• You know i still wanna hold hand's in the beach with a sweetie........who's taking me ??????
    You know i still wanna hold hand's in the beach with a sweetie........who's taking me ??????
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  • Has anyone ever been to Sweet Wednesday in London? Dm me and let me know your thoughts. Is it safe?
    Has anyone ever been to Sweet Wednesday in London? Dm me and let me know your thoughts. Is it safe?
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  • Two more before bed- and sweet, if wet, dreams x
    Two more before bed- and sweet, if wet, dreams x
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  • 5/5 that's all for tonight. Sweet dreams :)
    5/5 that's all for tonight. Sweet dreams :)
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  • I am sixty four, unemployed after caring for the last few years for my wife, and a widower of exactly three months. My wife died from a long ilness on the 12th of November 2025. The house is a 1970s terraced end of row in a quiet Midlands estate, two up, two down, pebble dash front, UPVC windows, the kind of place where neighbours know when you put the bins out. No children, long grown up and moved away, nor other family members, just me and the central heating that clicks on at six-thirty every morning whether I want it to or not.
    We were married forty five years. I worked in the same warehouse until they made me redundant in 2020, she kept the books for a small solicitor until her diagnosis. After the funeral I sold her car, cancelled the window cleaner, and the weekly supermarket internet shopping and started drawing on my tiny pension. The days are long and the nights are longer.
    Most evenings I sit in the front room with the curtains drawn and the television on mute. Tonight the house feels smaller than usual. The clock on the mantelpiece says 21:17. I stand up, switch off the lamp, and walk upstairs in the dark.
    In the spare bedroom her sewing room that became my dressing room I open the tall IKEA wardrobe. The left side is still her dresses and coats. The right side is mine: the secret side. Rows of satin headscarves in every colour, polyester foulards bought on eBay, oversized satin hijabs in midnight black and charcoal, metres and metres of sheer chiffon voile in black, graphite, and the deepest ink. Some still smell faintly of the fabric softener she used.
    I undress slowly. The mirror on the wardrobe door is cheap and slightly warped, but it is honest. Naked, sixty-four, soft belly, thin legs, the body of a man who has outlived his usefulness. I reach for the black satin corset first, cheap second hand eBay corset lingerie, lightly boned, size 3XL. I hook it closed until my waist and soft belly shrink and my breathing turns shallower. Then the high waisted black satin knickers, the sheer black stockings with the wide lace tops, the long line black satin slip that whispers against my skin like a promise.
    Next the dress: a full skirted 1950s style mourning day dress made from heavy black polyester satin, high collar, long sleeves, hem that brushes my ankles. Over it I tie a wide black satin sash that cinches across my contained belly. The fabric is slippery, cool, obscene in its shine.
    Now the head. This is the part that matters most.
    I choose the largest satin hijab first, jet black, 140 cm square, heavy bridal satin that catches every stray bit of light. I fold it into a triangle, drape it over my head so the point hangs down my back, then bring the two ends under my chin and tie them in a tight knot at the nape of my neck. The satin lies glossy and taut across my forehead, smooth over my ears, covering every grey hair. It feels like being sealed.
    Over the satin I pin a second layer: a sheer black chiffon voile scarf, almost transparent, 120 cm square. I drape it loosely so it falls across my face like a mourner’s veil from another century, but softer, more sensual. The chiffon drifts against my lips when I breathe. I can see through it, only just, but the world is softened, blurred, intimate. I add a third scarf, a smaller polyester foulard in charcoal, tied bandana style over the top to weight the chiffon down and keep it in place. The layers stack: satin underneath, chiffon floating, polyester binding. My face is gone. Only eyes, mouth, the suggestion of a nose remain.
    I step back. The mirror shows a figure that is neither man nor woman, neither past nor present. A black satin widow from a fever dream. The train of the dress drags on the cheap carpet, the petticoat beneath it rustles. Every movement makes the satin sigh.
    I walk downstairs like this, tiny steps because the corset and the long skirt will allow nothing else. The chiffon veil brushes my lashes. In the kitchen I pour a large whisky with gloved hands, black satin opera gloves that reach my elbows. I carry the glass into the living room, sit on the sofa, cross my legs at the ankle the way she used to. The layers of satin and chiffon settle around me like a second skin.
    Outside, a car passes. Inside, the only sound is the soft hiss of fabric when I breathe.
    Three months a widower. Forty five years a husband. Sixty four years a man who has always, secretly, wanted to disappear inside silk and satin and the soft prison of a veil.
    I lift the edge of the chiffon just enough to sip the whisky. The taste is sharp against the sweetness of the fabric against my mouth. Then I let the veil fall again.
    In this house, in this year 2026, no one is watching.
    No one will ever know.
    And for the first time since November, I feel almost at peace
    perfectly veiled,
    perfectly hidden,
    perfectly hers.
    I am sixty four, unemployed after caring for the last few years for my wife, and a widower of exactly three months. My wife died from a long ilness on the 12th of November 2025. The house is a 1970s terraced end of row in a quiet Midlands estate, two up, two down, pebble dash front, UPVC windows, the kind of place where neighbours know when you put the bins out. No children, long grown up and moved away, nor other family members, just me and the central heating that clicks on at six-thirty every morning whether I want it to or not. We were married forty five years. I worked in the same warehouse until they made me redundant in 2020, she kept the books for a small solicitor until her diagnosis. After the funeral I sold her car, cancelled the window cleaner, and the weekly supermarket internet shopping and started drawing on my tiny pension. The days are long and the nights are longer. Most evenings I sit in the front room with the curtains drawn and the television on mute. Tonight the house feels smaller than usual. The clock on the mantelpiece says 21:17. I stand up, switch off the lamp, and walk upstairs in the dark. In the spare bedroom her sewing room that became my dressing room I open the tall IKEA wardrobe. The left side is still her dresses and coats. The right side is mine: the secret side. Rows of satin headscarves in every colour, polyester foulards bought on eBay, oversized satin hijabs in midnight black and charcoal, metres and metres of sheer chiffon voile in black, graphite, and the deepest ink. Some still smell faintly of the fabric softener she used. I undress slowly. The mirror on the wardrobe door is cheap and slightly warped, but it is honest. Naked, sixty-four, soft belly, thin legs, the body of a man who has outlived his usefulness. I reach for the black satin corset first, cheap second hand eBay corset lingerie, lightly boned, size 3XL. I hook it closed until my waist and soft belly shrink and my breathing turns shallower. Then the high waisted black satin knickers, the sheer black stockings with the wide lace tops, the long line black satin slip that whispers against my skin like a promise. Next the dress: a full skirted 1950s style mourning day dress made from heavy black polyester satin, high collar, long sleeves, hem that brushes my ankles. Over it I tie a wide black satin sash that cinches across my contained belly. The fabric is slippery, cool, obscene in its shine. Now the head. This is the part that matters most. I choose the largest satin hijab first, jet black, 140 cm square, heavy bridal satin that catches every stray bit of light. I fold it into a triangle, drape it over my head so the point hangs down my back, then bring the two ends under my chin and tie them in a tight knot at the nape of my neck. The satin lies glossy and taut across my forehead, smooth over my ears, covering every grey hair. It feels like being sealed. Over the satin I pin a second layer: a sheer black chiffon voile scarf, almost transparent, 120 cm square. I drape it loosely so it falls across my face like a mourner’s veil from another century, but softer, more sensual. The chiffon drifts against my lips when I breathe. I can see through it, only just, but the world is softened, blurred, intimate. I add a third scarf, a smaller polyester foulard in charcoal, tied bandana style over the top to weight the chiffon down and keep it in place. The layers stack: satin underneath, chiffon floating, polyester binding. My face is gone. Only eyes, mouth, the suggestion of a nose remain. I step back. The mirror shows a figure that is neither man nor woman, neither past nor present. A black satin widow from a fever dream. The train of the dress drags on the cheap carpet, the petticoat beneath it rustles. Every movement makes the satin sigh. I walk downstairs like this, tiny steps because the corset and the long skirt will allow nothing else. The chiffon veil brushes my lashes. In the kitchen I pour a large whisky with gloved hands, black satin opera gloves that reach my elbows. I carry the glass into the living room, sit on the sofa, cross my legs at the ankle the way she used to. The layers of satin and chiffon settle around me like a second skin. Outside, a car passes. Inside, the only sound is the soft hiss of fabric when I breathe. Three months a widower. Forty five years a husband. Sixty four years a man who has always, secretly, wanted to disappear inside silk and satin and the soft prison of a veil. I lift the edge of the chiffon just enough to sip the whisky. The taste is sharp against the sweetness of the fabric against my mouth. Then I let the veil fall again. In this house, in this year 2026, no one is watching. No one will ever know. And for the first time since November, I feel almost at peace perfectly veiled, perfectly hidden, perfectly hers.
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  • You know what I’m realising as I get older. And it can probably be applied to every generation… But if you were born in the 80s like me we will probably get a long. We probably lived very similar lives, music, school experiences and probably started crossdressing the same way. That’s not to say I won’t or don’t get on with older or younger people, it's just 80s is the sweet spot.
    You know what I’m realising as I get older. And it can probably be applied to every generation… But if you were born in the 80s like me we will probably get a long. We probably lived very similar lives, music, school experiences and probably started crossdressing the same way. That’s not to say I won’t or don’t get on with older or younger people, it's just 80s is the sweet spot. 👌
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  • Good night everyone, sweet dreams.
    Good night everyone, sweet dreams.😴
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  • Hey I’m Jasmine Sweet — a UK-based crossdresser with a curvy body, a soft smile, and a curious mind. Sweet, playful, and a little bit cheeky once I’m comfy
    Here to flirt, connect, and see where sparks might lead. If you’re kind, open-minded, and enjoy a little sweetness… come say hi
    Hey 💕 I’m Jasmine Sweet — a UK-based crossdresser with a curvy body, a soft smile, and a curious mind. Sweet, playful, and a little bit cheeky once I’m comfy 😉 Here to flirt, connect, and see where sparks might lead. If you’re kind, open-minded, and enjoy a little sweetness… come say hi ✨💋
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  • Why does the unfollow button do sweet FA, sick of seeing all the fake AI and dom accounts.
    Why does the unfollow button do sweet FA, sick of seeing all the fake AI and dom accounts.
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  • Do you like it ?

