Going for a drive in my poofy Alice in Wonderland dress this Friday. First time leaving the house in petticoats!

Lets try again x morning girls xx

Kate's morning...
(Old Reminiscense)

I wish
I have again that hair
I wish I am at work in tights...
I wish I meet that Fairy Lady
Who will enlight
My days and nights...

The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family.
I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise.
The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.”
She wasn’t wrong.
Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten.
I asked to try it on.
In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic.
Then came the satin pieces.
I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature.
When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there.
I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows.
I bought it. No hesitation.
Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself.
It isn’t just a dress.
It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige.
And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.

Something is wrong here. I’m seeing posts from up to a month ago.

whats everyone up to?

Black Leather Skirt, Boots & Leopard

Im a crossdresser from Cheshire. If you want chat with me or on WhatsApp fire awayxx

How will my butts look?

My name in lights...the only possible choice for a Cover photo, right? xx
#nameinlights #crossdresser

In this year of Our Lord 1885, I, a gentleman of four-and-sixty summers and considerable corpulence, find myself irrevocably committed to the most elaborate and humiliating semblance of a widow in deepest mourning, nay, a sissy crossdresser, every contour of my person exaggerated into an absurd excess of feminine propriety at the unyielding command of Madame. My unwieldy frame is confined within a voluminous gown of black bombazine, its lustrous silk bodice drawn so severely that my affixed bosom rises and falls in mock matronly dignity. Upon my head sits an immense crape bonnet, enveloped in multitudinous folds of black crepe veiling that descend softly over my countenance and shoulders like the very pall of perpetual bereavement, its diaphanous gauze quivering with each breath and rendering me a figure of spectral, enforced delicacy.
Beneath this sombre raiment, a prodigious crinoline encircles my ample waist, distending the skirt to such extravagant breadth that every halting step discloses the lace-fringed hems of my cambric under-drawers and the delicately trimmed tops of my black lisle stockings, secured by embroidered satin garters. At times madame requires silk hose of the sheerest texture, yet the mortification endures undiminished. My feet, protesting and swollen, are imprisoned within patent leather ankle boots of four inches’ Louis heel, their pointed toes permitting a glimpse of my varnished nails in pitiable vulnerability. Should indolence be suspected, Madame fastens the straps with black satin ribbons, forestalling any attempt at relief. My hands, bearing permanent false nails of gleaming pearl, are gloved in lace mittens, adorned with rings upon every finger, while a jet choker of frilled design encircles my thick neck as a badge of submission. The whole attire is so profoundly girlish, so burdened with widow’s frippery, that it would provoke scandal even among the most devout matrons of Her Majesty’s court.
I descend from our Brougham in the crowded precincts of Covent Garden, With utmost caution I arrange my skirts, the heels resounding sharply upon the cobblestones, and proceed with mincing steps, hips swaying perforce beneath the crinoline’s dominion and the boots’ perilous elevation. Soft laughter ripples along the stallholders. Smiles of polite astonishment. Complimentary remarks follow. “La, madam, what a most becoming habit of mourning!” one declares. “The veil is exceedingly elegant, and those boots quite the mode!” They suppose it a seasonal fancy. I colour deeply beneath the crepe, threading my way through the ordeal with measured tread, aware that I shall return in seven days, and seven again thereafter, clad precisely thus, bereft of any festal pretext merely a creature wholly subject to his lady’s will.
I procure the articles enumerated upon Madame's list, tea of finest quality, spices, and provisions discharge the account, and retire with mincing gait to the carriage, crinoline whispering, veil fluttering like a mourner’s sigh. Madame directs that I convey her thither beforehand, yet she commands me first to enter and obtain her broadsheet and sweetmeats. As I totter across the thoroughfare, heels clacking, a lady seated in an adjacent Hansom calls out: “Those boots are positively ravishing, madam!” I turn, the veil shifting with ethereal grace, and reply in a low, submissive tone, “I am most obliged to you, Madame is pleased to attire me in this manner at all times.” She laughs with genuine delight. “Would that I might prevail upon my own husband to exhibit such commendable obedience!” Having restored Madame to her residence, I repair to the wine merchant’s. The moment I enter, eyes fix upon me chuckles, prolonged gazes. The proprietress cannot forbear a smile at my boots, her glance ascending to my carefully plucked brows, arched with precision. “Heavens preserve us,” she exclaims, “this is no mere passing fancy of costume. You have worn it for a considerable period, have you not?” I venture a faint, veiled smile. “Indeed, madam… it is the garb prescribed for me upon every occasion of shopping. I endeavour, by degrees, to grow reconciled to it.” A youthful clerk conveys the case of port to the carriage. He chuckles softly. “You bear it with uncommon grace, sir.” Madame assures me that habituation shall ensue. “In due course, the sense of mortification will diminish,” she declares with quiet conviction. “You will become thoroughly accustomed to your station as my devoted maidservant.” She contemplates the future with satisfaction: I, attending to the household in full uniform, discharging her every errand, awaiting her return in patient seclusion. Upon her entrance, I must execute a profound curtsey and relieve her of mantle and parasol. At every ingress or egress from a chamber curtsey. All domestic duties devolve upon me, performed amid the perpetual rustle of bombazine and crinoline.

