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first." I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both. "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes." She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price." I nodded once. The rain drummed harder, like applause for bad decisions. "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done." She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing. I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean. The city exhaled around me, smoke, rain, rust. I started walking toward Cutler Street. The rainbow dress in the wardrobe would have to wait another night. Some colours aren't meant to be worn in the light.
    Love
    Yay
    5
    1 التعليقات 0 المشاركات 858 مشاهدة
  • No Ai or Fake Pictures, What you see it me and mine. Nothing more or less.

    Why do I love Co ck

    This is a good question and I guess it's personal to me ...
    Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
    The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
    The taste of a clean **** is amazing.
    The way it shows you it enjoys what you started by getting hard, what a turn on
    The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
    Damn I love them so much ....

    If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
    Send them my way
    ------------------------------------------------------------
    Further Slutty Reading

    As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
    Well it's very important to understand before we meet a few things.
    I'm meeting you for my own pleasure entirely,
    I'm not interested in you looking like a Female entirely... Let me explain
    Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
    So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
    Unfortunately I DON'T do beards, not on my Co ck.
    So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
    That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
    Now the next thing is what you may want me to do or of course do to me.
    The 2 rules I have will have been discussed with you before now anyway so...
    My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
    I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
    I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
    You are a Toy for my pleasure.... That's it
    You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
    Now you know..


    All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    No Ai or Fake Pictures, What you see it me and mine. Nothing more or less. Why do I love Co ck This is a good question and I guess it's personal to me ... Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth. The way the skin behind the head moves with your lips, the feel of the rough edge of the Head. The taste of a clean cock is amazing. The way it shows you it enjoys what you started by getting hard, what a turn on The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy... Damn I love them so much .... If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and Send them my way 😉 ------------------------------------------------------------ Further Slutty Reading As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up. Well it's very important to understand before we meet a few things. I'm meeting you for my own pleasure entirely, I'm not interested in you looking like a Female entirely... Let me explain Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do. So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie. Unfortunately I DON'T do beards, not on my Co ck. So now we know, You need to be Smooth, in Lingerie and have a Cock I WILL use. That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts... Now the next thing is what you may want me to do or of course do to me. The 2 rules I have will have been discussed with you before now anyway so... My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts... I get asked, but I wanted you to Fuck my Ass, that's fine but the rule above still applies so remember that... I get asked, But I wanted to Fuck your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts. You are a Toy for my pleasure.... That's it You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste... Now you know.. All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>
    Love
    Yay
    4
    2 التعليقات 0 المشاركات 904 مشاهدة
  • Awwwww i still cannot stop thinking of the dress! I so ache to wear it right now and i was so happy wearing it last tuesday as the layers gently rubbed against my legs! Mmmmm
    Awwwww i still cannot stop thinking of the dress! I so ache to wear it right now and i was so happy wearing it last tuesday as the layers gently rubbed against my legs! Mmmmm 💗💗🍆
    Like
    Love
    3
    0 التعليقات 0 المشاركات 970 مشاهدة
  • I love this dress, does it look better with dark or tan stockings ?
    I love this dress, does it look better with dark or tan stockings ?
    Love
    Like
    Yay
    14
    11 التعليقات 0 المشاركات 1109 مشاهدة
  • Natural light is always the best when taking photos! Especially in pink lingerie!
    Natural light is always the best when taking photos! Especially in pink lingerie!
    Love
    Like
    Yay
    23
    5 التعليقات 0 المشاركات 1379 مشاهدة
  • Hi, I'm a mature crossdresser from Spain and I'm looking for a businessman to be his secretary and slut at the same time, someone who will use me, share me, and make me even more of a whore.
    Hi, I'm a mature crossdresser from Spain and I'm looking for a businessman to be his secretary and slut at the same time, someone who will use me, share me, and make me even more of a whore.
    Love
    1
    1 التعليقات 0 المشاركات 1628 مشاهدة
  • I'm looking for a sexy hot trans women to cuddle and **** in the Utica NY area hit me up on here I'm always down for a good fucking

    I'm looking for a sexy hot trans women to cuddle and fuck in the Utica NY area hit me up on here I'm always down for a good fucking
    Like
    1
    1 التعليقات 0 المشاركات 1036 مشاهدة
  • Looking good or not, what do you Think
    Looking good or not, what do you Think 😎🤔
    Love
    Like
    Wow
    12
    4 التعليقات 0 المشاركات 619 مشاهدة
  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding sissyslut to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    Like
    Love
    2
    0 التعليقات 0 المشاركات 1210 مشاهدة
  • I think if a trans MTF looks like a beautiful woman and I'm a straight gentleman; therefore we're hetro sexual; not gay. I don't like men. But if a hot looking chick has a dick; in my mind she's a woman.