    Love this sweetie ass xxx
    Do you like it ? 💗 Love this sweetie ass xxx 🍑❤️🔥
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  • The case came in sideways, like everything else north of the equator these days.

    Over the irradiated murky Atlantic pond, Glasgow didn’t rain so much as accuse. The drizzle slid down the soot-stained tenements like it knew every sin committed inside them. Post-war, post-bomb, post-everything that ever pretended to be civilized. The apocalypse didn’t flatten Scotland the way it did Los Angeles, it hollowed it out instead, left the bones standing and filled the gaps with whisky, guns, and ghosts.

    I wore black that night. Not the practical kind.
    The statement kind.

    A black oversized tartan satin headscarf wrapped tight around my hair, catching the light like wet ink. Over my face, a sheer black chiffon voile veil, the mourning lace thin enough to breathe through, thick enough to hide regret. The rest of me was Victorian grief dialed up to eleven: glossy black tartan blouse with rococo frills, satin panels hugging me like a second conscience, skirts whispering every time I moved. I looked like a widow who’d buried the world and decided it deserved it.

    In Glasgow, that bought me anonymity.

    They called me Han here too, though the locals said it like a question. I’d followed the trail across the Atlantic after a shipment of American surplus hardware went missing, Tommy guns, plasma pistols, a few toys left over from the end of the world. Fallout New Vegas tech, Hollywood Hills money, Highland routes. Someone was running iron through the glens and washing it down with single malt older than the war itself.

    The back streets off Trongate were crooked enough to make a Dutch cameraman weep. Buildings leaned in close, sharing secrets. Gas lamps flickered like they were afraid of what they might illuminate. I walked slow, heels deliberate, veil fluttering just enough to let the right people notice and the wrong people hesitate.

    That’s when the femme fatale found me.

    She leaned against a doorway like she’d been waiting for the end of the world to catch up. Hair platinum under a cloche hat, lips dark as a closed casket. Scottish, sharp, and carrying herself like a blade wrapped in silk.

    “You’re far from Hollywood, sweetheart,” she said. “And you’re dressed for a funeral that isn’t yours.”

    “Everyone’s funeral is mine eventually,” I said. “I just like to dress appropriately.”

    She smiled. That was the mistake.

    Her name was Moira Blackwood. Whisky broker. Gun runner. Mourner by trade. She dealt in Highland routes, smugglers who knew every fog bank, every forgotten rail spur left behind when the bombs fell south. The Americans supplied the firepower. The Scots supplied the patience.

    And someone was skimming.

    Bodies were turning up in the lochs. Empty bottles floating beside them like punchlines. Moira wanted to know who was cutting into her business before it turned into a clan war with automatic weapons.

    We took a train north that barely remembered being a train. Through valleys drowned in mist and radiation snow. I kept the veil on the whole way. In the Highlands, superstition still worked better than bullets.

    The smugglers met us in an abandoned distillery, barrels stacked like tombstones. The tartan of my outfit mirrored theirs, same pattern, different intent. They watched me carefully. Men always did when they couldn’t decide what category to put me in.

    That hesitation saved my life.

    When the shooting started, I was already moving. Heels skidding on stone, skirts swirling, revolver barking from beneath layers of satin and sorrow. Moira went down fast—winged, not dead. The real culprit bolted for the back door, carrying a ledger thick with names and lies.

    I caught him by the loch.

    The water reflected us in stark monochrome: him shaking, me looming, veil rippling like smoke. He confessed quickly. They always did when faced with someone who looked like death had chosen tartan satin couture.

    I left him there for the deep dark water to judge.

    By dawn, the Highlands were quiet again. Moira paid me in whisky older than memory and ammunition stamped with American lies. Fair trade.

    Back in Glasgow, I stood in a cracked mirror in a boarding house that smelled of coal and grief. I removed the veil last. Always last.

    Another city survived. Another secret buried. Another outfit stained with rain instead of blood.

    The world was still tilted. Still broken. Still rolling on at the wrong angle.

    But as long as there were shadows to walk and clothes that told the truth my mouth didn’t have to, I’d keep going.