Have you noticed none of the scammers get their tits out x or do you have to pay for that privilege xx

I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.

I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy

How come nobody shows there chest, its hot lol

Melanie's new navy-striped satin blouse has arrived!
So looking at doing some photo-shoots in this next weekend.....

In the dim parlour of a narrow terraced house on the edge of town, where the January dusk pressed against fogged windowpanes, Hanimefendi (once Tony, though the name now felt like an old coat left in the attic) sat perfectly still before the tall cheval mirror.
At sixty four, the body that looked back at her was soft and heavy, rolls of flesh pressing against the seams of her chosen mourning. Yet every inch of it had been reclaimed in Barbie Pink the violent, unapologetic pink of bubblegum, flamingos, and little girls’ birthday dreams. She had buried the muted blacks and charcoals of conventional widowhood the same afternoon she buried her former self. Grief, she decided, deserved better than drabness. Grief deserved to scream.
Her long gown swept the floorboards in heavy, liquid folds of pink satin. The fabric caught the lamplight in subtle, expensive highlights shimmering like wet sugar or the inside of a seashell. Tiny seed pearls marched along the modestly high neckline and down the front in orderly, virginal rows. The sleeves ended in deep cuffs of gathered pink chiffon that trembled with each slow breath.
Over the gown rode the blouse: glossy, deluxe, almost liquid in its sheen. Frills cascaded from throat to waist like a waterfall of spun sugar ruffles upon ruffles upon ruffles, each edge finished with the thinnest piping of darker rose. The cuffs alone could have doubled as christening bonnets.
But the true crown was the headscarf.
An oversized triangle of blush pink satin, almost cartoonishly large, draped from the top of her head and cascaded past her shoulders in glossy waves. She had tied it under the chin with an extravagant bow, the ends trailing like rabbit ears. Pinned beneath it floated a sheer pink chiffon voile veil long enough to brush the upper swell of her ample chest, fine enough that her features showed through like a watercolour left in the rain. The veil softened the male jawline she had once hated, blurred the double chin, turned every blink into something theatrical and tender.
Her mouth was a dramatic wound of matte fuchsia, outlined sharper than a paper cut. Above it arched brows drawn in powdery rose, while the eyelids shimmered with pearlescent pink shadow and were rimmed in vivid bubblegum liner that flicked outward in exaggerated Rococo commas. Cheeks bloomed with circular rouge like a porcelain doll painted by an over enthusiastic child. The overall effect was sissy maid meets Marie Antoinette in full defiant mourning feminine, excessive, absurdly pretty, and deliberately inconsolable.
He, her male persona had hated the colour pink. Called it childish. Called it weak. On the nightstand sat the little brass urn containing what remained of him, his cremated wardrobe of male clothes, positioned so that the urn had no choice but to stare at her forever.
Hanimefendi lifted one plump, ring laden hand. The nails were lacquered the exact shade of strawberry marshmallow. She touched the veil where it lay across her lips, pressing the satin bow against them as though kissing herself goodnight.
I wore navy coloured clothes for forty-one years, she whispered to the mirror, voice low and cracked from crying and cigarettes she had given up in 1998. Navy and sensible shoes and ‘yes dear’ and ‘not now.’ You had your funeral in charcoal. Mine is pink. Barbie bloody pink. And I’m not sorry.
A tear escaped, cutting a bright path through the rouge. It hung on the veil like dew on candyfloss before soaking in.
She rose slowly, arthritic joints protesting and moved to the ancient radiogram in the corner. The needle settled onto an old 78. A scratchy soprano began to sing something unbearably sentimental about lost loves and rose gardens. Hanimefendi began to sway. The gown whispered against itself. The frills trembled. The veil floated like breath.
In the mirror a vast, pink, glittering figure danced alone widowed, overweight, outrageously made up, and for the first time in six decades entirely herself.
She was mourning, yes. But she was mourning in colour. And the house, for one evening at least, smelled faintly of rose talc, hot satin, and the sweetest kind of revenge.