    I think if a trans MTF looks like a beautiful woman and I'm a straight gentleman; therefore we're hetro sexual; not gay. I don't like men. But if a hot looking chick has a dick; in my mind she's a woman.
    Love
    2
    0 التعليقات 0 المشاركات 1023 مشاهدة
  • Today i have received my new sexy stockings.
    Today i have received my new sexy stockings.
    Love
    Like
    Yay
    23
    4 التعليقات 0 المشاركات 2109 مشاهدة
  • Hello everyone, i'm Jalen, Im new on this app, looking to meet up with new friends for social events. Anyone in South London/Croydon/Surrey areas would especially like to connect with you.
    Hello everyone, i'm Jalen, Im new on this app, looking to meet up with new friends for social events. Anyone in South London/Croydon/Surrey areas would especially like to connect with you.
    Like
    Love
    6
    13 التعليقات 0 المشاركات 1316 مشاهدة
  • Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding ***** to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    Hello everyone here,I'm looking for a good, honest, truthful, obedient and understanding slave to own and collar 24/7 in the Bdsm lifestyle again. #sissy #femboy
    2 التعليقات 0 المشاركات 1786 مشاهدة
  • Time to iron my white satin blouses for the working week ahead......
    Time to iron my white satin blouses for the working week ahead......
    Love
    Like
    8
    1 التعليقات 0 المشاركات 1493 مشاهدة
  • Looking for new friends
    Looking for new friends 🥰🥰
    Love
    Like
    21
    3 التعليقات 0 المشاركات 1449 مشاهدة
  • something totally unrelated.... A man sees a sign in front of a house: "Talking Dog for Sale: $10".
    He rings the doorbell, and the owner tells him the dog is in the backyard. The man goes into the backyard and sees a nice-looking Labrador Retriever sitting there.
    "You talk?" the man asks.
    "Yep," the Lab replies.
    The man is amazed. "So, what's your story?"
    The dog claims to have had a career as a spy for the CIA for eight years, traveling the world and gathering intelligence because no one suspected a dog. After getting tired of traveling, the dog says he worked undercover security at the airport, uncovering significant plots and earning medals.
    Completely astonished, the man returns to the owner and asks why such an incredible dog is being sold for only ten dollars. The owner explains, "Because he's a liar. He never did any of that".
    something totally unrelated.... A man sees a sign in front of a house: "Talking Dog for Sale: $10". He rings the doorbell, and the owner tells him the dog is in the backyard. The man goes into the backyard and sees a nice-looking Labrador Retriever sitting there. "You talk?" the man asks. "Yep," the Lab replies. The man is amazed. "So, what's your story?" The dog claims to have had a career as a spy for the CIA for eight years, traveling the world and gathering intelligence because no one suspected a dog. After getting tired of traveling, the dog says he worked undercover security at the airport, uncovering significant plots and earning medals. Completely astonished, the man returns to the owner and asks why such an incredible dog is being sold for only ten dollars. The owner explains, "Because he's a liar. He never did any of that". 🤣
    Haha
    Love
    Like
    14
    3 التعليقات 0 المشاركات 1394 مشاهدة
  • Looking for a serious relationship and want a submissive crossdresser? Send a message to my email andrea47cd@gmail.com
    Looking for a serious relationship and want a submissive crossdresser? Send a message to my email andrea47cd@gmail.com
    Love
    2
    1 التعليقات 0 المشاركات 2202 مشاهدة
  • I'm looking for a businessman who wants his secretary, who feminizes me and turns me into his slut. The right person for me is a dominant master who feminizes me to his liking, teaches me about BDSM, and who companions me.
    I'm looking for a businessman who wants his secretary, who feminizes me and turns me into his slut. The right person for me is a dominant master who feminizes me to his liking, teaches me about BDSM, and who companions me.