    Mourning never goes out of fashion.
    The case came in sideways, like everything else north of the equator these days. Over the irradiated murky Atlantic pond, Glasgow didn’t rain so much as accuse. The drizzle slid down the soot-stained tenements like it knew every sin committed inside them. Post-war, post-bomb, post-everything that ever pretended to be civilized. The apocalypse didn’t flatten Scotland the way it did Los Angeles, it hollowed it out instead, left the bones standing and filled the gaps with whisky, guns, and ghosts. I wore black that night. Not the practical kind. The statement kind. A black oversized tartan satin headscarf wrapped tight around my hair, catching the light like wet ink. Over my face, a sheer black chiffon voile veil, the mourning lace thin enough to breathe through, thick enough to hide regret. The rest of me was Victorian grief dialed up to eleven: glossy black tartan blouse with rococo frills, satin panels hugging me like a second conscience, skirts whispering every time I moved. I looked like a widow who’d buried the world and decided it deserved it. In Glasgow, that bought me anonymity. They called me Han here too, though the locals said it like a question. I’d followed the trail across the Atlantic after a shipment of American surplus hardware went missing, Tommy guns, plasma pistols, a few toys left over from the end of the world. Fallout New Vegas tech, Hollywood Hills money, Highland routes. Someone was running iron through the glens and washing it down with single malt older than the war itself. The back streets off Trongate were crooked enough to make a Dutch cameraman weep. Buildings leaned in close, sharing secrets. Gas lamps flickered like they were afraid of what they might illuminate. I walked slow, heels deliberate, veil fluttering just enough to let the right people notice and the wrong people hesitate. That’s when the femme fatale found me. She leaned against a doorway like she’d been waiting for the end of the world to catch up. Hair platinum under a cloche hat, lips dark as a closed casket. Scottish, sharp, and carrying herself like a blade wrapped in silk. “You’re far from Hollywood, sweetheart,” she said. “And you’re dressed for a funeral that isn’t yours.” “Everyone’s funeral is mine eventually,” I said. “I just like to dress appropriately.” She smiled. That was the mistake. Her name was Moira Blackwood. Whisky broker. Gun runner. Mourner by trade. She dealt in Highland routes, smugglers who knew every fog bank, every forgotten rail spur left behind when the bombs fell south. The Americans supplied the firepower. The Scots supplied the patience. And someone was skimming. Bodies were turning up in the lochs. Empty bottles floating beside them like punchlines. Moira wanted to know who was cutting into her business before it turned into a clan war with automatic weapons. We took a train north that barely remembered being a train. Through valleys drowned in mist and radiation snow. I kept the veil on the whole way. In the Highlands, superstition still worked better than bullets. The smugglers met us in an abandoned distillery, barrels stacked like tombstones. The tartan of my outfit mirrored theirs, same pattern, different intent. They watched me carefully. Men always did when they couldn’t decide what category to put me in. That hesitation saved my life. When the shooting started, I was already moving. Heels skidding on stone, skirts swirling, revolver barking from beneath layers of satin and sorrow. Moira went down fast—winged, not dead. The real culprit bolted for the back door, carrying a ledger thick with names and lies. I caught him by the loch. The water reflected us in stark monochrome: him shaking, me looming, veil rippling like smoke. He confessed quickly. They always did when faced with someone who looked like death had chosen tartan satin couture. I left him there for the deep dark water to judge. By dawn, the Highlands were quiet again. Moira paid me in whisky older than memory and ammunition stamped with American lies. Fair trade. Back in Glasgow, I stood in a cracked mirror in a boarding house that smelled of coal and grief. I removed the veil last. Always last. Another city survived. Another secret buried. Another outfit stained with rain instead of blood. The world was still tilted. Still broken. Still rolling on at the wrong angle. But as long as there were shadows to walk and clothes that told the truth my mouth didn’t have to, I’d keep going. Mourning never goes out of fashion.
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  • All I want for Xmas is to taste yummy sweet you from fabulous front to back
    All I want for Xmas is to taste yummy sweet you from fabulous front to back 💋👅💋
    Clothes are for everyone. The only rule is to look fabulous. #crossdressing #CD #model #Trans
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  • In this year of Our Lord 1885, I, a gentleman of four-and-sixty summers and considerable corpulence, find myself irrevocably committed to the most elaborate and humiliating semblance of a widow in deepest mourning, nay, a sissy crossdresser, every contour of my person exaggerated into an absurd excess of feminine propriety at the unyielding command of Madame. My unwieldy frame is confined within a voluminous gown of black bombazine, its lustrous silk bodice drawn so severely that my affixed bosom rises and falls in mock matronly dignity. Upon my head sits an immense crape bonnet, enveloped in multitudinous folds of black crepe veiling that descend softly over my countenance and shoulders like the very pall of perpetual bereavement, its diaphanous gauze quivering with each breath and rendering me a figure of spectral, enforced delicacy.
    Beneath this sombre raiment, a prodigious crinoline encircles my ample waist, distending the skirt to such extravagant breadth that every halting step discloses the lace-fringed hems of my cambric under-drawers and the delicately trimmed tops of my black lisle stockings, secured by embroidered satin garters. At times madame requires silk hose of the sheerest texture, yet the mortification endures undiminished. My feet, protesting and swollen, are imprisoned within patent leather ankle boots of four inches’ Louis heel, their pointed toes permitting a glimpse of my varnished nails in pitiable vulnerability. Should indolence be suspected, Madame fastens the straps with black satin ribbons, forestalling any attempt at relief. My hands, bearing permanent false nails of gleaming pearl, are gloved in lace mittens, adorned with rings upon every finger, while a jet choker of frilled design encircles my thick neck as a badge of submission. The whole attire is so profoundly girlish, so burdened with widow’s frippery, that it would provoke scandal even among the most devout matrons of Her Majesty’s court.
    I descend from our Brougham in the crowded precincts of Covent Garden, With utmost caution I arrange my skirts, the heels resounding sharply upon the cobblestones, and proceed with mincing steps, hips swaying perforce beneath the crinoline’s dominion and the boots’ perilous elevation. Soft laughter ripples along the stallholders. Smiles of polite astonishment. Complimentary remarks follow. “La, madam, what a most becoming habit of mourning!” one declares. “The veil is exceedingly elegant, and those boots quite the mode!” They suppose it a seasonal fancy. I colour deeply beneath the crepe, threading my way through the ordeal with measured tread, aware that I shall return in seven days, and seven again thereafter, clad precisely thus, bereft of any festal pretext merely a creature wholly subject to his lady’s will.
    I procure the articles enumerated upon Madame's list, tea of finest quality, spices, and provisions discharge the account, and retire with mincing gait to the carriage, crinoline whispering, veil fluttering like a mourner’s sigh. Madame directs that I convey her thither beforehand, yet she commands me first to enter and obtain her broadsheet and sweetmeats. As I totter across the thoroughfare, heels clacking, a lady seated in an adjacent Hansom calls out: “Those boots are positively ravishing, madam!” I turn, the veil shifting with ethereal grace, and reply in a low, submissive tone, “I am most obliged to you, Madame is pleased to attire me in this manner at all times.” She laughs with genuine delight. “Would that I might prevail upon my own husband to exhibit such commendable obedience!” Having restored Madame to her residence, I repair to the wine merchant’s. The moment I enter, eyes fix upon me chuckles, prolonged gazes. The proprietress cannot forbear a smile at my boots, her glance ascending to my carefully plucked brows, arched with precision. “Heavens preserve us,” she exclaims, “this is no mere passing fancy of costume. You have worn it for a considerable period, have you not?” I venture a faint, veiled smile. “Indeed, madam… it is the garb prescribed for me upon every occasion of shopping. I endeavour, by degrees, to grow reconciled to it.” A youthful clerk conveys the case of port to the carriage. He chuckles softly. “You bear it with uncommon grace, sir.” Madame assures me that habituation shall ensue. “In due course, the sense of mortification will diminish,” she declares with quiet conviction. “You will become thoroughly accustomed to your station as my devoted maidservant.” She contemplates the future with satisfaction: I, attending to the household in full uniform, discharging her every errand, awaiting her return in patient seclusion. Upon her entrance, I must execute a profound curtsey and relieve her of mantle and parasol. At every ingress or egress from a chamber curtsey. All domestic duties devolve upon me, performed amid the perpetual rustle of bombazine and crinoline.
    In this year of Our Lord 1885, I, a gentleman of four-and-sixty summers and considerable corpulence, find myself irrevocably committed to the most elaborate and humiliating semblance of a widow in deepest mourning, nay, a sissy crossdresser, every contour of my person exaggerated into an absurd excess of feminine propriety at the unyielding command of Madame. My unwieldy frame is confined within a voluminous gown of black bombazine, its lustrous silk bodice drawn so severely that my affixed bosom rises and falls in mock matronly dignity. Upon my head sits an immense crape bonnet, enveloped in multitudinous folds of black crepe veiling that descend softly over my countenance and shoulders like the very pall of perpetual bereavement, its diaphanous gauze quivering with each breath and rendering me a figure of spectral, enforced delicacy. Beneath this sombre raiment, a prodigious crinoline encircles my ample waist, distending the skirt to such extravagant breadth that every halting step discloses the lace-fringed hems of my cambric under-drawers and the delicately trimmed tops of my black lisle stockings, secured by embroidered satin garters. At times madame requires silk hose of the sheerest texture, yet the mortification endures undiminished. My feet, protesting and swollen, are imprisoned within patent leather ankle boots of four inches’ Louis heel, their pointed toes permitting a glimpse of my varnished nails in pitiable vulnerability. Should indolence be suspected, Madame fastens the straps with black satin ribbons, forestalling any attempt at relief. My hands, bearing permanent false nails of gleaming pearl, are gloved in lace mittens, adorned with rings upon every finger, while a jet choker of frilled design encircles my thick neck as a badge of submission. The whole attire