No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.
-----------------------
Why do I love Co ck......
This is a good question and I guess it's personal to me ...
Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
The taste of a clean **** is amazing.
The way it shows you it enjoys what you started by getting hard, what a turn on
The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
Damn I love them so much ....

If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
Send them my way
------------------------------------------------------------
Further Slutty Reading

As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
Well it's very important to understand before we meet a few things.
I'm meeting you for my own pleasure entirely,
I'm not interested in you looking like a Female entirely... Let me explain
Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
Unfortunately I DON'T do beards, not on my Co ck.
So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
Now the next thing is what you may want me to do or of course do to me.
The 2 rules I have will have been discussed with you before now anyway so...
My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
You are a Toy for my pleasure.... That's it
You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
Now you know..


All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>

Who wants to chat

Hello girls... Someone wants to talk and change some pictures?

just another scammer. though name may not contain the usual types when they mention sl@ves, telegram and zangi, you know its dodgy af and they are after your money for nothing. Report and block. likely they will try and remove my post on their pic so here is what i sent

The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.

One of my latest sexy looking outfits. AI art and all.

These Are AI photo of me, face and pose is me, just thought I would see how I look in various different outfits, really like the wedding dress ones

someone mentioned how can the Stories container be switched off. I've had a look in settings and its not an option unfortunately. Only thing I can think of is something you can do on any web page you visit is to temp edit the content. It won't break their site so don't worry. I've not yet tried it as tbh I can't be bothered but it will remove the section so long as you stay on the page and don't refresh. Here's a quick intro for all you budding developers... You can temporarily edit any webpage in your browser by using the "Inspect Element" [right click on a blank area of a web page to see a menu] feature to modify HTML/CSS code or by activating "Design Mode" in the console. These changes are local, temporary, and disappear upon refreshing, perfect for quick mockups or testing layouts.

I found suddenly
Surprise...
I walk in tights
But not striptease...

OMG and I thought the scammers posting on the main page was bad. Have you looked in the Forums section (do not click on any posts!) I saw about two with subject titles relevant to the area

Driving in a skirt and fish net tights

Is it me or do all these BDSM Girl Touts look the bloody Same

Who cares what a heat pump costs lol x

Stolen from someone else's Fetlife post, but...

It took me a while to really understand exactly why the right is so terrified specifically of trans women.

And then I really thought about six foot tall women with obsessions with wilderness survival and craft activities and swords and guns and cooking and decentralized workers liberation movements and oh now I get it.

... i'm nowhere near six foot tall, have no guns, but otherwise....

Thank you so much to everyone who showed me so much love yesterday And thank you for all the lovely girly chats. You honestly made Dorothy feel so complete.

The room was silent except for the soft rustle of fabric and the slow, deliberate rhythm of her breathing.

She had asked for one thing tonight: to disappear completely into herself.

The first layer came as a whisper cool, liquid like satin poured over her bare skin. A full-length slip of deep midnight blue, heavier than it looked, sliding down her body like cool water that refused to evaporate. It kissed every curve, every hollow, then settled against her with possessive weight. She exhaled long and low as the hem brushed her ankles.

Then the second skin.