    0 التعليقات 0 المشاركات 1011 مشاهدة
  • My current mani.. pretty awesome I hope all is going well with you guys keep kicking ass and taking names out there wherever you may be my friends
    #nails #nailart #badass
    My current mani.. 😁 pretty awesome 🤘😁🤘 I hope all is going well with you guys ☺️ keep kicking ass and taking names out there wherever you may be my friends 🤘😈🤘 #nails #nailart #badass
    Love
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    11
    0 التعليقات 0 المشاركات 1562 مشاهدة
  • I am sixty-four and the grief of the past two months has carved me hollow. Every morning I wake with the same violent start as though my heart has forgotten, for one merciful second, that she is gone. Then memory rushes back like cold water poured into cracked lungs. I cough on it. I always cough on it. Tonight I no longer pretend this is costume. The black satin mourning gown weighs thirty pounds if it weighs an ounce. The sleeves are so enormous they make my arms look like broken wings. The skirt is a black tide that drags behind me, heavy enough to drown small regrets. When I move, the silk screams sharp, wet slaps against itself, the sound of something being torn apart over and over. I have wrapped my head in a midnight black satin headscarf so vast it feels like I am being buried from the crown downward. The fabric is cool against my scalp, almost tender, the way her palm once was when she smoothed my hair before sleep. I pull it brutally tight underneath my chin. I want the tightness of the choke to hurt a little. I need to feel something that isn’t absence. Then the veil. Three sheer layers of black voile chiffon. The first kisses my eyelashes like soot. The second presses against my lips until I taste funeral flowers. The third falls to my waist and beyond, turning the room into a world seen through smoke and tears. Through it everything is dying again, softly, perpetually. My hands tremble as I button the twenty-four jet buttons of the double layer bodice rising from my belly to neck of the mourning gown. Each click of the button is a small gunshot in the quiet house. When I am finished my fingers inside my satin gloves are tired, elegant, useless. I cannot even touch my own face without feeling like I am trespassing on someone else’s sorrow. I descend the staircase one deliberate step at a time. The hem catches, drags, catches again. Silk on oak. Silk on oak. A dirge with no mercy. Halfway down I have to grip the banister because the weeping comes without warning, great, ugly sobs that make my whole body heave against the buttons of the bodice. I let them come. Let them tear through me. There is no one left to be ashamed in front of. In the drawing room I do not sit in her chair. I kneel. The skirt pools around me like spilled blood. I press my gloved palms flat against the carpet where her feet once rested. I lower my forehead until the veil puddles on the floor between my hands. I breathe in the ghost of her perfume, the ghost of her skin, the ghost of the mornings when I still woke as someone she recognised. “I’m sorry,” I whisper to the empty room. The words taste like rust. “I’m sorry I waited so long to become her. I’m sorry you never saw me like this. I’m sorry I’m still here breathing when you’re not.” The veil sticks to the wet tracks on my cheeks. I do not lift it. Let it cling. Let it choke. Let it witness. Outside, the night presses against the windows like a second, colder widow. A car passes. Headlights rake the room in white knives, illuminating me for one merciless second, an old crossdresser in extravagant widow’s weeds, kneeling, shaking, face hidden behind layers of black illusion, crying like something newly orphaned. I do not rise. I stay there until my knees scream, until the sobs turn to the small, broken hiccups of someone who has cried until there is almost nothing left to give. Only then do I speak again, so quietly the words barely disturb the veil. “You would have loved her,” I tell the dark. “You would have loved me.” And for the first time since the funeral two months ago, the silence does not feel like punishment. It feels like the last gentle touch of someone who finally understands.
    I am sixty-four and the grief of the past two months has carved me hollow. Every morning I wake with the same violent start as though my heart has forgotten, for one merciful second, that she is gone. Then memory rushes back like cold water poured into cracked lungs. I cough on it. I always cough on it. Tonight I no longer pretend this is costume. The black satin mourning gown weighs thirty pounds if it weighs an ounce. The sleeves are so enormous they make my arms look like broken wings. The skirt is a black tide that drags behind me, heavy enough to drown small regrets. When I move, the silk screams sharp, wet slaps against itself, the sound of something being torn apart over and over. I have wrapped my head in a midnight black satin headscarf so vast it feels like I am being buried from the crown downward. The fabric is cool against my scalp, almost tender, the way her palm once was when she smoothed my hair before sleep. I pull it brutally tight underneath my chin. I want the tightness of the choke to hurt a little. I need to feel something that isn’t absence. Then the veil. Three sheer layers of black voile chiffon. The