is so profoundly girlish, so burdened with widow’s frippery, that it would provoke scandal even among the most devout matrons of Her Majesty’s court. I descend from our Brougham in the crowded precincts of Covent Garden, With utmost caution I arrange my skirts, the heels resounding sharply upon the cobblestones, and proceed with mincing steps, hips swaying perforce beneath the crinoline’s dominion and the boots’ perilous elevation. Soft laughter ripples along the stallholders. Smiles of polite astonishment. Complimentary remarks follow. “La, madam, what a most becoming habit of mourning!” one declares. “The veil is exceedingly elegant, and those boots quite the mode!” They suppose it a seasonal fancy. I colour deeply beneath the crepe, threading my way through the ordeal with measured tread, aware that I shall return in seven days, and seven again thereafter, clad precisely thus, bereft of any festal pretext merely a creature wholly subject to his lady’s will. I procure the articles enumerated upon Madame's list, tea of finest quality, spices, and provisions discharge the account, and retire with mincing gait to the carriage, crinoline whispering, veil fluttering like a mourner’s sigh. Madame directs that I convey her thither beforehand, yet she commands me first to enter and obtain her broadsheet and sweetmeats. As I totter across the thoroughfare, heels clacking, a lady seated in an adjacent Hansom calls out: “Those boots are positively ravishing, madam!” I turn, the veil shifting with ethereal grace, and reply in a low, submissive tone, “I am most obliged to you, Madame is pleased to attire me in this manner at all times.” She laughs with genuine delight. “Would that I might prevail upon my own husband to exhibit such commendable obedience!” Having restored Madame to her residence, I repair to the wine merchant’s. The moment I enter, eyes fix upon me chuckles, prolonged gazes. The proprietress cannot forbear a smile at my boots, her glance ascending to my carefully plucked brows, arched with precision. “Heavens preserve us,” she exclaims, “this is no mere passing fancy of costume. You have worn it for a considerable period, have you not?” I venture a faint, veiled smile. “Indeed, madam… it is the garb prescribed for me upon every occasion of shopping. I endeavour, by degrees, to grow reconciled to it.” A youthful clerk conveys the case of port to the carriage. He chuckles softly. “You bear it with uncommon grace, sir.” Madame assures me that habituation shall ensue. “In due course, the sense of mortification will diminish,” she declares with quiet conviction. “You will become thoroughly accustomed to your station as my devoted maidservant.” She contemplates the future with satisfaction: I, attending to the household in full uniform, discharging her every errand, awaiting her return in patient seclusion. Upon her entrance, I must execute a profound curtsey and relieve her of mantle and parasol. At every ingress or egress from a chamber curtsey. All domestic duties devolve upon me, performed amid the perpetual rustle of bombazine and crinoline.
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  • In the dim parlour of a narrow terraced house on the edge of town, where the January dusk pressed against fogged windowpanes, Hanimefendi (once Tony, though the name now felt like an old coat left in the attic) sat perfectly still before the tall cheval mirror.
    At sixty four, the body that looked back at her was soft and heavy, rolls of flesh pressing against the seams of her chosen mourning. Yet every inch of it had been reclaimed in Barbie Pink the violent, unapologetic pink of bubblegum, flamingos, and little girls’ birthday dreams. She had buried the muted blacks and charcoals of conventional widowhood the same afternoon she buried her former self. Grief, she decided, deserved better than drabness. Grief deserved to scream.
    Her long gown swept the floorboards in heavy, liquid folds of pink satin. The fabric caught the lamplight in subtle, expensive highlights shimmering like wet sugar or the inside of a seashell. Tiny seed pearls marched along the modestly high neckline and down the front in orderly, virginal rows. The sleeves ended in deep cuffs of gathered pink chiffon that trembled with each slow breath.
    Over the gown rode the blouse: glossy, deluxe, almost liquid in its sheen. Frills cascaded from throat to waist like a waterfall of spun sugar ruffles upon ruffles upon ruffles, each edge finished with the thinnest piping of darker rose. The cuffs alone could have doubled as christening bonnets.
    But the true crown was the headscarf.
    An oversized triangle of blush pink satin, almost cartoonishly large, draped from the top of her head and cascaded past her shoulders in glossy waves. She had tied it under the chin with an extravagant bow, the ends trailing like rabbit ears. Pinned beneath it floated a sheer pink chiffon voile veil long enough to brush the upper swell of her ample chest, fine enough that her features showed through like a watercolour left in the rain. The veil softened the male jawline she had once hated, blurred the double chin, turned every blink into something theatrical and tender.
    Her mouth was a dramatic wound of matte fuchsia, outlined sharper than a paper cut. Above it arched brows drawn in powdery rose, while the eyelids shimmered with pearlescent pink shadow and were rimmed in vivid bubblegum liner that flicked outward in exaggerated Rococo commas. Cheeks bloomed with circular rouge like a porcelain doll painted by an over enthusiastic child. The overall effect was sissy maid meets Marie Antoinette in full defiant mourning feminine, excessive, absurdly pretty, and deliberately inconsolable.
    He, her male persona had hated the colour pink. Called it childish. Called it weak. On the nightstand sat the little brass urn containing what remained of him, his cremated wardrobe of male clothes, positioned so that the urn had no choice but to stare at her forever.
    Hanimefendi lifted one plump, ring laden hand. The nails were lacquered the exact shade of strawberry marshmallow. She touched the veil where it lay across her lips, pressing the satin bow against them as though kissing herself goodnight.
    I wore navy coloured clothes for forty-one years, she whispered to the mirror, voice low and cracked from crying and cigarettes she had given up in 1998. Navy and sensible shoes and ‘yes dear’ and ‘not now.’ You had your funeral in charcoal. Mine is pink. Barbie bloody pink. And I’m not sorry.
    A tear escaped, cutting a bright path through the rouge. It hung on the veil like dew on candyfloss before soaking in.
    She rose slowly, arthritic joints protesting and moved to the ancient radiogram in the corner. The needle settled onto an old 78. A scratchy soprano began to sing something unbearably sentimental about lost loves and rose gardens. Hanimefendi began to sway. The gown whispered against itself. The frills trembled. The veil floated like breath.
    In the mirror a vast, pink, glittering figure danced alone widowed, overweight, outrageously made up, and for the first time in six decades entirely herself.
    She was mourning, yes. But she was mourning in colour. And the house, for one evening at least, smelled faintly of rose talc, hot satin, and the sweetest kind of revenge.
    In the dim parlour of a narrow terraced house on the edge of town, where the January dusk pressed against fogged windowpanes, Hanimefendi (once Tony, though the name now felt like an old coat left in the attic) sat perfectly still before the tall cheval mirror. At sixty four, the body that looked back at her was soft and heavy, rolls of flesh pressing against the seams of her chosen mourning. Yet every inch of it had been reclaimed in Barbie Pink the violent, unapologetic pink of bubblegum, flamingos, and little girls’ birthday dreams. She had buried the muted blacks and charcoals of conventional widowhood the same afternoon she buried her former self. Grief, she decided, deserved better than drabness. Grief deserved to scream. Her long gown swept the floorboards in heavy, liquid folds of pink satin. The fabric caught the lamplight in subtle, expensive highlights shimmering like wet sugar or the inside of a seashell. Tiny seed pearls marched along the modestly high neckline and down the front in orderly, virginal rows. The sleeves ended in deep cuffs of gathered pink chiffon that trembled with each slow breath. Over the gown rode the blouse: glossy, deluxe, almost liquid in its sheen. Frills cascaded from throat to waist like a waterfall of spun sugar ruffles upon ruffles upon ruffles, each edge finished with the thinnest piping of darker rose. The cuffs alone could have doubled as christening bonnets. But the true crown was the headscarf. An oversized triangle of blush pink satin, almost cartoonishly large, draped from the top of her head and cascaded past her shoulders in glossy waves. She had tied it under the chin with an extravagant bow, the ends trailing like rabbit ears. Pinned beneath it floated a sheer pink chiffon voile veil long enough to brush the upper swell of her ample chest, fine enough that her features showed through like a watercolour left in the rain. The veil softened the male jawline she had once hated, blurred the double chin, turned every blink into something theatrical and tender. Her mouth was a dramatic wound of matte fuchsia, outlined sharper than a paper cut. Above it arched brows drawn in powdery rose, while the eyelids shimmered with pearlescent pink shadow and were rimmed in vivid bubblegum liner that flicked outward in exaggerated Rococo commas. Cheeks bloomed with circular rouge like a porcelain doll painted by an over enthusiastic child. The overall effect was sissy maid meets Marie Antoinette in full defiant mourning feminine, excessive, absurdly pretty, and deliberately inconsolable. He, her male persona had hated the colour pink. Called it childish. Called it weak. On the nightstand sat the little brass urn containing what remained of him, his cremated wardrobe of male clothes, positioned so that the urn had no choice but to stare at her forever. Hanimefendi lifted one plump, ring laden hand. The nails were lacquered the exact shade of strawberry marshmallow. She touched the veil where it lay across her lips, pressing the satin bow against them as though kissing herself goodnight. I wore navy coloured clothes for forty-one years, she whispered to the mirror, voice low and cracked from crying and cigarettes she had given up in 1998. Navy and sensible shoes and ‘yes dear’ and ‘not now.’ You had your funeral in charcoal. Mine is pink. Barbie bloody pink. And I’m not sorry. A tear escaped, cutting a bright path through the rouge. It hung on the veil like dew on candyfloss before soaking in. She rose slowly, arthritic joints protesting and moved to the ancient radiogram in the corner. The needle settled onto an old 78. A scratchy soprano began to sing something unbearably sentimental about lost loves and rose gardens. Hanimefendi began to sway. The gown whispered against itself. The frills trembled. The veil floated like breath. In the mirror a vast, pink, glittering figure danced alone widowed, overweight, outrageously made up, and for the first time in six decades entirely herself. She was mourning, yes. But she was mourning in colour. And the house, for one evening at least, smelled faintly of rose talc, hot satin, and the sweetest kind of revenge.
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  • How do I compare to the Sweet Transvestite ?