A thicker satin robe followed, floor-length, wide-sleeved, the kind meant for royalty who never intended to leave their chambers. Deep indigo, almost black in low light. He fastened the inner ties first slowly, methodically cinching her waist just enough that every breath reminded her of the fabric’s embrace. The outer sash wound around her twice before being tied in a wide, flat bow at the small of her back. She felt the slight tug travel all the way up her spine.

“Arms,” he murmured.

She lifted them like someone already half-asleep.

A third layer: a long, hooded cape of the same midnight satin, lined with silk so fine it felt like cool breath against her neck. The hood was generous, cut wide and deep. When he drew it forward, the satin edges curtained her peripheral vision until the world narrowed to a soft, shadowed tunnel. Only her face remained visible for now.

He stepped back to look at her.

She stood motionless in the centre of the room, gleaming faintly under the single lamp, already beginning to look like something carved from night itself.

Then came the veil.

Not lace, not tulle pure satin, sheer enough to see the outline of features beneath, dense enough to blur every detail into dreamlike softness. He draped it over the hood first so it cascaded down the front and back of her body in long, liquid folds. When he smoothed it across her face, the fabric settled like a second eyelids. She felt the faint pressure against her eyelashes, the hush of her own breath trapped and warmed against her lips.

He tied it gently at the nape, then again lower, securing it beneath the layers of satin already cocooning her throat. The knot was small, decorative, almost ornamental. But it anchored everything.

Now she was covered.

Encased.

Hooded.

Veiled.

A single continuous surface of satin from crown to toe shimmering, unbroken, reflective swallowing light and returning only muted echoes of it.

He guided her to the wide, low bed. She moved slowly, each step a muted hiss of fabric sliding over fabric. When she reached the edge, he helped her lie back, arranging the excess satin around her like spilled ink. The hood framed her face in a perfect oval of shadow; the veil softened her mouth into something distant and serene.

He pulled a final piece from the drawer: a narrow length of the same midnight satin. Not a blindfold something gentler. He laid it across her eyes, not tying it, just letting the weight rest there. Enough to make the world behind her eyelids even darker, even quieter.

Then he sat beside her.

No words for a long time.

Only the slow tide of her breathing, growing deeper, slower, heavier with each cycle. The satin moved with her rising, falling, whispering against itself. Every small shift sent fresh waves of cool smoothness gliding across her skin, then settling again, reminding her she was held, contained, nowhere left exposed.

Minutes passed. Maybe more.

Her hands, hidden inside the wide sleeves, eventually stopped searching for anything. They curled loosely against her stomach, cradled by layer after layer of satin.

Her mouth parted beneath the veil just enough for the softest sigh to escape.

She was gone now.

Not asleep, not yet.

Somewhere softer than sleep.

Somewhere the world could not reach.

Only satin.

Only weight.

Only hush.

And the long, slow pulse of total, satin surrender.

#1 - I have several videos I just made - here is my first test - comments appreciated.

Hi ladies, does anyone take hormones and can tell me what they're called, if it's true that they give good results, and how long it takes for them to become visible?

Rachellovesex who's a paid up member and should know better out of most people, has posted explicit pictures (not the first) showing a toy and herself bent over spreading showing the cat's eye (yuck!). I chastised her and said she should take the images down, adding a copy of the main rules at the very top of the main page of this site. Said if you want to post those kind of pictures then go use another appropriate site (as I do). So she's sent me a message but I'm assuming she also blocked me straight away, as I can't read it or see her profile. If you see the post and think its not appropriate please take action.

Anyway was checking the main feed and noticed a against one of my rants about scammers. Saw it was from Tgirljane69. Well her last picture is plastered across the internet. Call me cynical but I don't think its who she portrays on here. Make your own mind up though.