first kisses my eyelashes like soot. The second presses against my lips until I taste funeral flowers. The third falls to my waist and beyond, turning the room into a world seen through smoke and tears. Through it everything is dying again, softly, perpetually. My hands tremble as I button the twenty-four jet buttons of the double layer bodice rising from my belly to neck of the mourning gown. Each click of the button is a small gunshot in the quiet house. When I am finished my fingers inside my satin gloves are tired, elegant, useless. I cannot even touch my own face without feeling like I am trespassing on someone else’s sorrow. I descend the staircase one deliberate step at a time. The hem catches, drags, catches again. Silk on oak. Silk on oak. A dirge with no mercy. Halfway down I have to grip the banister because the weeping comes without warning, great, ugly sobs that make my whole body heave against the buttons of the bodice. I let them come. Let them tear through me. There is no one left to be ashamed in front of. In the drawing room I do not sit in her chair. I kneel. The skirt pools around me like spilled blood. I press my gloved palms flat against the carpet where her feet once rested. I lower my forehead until the veil puddles on the floor between my hands. I breathe in the ghost of her perfume, the ghost of her skin, the ghost of the mornings when I still woke as someone she recognised. “I’m sorry,” I whisper to the empty room. The words taste like rust. “I’m sorry I waited so long to become her. I’m sorry you never saw me like this. I’m sorry I’m still here breathing when you’re not.” The veil sticks to the wet tracks on my cheeks. I do not lift it. Let it cling. Let it choke. Let it witness. Outside, the night presses against the windows like a second, colder widow. A car passes. Headlights rake the room in white knives, illuminating me for one merciless second, an old crossdresser in extravagant widow’s weeds, kneeling, shaking, face hidden behind layers of black illusion, crying like something newly orphaned. I do not rise. I stay there until my knees scream, until the sobs turn to the small, broken hiccups of someone who has cried until there is almost nothing left to give. Only then do I speak again, so quietly the words barely disturb the veil. “You would have loved her,” I tell the dark. “You would have loved me.” And for the first time since the funeral two months ago, the silence does not feel like punishment. It feels like the last gentle touch of someone who finally understands.
    Love
    Yay
    6
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  • Mmmmmm it's been 3 days since wearing the dress and im still thinking about it
    Mmmmmm it's been 3 days since wearing the dress and im still thinking about it 💗💗😥🍆
    Love
    Like
    5
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  • In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026.
    I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years.
    I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
    In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026. I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years. I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
    Love
    4
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  • Working from home again today xx
    Working from home again today xx
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    Like
    18
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  • its still sooooo cooooold outside XD : ) even with the coat XD.... looking forward for spring
    its still sooooo cooooold outside XD : ) even with the coat XD.... looking forward for spring
    Love
    Like
    15
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  • one of my rare days when i was walking around outside. nervous lol...
    one of my rare days when i was walking around outside. nervous lol...
    Love
    Like
    Yay
    15
    7 التعليقات 0 المشاركات 1202 مشاهدة
  • what's behind all these amazingly beautiful images on here who are obviously cis women being dom's? All they are after is your money. The images used are to catch you and they will get you to contact them privately. So these people (some may not even be the ones in the pictures) are called 'FinDom's'. Read up more about it here below and for all of you who keep posting positive messages and hearts against these scammers then please stop. You're the innocent victims they are looking for. https://medium.com/mel-magazine/the-curse-of-the-fake-financial-dominatrix-7f6aa52c022
    what's behind all these amazingly beautiful images on here who are obviously cis women being dom's? All they are after is your money. The images used are to catch you and they will get you to contact them privately. So these people (some may not even be the ones in the pictures) are called 'FinDom's'. Read up more about it here below and for all of you who keep posting positive messages and hearts against these scammers then please stop. You're the innocent victims they are looking for. https://medium.com/mel-magazine/the-curse-of-the-fake-financial-dominatrix-7f6aa52c022
    Like
    Love
    8
    7 التعليقات 0 المشاركات 1285 مشاهدة
  • Hope everyone had a great day love's man my rack is looking good lol
    Hope everyone had a great day love's man my rack is looking good lol