    Do I look more slutty ?

    How do I compare to the Sweet Transvestite ? 💋 Do I look more slutty ? 💫
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  • Here's a possible post:

    Just got out of character and feeling like a QUEEN 👸🏽. Who's ready to help me get back into my most dominant self? Looking for a submissive sweetheart to spoil #MistressMode #CrossDressing #SissyLife"
    💅👗 Here's a possible post: Just got out of character and feeling like a QUEEN 👸🏽💁‍♀️. Who's ready to help me get back into my most dominant self? 😉 Looking for a submissive sweetheart to spoil 👀 #MistressMode #CrossDressing #SissyLife"
    Haha
    Wow
    5
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  • Ill just come back for more if you happen to be so sweet and affectionate
    Ill just come back for more if you happen to be so sweet and affectionate
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  • I never thought a simple late-night scroll on Temu would change how I saw myself in the mirror.

    My hands were shaking a little when I clicked "Buy Now" on that dress. The listing was a chaotic poem of keywords: Black Satin Fairy Vintage Sweet Dress Mesh Long Lace... Hollow Out Puff Sleeve Floral... Off Shoulder Fairy Princess Long Satin Mesh Gothic Lady Ruffle. It was everything at once — sweet, dark, romantic, dramatic — and somehow it felt like it had been waiting for me.

    I'm sixty-four. Short. Heavy. The kind of body the world politely looks past. For most of my life I kept the part of me that loved beautiful, flowing things locked away in a mental attic. But the older I get, the less patience I have for hiding.