In Visibility

I ask myself
If I am lie
Pretending
Not be boy
If I am strange?
I don't deny
It's strange
To be doll toy
I often ask
Myself
If I
want be
Like them at all
And every time
Without thrust
I answer
Not like girl...
So all it is
A sense of tights
That make you
Much excite?
And warmth
And pleasure
Even lust...?
You ll name
Them all...
You might...
Am I just hiding
From my past
From Love
I never met?
I just not felt
At all
"your must"
Makes happy
At the end...
Am I afraid
To meet divorce?
Not really
All'd past...
So please explain
Why you are girl
When born another cast...?
Do you avoiding
World of men
Nor fitting
Nor in peace
And live on border
Of your ends
In tights
To feel like
Miss...?
I do not know
It is trill
To dress and go
Through...
Through
World
Unnoticed
At all
No matter ever
Boy or girl...

No Ai or Fake Pictures, What you see is me and mine. Nothing more or less.

Why do I love Co ck

This is a good question and I guess it's personal to me ...
Co ck that has the head fully showing to me look amazing, small medium or large just look incredible and if Smooth Shaven and in Stockings or Holdups then I'm Week and I must have them in my mouth.
The way the skin behind the head moves with your lips, the feel of the rough edge of the Head.
The taste of a clean **** is amazing.
The way it shows you it enjoys what you started by getting hard, what a turn on
The best thing of all is how after all this fun sucking and playing it rewards you again with the most amazing Pre Cum then followed by a juicy mouth full of Cum for me to Swallow and enjoy...
Damn I love them so much ....

If you are local to Derby or Nottingham then get in touch, get those Co ck Photos and
Send them my way
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Further Slutty Reading

As someone that on the odd occasion meets other CDs, I think it is important to know how I feel about you if we meet up.
Well it's very important to understand before we meet a few things.
I'm meeting you for my own pleasure entirely,
I'm not interested in you looking like a Female entirely... Let me explain
Before we got to the meeting point we would have chatted extensively about it, and swapped Pics as you do.
So now we know I'm only interested in your Co ck, but only Smooth Co ck and in Lingerie.
Unfortunately I DON'T do beards, not on my Co ck.
So now we know, You need to be Smooth, in Lingerie and have a **** I WILL use.
That means I will be Sucking that Co ck Dry and Swallowing the Content, No Ifs, No Buts...
Now the next thing is what you may want me to do or of course do to me.
The 2 rules I have will have been discussed with you before now anyway so...
My Co ck 'WILL' be Emptied and 'WILL' be Swallowed by You, No Ifs, No Buts...
I get asked, but I wanted you to **** my Ass, that's fine but the rule above still applies so remember that...
I get asked, But I wanted to **** your Ass, well again that's fine but you WILL Cum in my mouth and Feed me, No Ifs, No Buts.
You are a Toy for my pleasure.... That's it
You may become a friend and we may meet very regular, but everything above ALWAYS stays the same....Never Ever any Mess or Waste...
Now you know..


All my best pictures and Stories in one (FREE) Private Group <a href="https://www.flickr.com/groups/14871084@N25/">www.flickr.com/groups/14871084@N25/</a>

Thanx lotts gurls!

Love these tights xxx

Peek at the petticoats

I have dated many cis women and it was great sex or love making without BDSM. I want a sissy, but I'm not convinced they have as good a orgasm as cis vaginal. But not all cis women are great in bed. So I'm attracted to sissy if they look like a beautiful woman that's how I transition to wanting a hot looking chick with a dick. I have an oral fixation and if a sissy wants me as a daddy, then I'm interested. But bdsm could be a waste of my time and I'm not into being tied up for an hour while the ******** leaves and fucks someone else...lol

Good mornimg girls its friday xxxx

Lighting is abit dim, but messing around with the different lighting effects

Whether you are a beginner or an experienced player, your fetish and BDSM desires will be teased, taunted and elevated until you are aching for release. Finally, you are left gasping and fulfilled, shivering with satisfaction at the best adult fantasy you will ever experience with the ********

I understand that for many submissives, your slavery is therapeutic. In your servitude to Me, you will feel release from the constraints of your vanilla lifestyle. As your ********, I am both your trainer and your guide, as we delve together further into the dark arts of BDSM, Kink and Fetish

Text me on zangi 6869055896
if you're ready to purchase your certificate form

Mmmmm its so fun to walk around in my huge vintage bridesmaid dress!

Sorry about the hairy legs, it's too hot for stockings or tights, not to mention wigs
I'm looking forward to some cooler weather in the next few days