    Love
    Like
    18
    4 التعليقات 0 المشاركات 1697 مشاهدة
  • Very nice legs and lovely stockings- love to run my hands over them x
    Very nice legs and lovely stockings- love to run my hands over them x
    Love
    Like
    9
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  • Looking for friends/play mates in London x
    Looking for friends/play mates in London x
    Love
    1
    0 التعليقات 0 المشاركات 1490 مشاهدة
  • A number of years ago, I walked into a small back street Charity Shop on the edge of town. I wasn’t really looking for anything specific just browsing, killing time, letting my eyes wander over the racks the way I always did when I felt that familiar restless itch under my skin. Then I saw it. Hanging slightly askew on a padded hanger near the back wall, half-hidden behind a row of sensible navy blazers, was a floor-length satin bridal gown. Ivory, not stark white. The bodice was structured but not boned, the skirt a gentle A-line that flared softly rather than ballooning into tulle insanity. A modest neckline. Delicate lace overlay on the shoulders and upper chest. And pinned to the hanger was the tag: Size 32 Worn once £49. My heart gave a hard, guilty thud. I’m a UK 18" collar with a 50" chest in men’s shirts. But dresses… dresses measure differently. Especially wedding dresses. Especially ones made to accommodate curves most people would call “plus size.” I glanced around. The shop was quiet. An older woman with silver hair was sorting bric-a-brac at the counter; a younger volunteer early twenties, purple streaks in her hair was steaming something in the corner. I lifted the gown off the rail. The satin felt cool and liquid against my palms. Heavy in the right way. I carried it toward the changing cubicle like I was smuggling contraband. “Would you like to try it on, love?” the silver-haired woman called out. Her voice was kind, matter-of-fact. No trace of surprise or judgement. I froze for half a second. “Yes please,” I managed. My voice sounded smaller than usual. She smiled. “Curtain’s already drawn back there. Take your time. Shout if you need a hand with the zip.” The cubicle was narrow, just a full-length mirror screwed to the wall, a single hook, and a thin beige curtain that didn’t quite reach the floor. I hung the dress on the hook and stripped quickly out of my jeans, hoodie, socks, boxers, down to bare skin that already felt too warm, too alive. My **** was already half-hard just from touching the fabric, from the sheer improbability of this moment. I reached into the pocket of my discarded jeans on the floor and found the condom I always carried now just in case. Fingers trembling, I tore the packet, rolled the latex down over my throbbing length, making sure the reservoir tip was positioned correctly. The relief of containment was immediate. No stains. No evidence. Just secret, pulsing heat trapped safely inside. I stepped into the gown. The skirt whispered up my calves, over my thighs. I pulled it past my hips slowly, carefully and the satin glided over the soft roundness of my belly without catching. I tugged the bodice up over my chest. The cups were generously cut, there was room. Actual room. I reached behind and found the long invisible zip. It slid up smoothly, no resistance, no straining. When I let my arms drop, the dress settled around me like it had been waiting. I looked in the mirror. The reflection showed someone soft and full and blushing furiously beneath ivory satin. The modest neckline framed the gentle swell of my chest and the faint shadow of cleavage created by the way the bodice pushed everything together. My hips looked wide and womanly beneath the smooth fall of fabric. My belly made a soft, proud curve against the front of the skirt. I turned sideways. The line from back to front was lush, generous, unapologetic. It fit. It actually fit. A small, involuntary whimper escaped me. I heard footsteps outside the curtain. “Everything alright in there?” It was the younger volunteer this time. I swallowed. “Yes. Um… could you, could you maybe check the zip? Just to make sure it’s all the way up?” The curtain parted a few inches. She peeked in, eyes widening for only a heartbeat before her face softened into a genuine smile. She stepped inside careful, professional and fastened the tiny hook-and-eye at the top of the zip I hadn’t been able to reach. Her fingers were gentle. “There. Perfect. It’s like it was made for you.” I couldn’t speak. My **** was fully hard now, straining painfully against the satin lining. A bead of pre-cum had already escaped and I could feel the slippery warmth of it against the inside of the dress. I smoothed the front of the skirt with both hands. The satin gleamed under the fluorescent light. I looked sill looked like a bloke in a dress. A big, soft, blushing, overweight very happy bride. When I finally stepped out, both women were waiting. “I’ll take it,” I said. Whilst the younger woman unhooked and unzipped me, the silver-haired woman rang it up. “£49. Cash or card, love?” I handed over my card. I left the Charity Shop with the dress folded carefully in a large carrier bag, the memory of satin against every inch of my skin still electric. And for the first time in years, I didn’t feel like I was hiding. I felt like I was finally beginning to find myself.