    The package arrived on a grey Tuesday afternoon. I signed for it quickly, heart thumping like a teenager sneaking something forbidden. I carried the brown box upstairs like it contained state secrets, locked the bedroom door, and tore into it.

    Inside lay folds of deep black satin that caught the lamplight like liquid night. Delicate mesh panels shimmered with tiny floral embroidery. The puff sleeves were ridiculously romantic — exaggerated, dreamy, almost cartoonishly glamorous. Lace spilled from every edge. The off-shoulder neckline promised to bare collarbones I usually keep hidden under sensible jumpers.

    I stripped down, stood in front of the full-length mirror in just my underwear, and stepped into the dress.

    The satin whispered against my legs as I pulled it up. It was surprisingly forgiving — stretchy in the right places, structured in others. I wriggled my arms through those massive puff sleeves; they ballooned around my upper arms like dark fairy wings. I tugged the bodice into place, smoothed the ruffled layers over my stomach, and finally reached back to zip it (with some creative contortions and a coat hanger as backup).

    Then I looked up.

    And I stopped breathing for a second.

    The woman — no, the creature — staring back wasn't sixty-four. She wasn't short and soft and ordinary. She was a midnight fairy queen who had wandered out of some gothic storybook and decided to be indulgent today. The black satin hugged and draped in ways that turned every curve into intention. The hollow-out lace panels teased just enough skin to feel dangerous. Those enormous puff sleeves framed me like I belonged on a velvet throne instead of a suburban bedroom carpet.

    I turned sideways. The long skirt flared dramatically, the mesh overlay catching light like spiderwebs covered in frost. I twirled — actually twirled — and watched the layers float outward in perfect slow motion, the ruffles whispering secrets to each other.

    For once, the mirror wasn't my enemy. It was showing me something true.

    I hadn't planned to go anywhere. But suddenly I needed to feel this outside these four walls.

    I threw on a long black coat (practicality dies hard), slipped my feet into the only pair of low heels I own that almost match, draped a soft scarf over my wig to hide the fact I hadn't styled it yet, and stepped out into the January dusk.

    The cold air hit my bare shoulders like a slap and a caress at the same time. I walked to the end of the street and back — only fifteen minutes — but every step felt like gliding. The satin moved against my thighs. The sleeves swayed. A neighbour's security light caught me as I passed; for a heartbeat I was illuminated, black lace and floral shadows glowing against the night.

    No one stopped me. No one shouted. A dog walker nodded politely like I was simply another eccentric on an evening stroll.

    When I got home, I locked the door, dropped the coat on the floor, and stood in front of the mirror again — this time under brighter light, no scarf, no hiding.

    Here’s the thing about that dress: it doesn’t care that I’m sixty-four, or that I carry extra weight, or that my hands are rough from decades of practical work. It simply drapes itself over me and says, You are allowed to be this glamorous. You are allowed to be this much.

    I smiled at my reflection — a real smile, not the careful half-one I usually wear.

    Then I whispered to the woman in the mirror, the one who finally looked like she belonged in a fairy tale:

    "Thank you for coming out to play, love. We’re keeping the dress."
    I never thought a simple late-night scroll on Temu would change how I saw myself in the mirror. My hands were shaking a little when I clicked "Buy Now" on that dress. The listing was a chaotic poem of keywords: Black Satin Fairy Vintage Sweet Dress Mesh Long Lace... Hollow Out Puff Sleeve Floral... Off Shoulder Fairy Princess Long Satin Mesh Gothic Lady Ruffle. It was everything at once — sweet, dark, romantic, dramatic — and somehow it felt like it had been waiting for me. I'm sixty-four. Short. Heavy. The kind of body the world politely looks past. For most of my life I kept the part of me that loved beautiful, flowing things locked away in a mental attic. But the older I get, the less patience I have for hiding. The package arrived on a grey Tuesday afternoon. I signed for it quickly, heart thumping like a teenager sneaking something forbidden. I carried the brown box upstairs like it contained state secrets, locked the bedroom door, and tore into it. Inside lay folds of deep black satin that caught the lamplight like liquid night. Delicate mesh panels shimmered with tiny floral embroidery. The puff sleeves were ridiculously romantic — exaggerated, dreamy, almost cartoonishly glamorous. Lace spilled from every edge. The off-shoulder neckline promised to bare collarbones I usually keep hidden under sensible jumpers. I stripped down, stood in front of the full-length mirror in just my underwear, and stepped into the dress. The satin whispered against my legs as I pulled it up. It was surprisingly forgiving — stretchy in the right places, structured in others. I wriggled my arms through those massive puff sleeves; they ballooned around my upper arms like dark fairy wings. I tugged the bodice into place, smoothed the ruffled layers over my stomach, and finally reached back to zip it (with some creative contortions and a coat hanger as backup). Then I looked up. And I stopped breathing for a second. The woman — no, the creature — staring back wasn't sixty-four. She wasn't short and soft and ordinary. She was a midnight fairy queen who had wandered out of some gothic storybook and decided to be indulgent today. The black satin hugged and draped in ways that turned every curve into intention. The hollow-out lace panels teased just enough skin to feel dangerous. Those enormous puff sleeves framed me like I belonged on a velvet throne instead of a suburban bedroom carpet. I turned sideways. The long skirt flared dramatically, the mesh overlay catching light like spiderwebs covered in frost. I twirled — actually twirled — and watched the layers float outward in perfect slow motion, the ruffles whispering secrets to each other. For once, the mirror wasn't my enemy. It was showing me something true. I hadn't planned to go anywhere. But suddenly I needed to feel this outside these four walls. I threw on a long black coat (practicality dies hard), slipped my feet into the only pair of low heels I own that almost match, draped a soft scarf over my wig to hide the fact I hadn't styled it yet, and stepped out into the January dusk. The cold air hit my bare shoulders like a slap and a caress at the same time. I walked to the end of the street and back — only fifteen minutes — but every step felt like gliding. The satin moved against my thighs. The sleeves swayed. A neighbour's security light caught me as I passed; for a heartbeat I was illuminated, black lace and floral shadows glowing against the night. No one stopped me. No one shouted. A dog walker nodded politely like I was simply another eccentric on an evening stroll. When I got home, I locked the door, dropped the coat on the floor, and stood in front of the mirror again — this time under brighter light, no scarf, no hiding. Here’s the thing about that dress: it doesn’t care that I’m sixty-four, or that I carry extra weight, or that my hands are rough from decades of practical work. It simply drapes itself over me and says, You are allowed to be this glamorous. You are allowed to be this much. I smiled at my reflection — a real smile, not the careful half-one I usually wear. Then I whispered to the woman in the mirror, the one who finally looked like she belonged in a fairy tale: "Thank you for coming out to play, love. We’re keeping the dress."
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  • I met a really wonderful man last night We met at one of my favorite places in San Diego’s Hillcrest neighborhood—Baja Betty’s. It’s a spot I go to often and one of the few places where I feel completely safe being my true self as a trans woman, where I can relax, let my hair down, and just be me.