    A number of years ago, I walked into a small back street Charity Shop on the edge of town. I wasn’t really looking for anything specific just browsing, killing time, letting my eyes wander over the racks the way I always did when I felt that familiar restless itch under my skin. Then I saw it. Hanging slightly askew on a padded hanger near the back wall, half-hidden behind a row of sensible navy blazers, was a floor-length satin bridal gown. Ivory, not stark white. The bodice was structured but not boned, the skirt a gentle A-line that flared softly rather than ballooning into tulle insanity. A modest neckline. Delicate lace overlay on the shoulders and upper chest. And pinned to the hanger was the tag: Size 32 Worn once £49. My heart gave a hard, guilty thud. I’m a UK 18" collar with a 50" chest in men’s shirts. But dresses… dresses measure differently. Especially wedding dresses. Especially ones made to accommodate curves most people would call “plus size.” I glanced around. The shop was quiet. An older woman with silver hair was sorting bric-a-brac at the counter; a younger volunteer early twenties, purple streaks in her hair was steaming something in the corner. I lifted the gown off the rail. The satin felt cool and liquid against my palms. Heavy in the right way. I carried it toward the changing cubicle like I was smuggling contraband. “Would you like to try it on, love?” the silver-haired woman called out. Her voice was kind, matter-of-fact. No trace of surprise or judgement. I froze for half a second. “Yes please,” I managed. My voice sounded smaller than usual. She smiled. “Curtain’s already drawn back there. Take your time. Shout if you need a hand with the zip.” The cubicle was narrow, just a full-length mirror screwed to the wall, a single hook, and a thin beige curtain that didn’t quite reach the floor. I hung the dress on the hook and stripped quickly out of my jeans, hoodie, socks, boxers, down to bare skin that already felt too warm, too alive. My cock was already half-hard just from touching the fabric, from the sheer improbability of this moment. I reached into the pocket of my discarded jeans on the floor and found the condom I always carried now just in case. Fingers trembling, I tore the packet, rolled the latex down over my throbbing length, making sure the reservoir tip was positioned correctly. The relief of containment was immediate. No stains. No evidence. Just secret, pulsing heat trapped safely inside. I stepped into the gown. The skirt whispered up my calves, over my thighs. I pulled it past my hips slowly, carefully and the satin glided over the soft roundness of my belly without catching. I tugged the bodice up over my chest. The cups were generously cut, there was room. Actual room. I reached behind and found the long invisible zip. It slid up smoothly, no resistance, no straining. When I let my arms drop, the dress settled around me like it had been waiting. I looked in the mirror. The reflection showed someone soft and full and blushing furiously beneath ivory satin. The modest neckline framed the gentle swell of my chest and the faint shadow of cleavage created by the way the bodice pushed everything together. My hips looked wide and womanly beneath the smooth fall of fabric. My belly made a soft, proud curve against the front of the skirt. I turned sideways. The line from back to front was lush, generous, unapologetic. It fit. It actually fit. A small, involuntary whimper escaped me. I heard footsteps outside the curtain. “Everything alright in there?” It was the younger volunteer this time. I swallowed. “Yes. Um… could you, could you maybe check the zip? Just to make sure it’s all the way up?” The curtain parted a few inches. She peeked in, eyes widening for only a heartbeat before her face softened into a genuine smile. She stepped inside careful, professional and fastened the tiny hook-and-eye at the top of the zip I hadn’t been able to reach. Her fingers were gentle. “There. Perfect. It’s like it was made for you.” I couldn’t speak. My cock was fully hard now, straining painfully against the satin lining. A bead of pre-cum had already escaped and I could feel the slippery warmth of it against the inside of the dress. I smoothed the front of the skirt with both hands. The satin gleamed under the fluorescent light. I looked sill looked like a bloke in a dress. A big, soft, blushing, overweight very happy bride. When I finally stepped out, both women were waiting. “I’ll take it,” I said. Whilst the younger woman unhooked and unzipped me, the silver-haired woman rang it up. “£49. Cash or card, love?” I handed over my card. I left the Charity Shop with the dress folded carefully in a large carrier bag, the memory of satin against every inch of my skin still electric. And for the first time in years, I didn’t feel like I was hiding. I felt like I was finally beginning to find myself.
    Love
    4
    3 التعليقات 0 المشاركات 3568 مشاهدة
  • My fingers tremble, just a faint quiver, as I reach for the foil packet on the nightstand. It’s almost weightless, a promise in silver. I tear it open with deliberate care (the small rip loud in the stillness), and the condom unfurls like liquid mercury. Cool and impossibly thin, it glides down over my already aching ****, sheathing me in a trembling second skin. Safe. Secure. A fragile barrier between me and the avalanche of satin to come. A bead of pre-cum kisses the latex tip; I smile. Patience, little sissy. You’ll have your reward.
    The first layer is a whisper-pink satin chemise, so fine it feels wet. I let it slither over my head, down my chest, until the hem brushes mid-thigh. Instantly it warms, clings, releases, and clings again with every breath. My palms chase the fabric, front and back, greedy for the slick heat blooming beneath my touch.
    Next, the Black nightgown (double-layered, heavy, devotional). I step into it and draw it upward. The inner lining kisses the chemise, and they sigh together: shhh, shhh, my private lullaby. It falls to my ankles in a perfect liquid column. When I move, both layers ripple, cool against cool, warmer where my body heat pools.
    The robe is deep rose, quilted satin outside, and champagne gloss within. Arms slide into sleeves, and the lining floods over my skin like chilled cream poured slow. I cinch the sash, and the world contracts: four surfaces of satin now stroking one another with every heartbeat (chemise on nightgown, nightgown on robe lining, lining on skin). I walk barefoot across the room, and the fabrics answer in overlapping waves: the chemise clings, the nightgown glides, and the robe slithers and sweeps. A private orchestra of frictionless lust.
    In the mirror I’m only blush and ivory shimmer, face flushed above an ocean of gloss. I lift my arms; sleeves fall back like slow-motion waterfalls. When they drop, the collapse is a soft, wet thud against my body that I feel in my teeth.
    I sink onto the midnight-blue satin duvet and let the robe bloom beneath me. On my back, layers flatten and spread, cool against my shoulder blades, my thighs, and the arches of my feet. I arch (just slightly) and the slide is obscene: satin on satin on satin, endless, merciless.
    Knees drawn up, fabric pools thick and warm between my thighs like molten candy. My palms smooth down the front (quilted diamonds, slick columns, clinging chemise, skin), and every layer moves with me, against me, inside me.
    Now the first of my headscarves, ballet-slipper pink, three feet of pure satin. Folded triangle wide, draped, pulled beneath my chin, crossed, and knotted tight. It cups my jaw and seals my throat. A second knot sits just under my lower lip like a soft gag. The world muffles instantly.
    Second scarf, ivory and heavier. Over the first, tied again triangle wide. Four thicknesses now cradle my head, press my cheeks, and frame my face in a gleaming oval.
    Third, a deep rose bandeau wound low, looped twice, and knotted at my nape. My chin is forced gently down; swallowing makes every layer glide against my throat in one slow, liquid swallow of its own.
    Then the veils.
    Pink chiffon, so sheer it’s barely there, yet it turns every texture beneath into a caress. Ivory voile next, pinned high, floating like breath. Last, pale mint over my face alone, tucked beneath the lowest knot. The room becomes watercolor. Breathing through it is filthy intimacy: the fabric flutters against my lips, tasting faintly of dye and my own heat.
    A final white satin ribbon, narrow and merciless. Three coils around my neck over every knot, until only a thick, glossy band remains, pulsing with my heartbeat.
    From crown to toe, only satin and chiffon speak. When I turn my head, the scarves whisper, and the veils drift like perfume. Pressure under my chin is constant, loving, and absolute.
    One sleeved hand slips beneath the pooled folds at my thighs (satin, satin, satin then the cool, taut drum of latex). The contrast is blinding. I stroke once, slowly. My breath flutters the veil against my lips.
    Knees higher. The other hand presses the stacked knots beneath my chin (gentle ownership). I begin: lazy circles that turn greedy. The condom translates every ridge of fabric into bright, liquid fire. Veils drift across my chest with each ragged inhale. Heat blooms, trapped, multiplied, sacred.
    Faster. Hips rock. The robe lining slithers against the duvet in one long, wet slide. Scarves tighten as my head sinks deeper into the pillow; the ribbon collar throbs.
    Release crashes silent and total. I bite down on nothing but chiffon, a muffled whimper swallowed by layers. Pleasure pours into the latex sheath in thick, obedient pulses, trapped and perfect, echoing through every fold until my whole body is one long satin tremor.
    After, I lie glowing. The condom keeps me immaculate (another reverent layer). My chest rises and falls beneath quilted satin and drifting voile; tiny aftershocks ripple like quiet tides.