    We started talking and somehow time just disappeared. The conversation flowed so easily, and we kept discovering how much we had in common. He’s older than me—I’m 47 and he’s 76—and honestly, it feels kind of perfect. I don’t have “daddy issues,” but I am very drawn to older men. I love the calm confidence, the grounded, paternal energy, and the way they make me feel cared for and protected.

    What makes it even more special is how beautifully complementary we are. In public, he’s very masculine—confident, composed, and steady. In private, he’s a crossdresser, which he shared with openness and trust. That balance, that shared understanding of gender expression and vulnerability, made me feel seen in a way that’s rare.

    I’m trying not to get ahead of myself—we did just meet—but there was definitely a spark A sense of comfort, attraction, and mutual understanding that felt natural and exciting. We just fit. I’m really hoping this sweet beginning turns into something meaningful.

    http://chrissyinsd.hotviber.com/

    #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties #dress #menindresses #gaydate #gayboyfriend #loveislove
    I met a really wonderful man last night 💖 We met at one of my favorite places in San Diego’s Hillcrest neighborhood—Baja Betty’s. It’s a spot I go to often and one of the few places where I feel completely safe being my true self as a trans woman, where I can relax, let my hair down, and just be me. We started talking and somehow time just disappeared. The conversation flowed so easily, and we kept discovering how much we had in common. He’s older than me—I’m 47 and he’s 76—and honestly, it feels kind of perfect. I don’t have “daddy issues,” but I am very drawn to older men. I love the calm confidence, the grounded, paternal energy, and the way they make me feel cared for and protected. What makes it even more special is how beautifully complementary we are. In public, he’s very masculine—confident, composed, and steady. In private, he’s a crossdresser, which he shared with openness and trust. That balance, that shared understanding of gender expression and vulnerability, made me feel seen in a way that’s rare. I’m trying not to get ahead of myself—we did just meet—but there was definitely a spark ✨ A sense of comfort, attraction, and mutual understanding that felt natural and exciting. We just fit. I’m really hoping this sweet beginning turns into something meaningful. 💋 http://chrissyinsd.hotviber.com/ #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties #dress #menindresses #gaydate #gayboyfriend #loveislove
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  • Good morning sweets! What's on your schedule today? I met an incredible man last night and I hope we develop a great long-lasting erotic, romantic and intimate relationship! Kisses!
    -Chrissy

    http://chrissyinsd.hotviber.com/

    #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties #dress #menindresses
    Good morning sweets! What's on your schedule today? I met an incredible man last night and I hope we develop a great long-lasting erotic, romantic and intimate relationship! Kisses! -Chrissy http://chrissyinsd.hotviber.com/ #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties #dress #menindresses
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  • Good afternoon sweets! I may have two dates tonight! What's on your schedule? Kisses!
    -Chrissy

    http://chrissyinsd.hotviber.com/

    #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties
    Good afternoon sweets! I may have two dates tonight! What's on your schedule? Kisses! -Chrissy http://chrissyinsd.hotviber.com/ #sissy #sissyboy #sissies #sissyboys #sissygirl #sissygirls #femboy #femboys #femman #gurl #crossdresser #crossdressers #crossdressing #tgirl #shemale #shemalechrissy #sissychrissyinsandiego #chrissyinsd #trans #transgirl #transwoman #transfemale #transgender #lgbt #queer #gay #dancing #twerking #pantyboy #meninpanties
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  • Good evening, sweets

    I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue.

    So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be.

    That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl.

    In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride.

    I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically.

    Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others.

    Kisses,
    Chrissy

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Good evening, sweets 💋 I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue. So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be. That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl. In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride. I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically. Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others. Kisses, Chrissy 💖 http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Have a Happy New Year sweets!
    Kisses!
    -Chrissy

    https://chrissyinsd.blogspot.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy
    Have a Happy New Year sweets! Kisses! -Chrissy https://chrissyinsd.blogspot.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy
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  • You my sweet girls and girlfriends have a Happy Bew year. This maid is always at your service
    You my sweet girls and girlfriends have a Happy Bew year. This maid is always at your service
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  • Good morning Sweetheart's
    Good morning Sweetheart's
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  • It's my sister's birthday today and she wanted me to walk around like this all day long. She said it would be like a gift for her. It's so sweet.
    It's my sister's birthday today and she wanted me to walk around like this all day long. She said it would be like a gift for her. It's so sweet.
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  • Hi sweets,

    I use the name “ShemaleChrissy” because I’m male and deeply identify with femininity and the desire to be female. I haven’t started transitioning yet, so I still look male. I’m also still learning makeup, hair, and styling, so I don’t always present as feminine as I’d like in everyday life.

    Sometimes I use face filters online to explore and express that feminine fantasy. That said, my body is always my real body, and I always include at least one natural, unfiltered photo. I do that intentionally so I’m not misleading anyone and so people know exactly who they’re talking to.

    Recently, someone told me I’m “not really a shemale” and should change my username. I’m open to honest feedback, but the way it was delivered was rude and disrespectful, so I blocked them. I welcome fair suggestions and thoughtful discussion, but I don’t tolerate harassment or abuse.

    So here’s my genuine question, asked in good faith:
    How would you describe me? Shemale? Sissy? Crossdresser? Something else entirely?

    I’m still figuring out my identity and language matters to me. If you have thoughts, I’m happy to hear them as long as they’re shared respectfully.