    My fingers tremble, just a faint quiver, as I reach for the foil packet on the nightstand. It’s almost weightless, a promise in silver. I tear it open with deliberate care (the small rip loud in the stillness), and the condom unfurls like liquid mercury. Cool and impossibly thin, it glides down over my already aching cock, sheathing me in a trembling second skin. Safe. Secure. A fragile barrier between me and the avalanche of satin to come. A bead of pre-cum kisses the latex tip; I smile. Patience, little sissy. You’ll have your reward. The first layer is a whisper-pink satin chemise, so fine it feels wet. I let it slither over my head, down my chest, until the hem brushes mid-thigh. Instantly it warms, clings, releases, and clings again with every breath. My palms chase the fabric, front and back, greedy for the slick heat blooming beneath my touch. Next, the Black nightgown (double-layered, heavy, devotional). I step into it and draw it upward. The inner lining kisses the chemise, and they sigh together: shhh, shhh, my private lullaby. It falls to my ankles in a perfect liquid column. When I move, both layers ripple, cool against cool, warmer where my body heat pools. The robe is deep rose, quilted satin outside, and champagne gloss within. Arms slide into sleeves, and the lining floods over my skin like chilled cream poured slow. I cinch the sash, and the world contracts: four surfaces of satin now stroking one another with every heartbeat (chemise on nightgown, nightgown on robe lining, lining on skin). I walk barefoot across the room, and the fabrics answer in overlapping waves: the chemise clings, the nightgown glides, and the robe slithers and sweeps. A private orchestra of frictionless lust. In the mirror I’m only blush and ivory shimmer, face flushed above an ocean of gloss. I lift my arms; sleeves fall back like slow-motion waterfalls. When they drop, the collapse is a soft, wet thud against my body that I feel in my teeth. I sink onto the midnight-blue satin duvet and let the robe bloom beneath me. On my back, layers flatten and spread, cool against my shoulder blades, my thighs, and the arches of my feet. I arch (just slightly) and the slide is obscene: satin on satin on satin, endless, merciless. Knees drawn up, fabric pools thick and warm between my thighs like molten candy. My palms smooth down the front (quilted diamonds, slick columns, clinging chemise, skin), and every layer moves with me, against me, inside me. Now the first of my headscarves, ballet-slipper pink, three feet of pure satin. Folded triangle wide, draped, pulled beneath my chin, crossed, and knotted tight. It cups my jaw and seals my throat. A second knot sits just under my lower lip like a soft gag. The world muffles instantly. Second scarf, ivory and heavier. Over the first, tied again triangle wide. Four thicknesses now cradle my head, press my cheeks, and frame my face in a gleaming oval. Third, a deep rose bandeau wound low, looped twice, and knotted at my nape. My chin is forced gently down; swallowing makes every layer glide against my throat in one slow, liquid swallow of its own. Then the veils. Pink chiffon, so sheer it’s barely there, yet it turns every texture beneath into a caress. Ivory voile next, pinned high, floating like breath. Last, pale mint over my face alone, tucked beneath the lowest knot. The room becomes watercolor. Breathing through it is filthy intimacy: the fabric flutters against my lips, tasting faintly of dye and my own heat. A final white satin ribbon, narrow and merciless. Three coils around my neck over every knot, until only a thick, glossy band remains, pulsing with my heartbeat. From crown to toe, only satin and chiffon speak. When I turn my head, the scarves whisper, and the veils drift like perfume. Pressure under my chin is constant, loving, and absolute. One sleeved hand slips beneath the pooled folds at my thighs (satin, satin, satin then the cool, taut drum of latex). The contrast is blinding. I stroke once, slowly. My breath flutters the veil against my lips. Knees higher. The other hand presses the stacked knots beneath my chin (gentle ownership). I begin: lazy circles that turn greedy. The condom translates every ridge of fabric into bright, liquid fire. Veils drift across my chest with each ragged inhale. Heat blooms, trapped, multiplied, sacred. Faster. Hips rock. The robe lining slithers against the duvet in one long, wet slide. Scarves tighten as my head sinks deeper into the pillow; the ribbon collar throbs. Release crashes silent and total. I bite down on nothing but chiffon, a muffled whimper swallowed by layers. Pleasure pours into the latex sheath in thick, obedient pulses, trapped and perfect, echoing through every fold until my whole body is one long satin tremor. After, I lie glowing. The condom keeps me immaculate (another reverent layer). My chest rises and falls beneath quilted satin and drifting voile; tiny aftershocks ripple like quiet tides.
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  • Here's a possible post:

    Just got out of character and feeling like a QUEEN 👸🏽. Who's ready to help me get back into my most dominant self? Looking for a submissive sweetheart to spoil #MistressMode #CrossDressing #SissyLife"
    💅👗 Here's a possible post: Just got out of character and feeling like a QUEEN 👸🏽💁‍♀️. Who's ready to help me get back into my most dominant self? 😉 Looking for a submissive sweetheart to spoil 👀 #MistressMode #CrossDressing #SissyLife"
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  • Hi everyone, am I the only person who loves making skirts/ clothing out of plastic bags, it makes me feel so cheap and trashy and I love it
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  • This Year 2026.......
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    Please Vote on the Poll, its just for an Survey... Nothing Personal and Please Share this Pole Vote.
    This Year 2026....... What will you ever choose to Wear Everyday and Everytime, specially like on a Public Place like a Mall or Plaza?????? (without wearing an undies) Pantyhose or an Stockings Pull-Ups..... Please Vote on the Poll, its just for an Survey... Nothing Personal and Please Share this Pole Vote. 🤗🤗🤗
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