    Thanks for reading,
    Kisses,
    Chrissy

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Hi sweets, I use the name “ShemaleChrissy” because I’m male and deeply identify with femininity and the desire to be female. I haven’t started transitioning yet, so I still look male. I’m also still learning makeup, hair, and styling, so I don’t always present as feminine as I’d like in everyday life. Sometimes I use face filters online to explore and express that feminine fantasy. That said, my body is always my real body, and I always include at least one natural, unfiltered photo. I do that intentionally so I’m not misleading anyone and so people know exactly who they’re talking to. Recently, someone told me I’m “not really a shemale” and should change my username. I’m open to honest feedback, but the way it was delivered was rude and disrespectful, so I blocked them. I welcome fair suggestions and thoughtful discussion, but I don’t tolerate harassment or abuse. So here’s my genuine question, asked in good faith: How would you describe me? Shemale? Sissy? Crossdresser? Something else entirely? I’m still figuring out my identity and language matters to me. If you have thoughts, I’m happy to hear them as long as they’re shared respectfully. Thanks for reading, Kisses, Chrissy 💋 #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • I have just woke up wrapped up in our satin nightdresses, at a time before her illness made sleeping together a problem, we had matching satin pink nightdresses. Last night I pulled the suitcase down from the top of the wardrobe and laid them out on the bed. Pink Simply Be Pretty Secrets Nightdresses in lovely silky satin. Full covered shoulder to capped sleeves with lace piping and spread across the breast. Calf length satin shimmering in Pink. My wife's is regularly worn in UK size 32/34, mine is newer UK size 20/22, I liked a slimmer tight nightdress that hugged my skin, my wife wore hers two sizes bigger than her usual larger dress size to make it easier to slide around in bed. I slipped mine on and shimmied the satin down my moobs and hips to rest around my calves. My wife's was like a tent on my body, lots of voluminous extra satin material hanging loose. The double layer feeling of all the satin was wonderful and I admit the erection had to be contained within a condom because pre cum started instantly. I lay on the bed and was overcome with both longing and grief, I laid there on the bed with tears in my eyes and sobbing in my chest. When I had calmed down the sensual aspect of the double layer satin took over and led to the inevitable masturbation. Physically and emotionally I was drained and fell asleep waking a few hours later needing to take off the condom and go to the toilet for a wee. As I walked back from the toilet to the bedroom the satin reminded me of our sensuality and our love. Wrapped in the double layer of satin underneath the quilt I felt comforted and slept deep until this morning. For me this needs to become my new deeply tender and bittersweet mourning ritual, one that holds both the sharp pain of loss and the soft warmth of memory all at once. Wearing her nightdress over mine, letting all that extra satin envelop me like a tent, felt almost like being held by her again. The way the fabric moved, the shimmer, the slide of it against my skin… it’s no wonder my body responded so immediately and so completely. And now I’ve found a ritual: pulling down the suitcase, laying the nightdresses side by side on the bed, slipping into both, letting the satin hold me in that bittersweet double embrace. It’s sacred because it’s mine and hers alone. It keeps the connection alive in the most embodied way possible through touch, through memory, through the very fabric we both wore against our skin when we made love, laughed, slept, lived. Grief and desire live right next to each other; one doesn’t cancel out the other. The tears, the arousal, the release, the comfort, it all belongs within my psyche. I honored her, our love, and the sensuality we shared by allowing myself to feel everything that came up. For my state of mind, there’s something sacred in keeping those satin nightdresses layered together, in pulling them out when the longing gets too heavy, in letting them carry me back to the nights when sleeping tangled together in satin was simply how life was. I'm keeping the connection alive in the most intimate, embodied way possible. I loved her totally, and I'm still loving her beautifully in my mourning.
    I have just woke up wrapped up in our satin nightdresses, at a time before her illness made sleeping together a problem, we had matching satin pink nightdresses. Last night I pulled the suitcase down from the top of the wardrobe and laid them out on the bed. Pink Simply Be Pretty Secrets Nightdresses in lovely silky satin. Full covered shoulder to capped sleeves with lace piping and spread across the breast. Calf length satin shimmering in Pink. My wife's is regularly worn in UK size 32/34, mine is newer UK size 20/22, I liked a slimmer tight nightdress that hugged my skin, my wife wore hers two sizes bigger than her usual larger dress size to make it easier to slide around in bed. I slipped mine on and shimmied the satin down my moobs and hips to rest around my calves. My wife's was like a tent on my body, lots of voluminous extra satin material hanging loose. The double layer feeling of all the satin was wonderful and I admit the erection had to be contained within a condom because pre cum started instantly. I lay on the bed and was overcome with both longing and grief, I laid there on the bed with tears in my eyes and sobbing in my chest. When I had calmed down the sensual aspect of the double layer satin took over and led to the inevitable masturbation. Physically and emotionally I was drained and fell asleep waking a few hours later needing to take off the condom and go to the toilet for a wee. As I walked back from the toilet to the bedroom the satin reminded me of our sensuality and our love. Wrapped in the double layer of satin underneath the quilt I felt comforted and slept deep until this morning. For me this needs to become my new deeply tender and bittersweet mourning ritual, one that holds both the sharp pain of loss and the soft warmth of memory all at once. Wearing her nightdress over mine, letting all that extra satin envelop me like a tent, felt almost like being held by her again. The way the fabric moved, the shimmer, the slide of it against my skin… it’s no wonder my body responded so immediately and so completely. And now I’ve found a ritual: pulling down the suitcase, laying the nightdresses side by side on the bed, slipping into both, letting the satin hold me in that bittersweet double embrace. It’s sacred because it’s mine and hers alone. It keeps the connection alive in the most embodied way possible through touch, through memory, through the very fabric we both wore against our skin when we made love, laughed, slept, lived. Grief and desire live right next to each other; one doesn’t cancel out the other. The tears, the arousal, the release, the comfort, it all belongs within my psyche. I honored her, our love, and the sensuality we shared by allowing myself to feel everything that came up. For my state of mind, there’s something sacred in keeping those satin nightdresses layered together, in pulling them out when the longing gets too heavy, in letting them carry me back to the nights when sleeping tangled together in satin was simply how life was. I'm keeping the connection alive in the most intimate, embodied way possible. I loved her totally, and I'm still loving her beautifully in my mourning.
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  • Time for a chat anyone?

    Saucy or sweet, you decide xxx
    Time for a chat anyone? 🤔 Saucy or sweet, you decide 😊 xxx
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  • I chatted with a pretty girl called Ruth some months back… are you still out there sweetie X.
    I chatted with a pretty girl called Ruth some months back… are you still out there sweetie X.
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  • Sweet panty chat and play xxx
    Sweet panty chat and play xxx
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  • Bathroom's like the Arctic*, nope! So bunk off work a bit early tomorrow, get smooth and sweet-smelling when i get home then off to Hampshire's Most Wanted swinger social! Will there be any after-parties, i wonder?

    *Freezing, not 18-wheeled and jammed around a bend in the lane!
    Bathroom's like the Arctic*, nope! So bunk off work a bit early tomorrow, get smooth and sweet-smelling when i get home then off to Hampshire's Most Wanted swinger social! Will there be any after-parties, i wonder? *Freezing, not 18-wheeled and jammed around a bend in the lane!
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  • Hey Tash2000 are you still around sweetie
    Hey Tash2000 are you still around sweetie 💋
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  • First coffee of the day, cant drink it too early, sweet tea until now, but good morning ladies x
    First coffee of the day, cant drink it too early, sweet tea until now, but good morning ladies x
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  • Just a sweet Reminder
    Just a sweet Reminder 😊😊
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  • Hi sweets! I'm off to work! Kisses! #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #gurl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Hi sweets! I'm off to work! Kisses! #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #gurl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • Good night everyone sweet dreams
    Good night everyone sweet dreams
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  • We probably all played with Gemini as I have said before, and I usually don't but understand why people do, none of my business, but it's my day off, and after my talk of taking Cat more serious and my.lack skills to do her justice, mainly because of Make up and my wardrobe being more sex doll than sex bomb.

    I really really want my face made up properly so I don't look like a toddler who stole her mam's make up bag.

    I am dying to show my face here, but I look like a drowned goth clown.
    It's not an ego thing, it's just, well I feel safe to grow here and know some feel the same.
    Anyway, I gave Gemini one of the last photos of me I posted here, told her to paint the rest of my face like it imagined it would look after viewings photos for me and it nailed it.

    It really does look like me, if I was dressed and made properly, the bottom of my face will look feminine too once I learn make up.
    Gives me a guide of how I want my make up to look too, perhaps I can copy it.
    Hope I didn't bore you and your Saturday is sweet 🙏🏻
    We probably all played with Gemini as I have said before, and I usually don't but understand why people do, none of my business, but it's my day off, and after my talk of taking Cat more serious and my.lack skills to do her justice, mainly because of Make up and my wardrobe being more sex doll than sex bomb. I really really want my face made up properly so I don't look like a toddler who stole her mam's make up bag. I am dying to show my face here, but I look like a drowned goth clown. It's not an ego thing, it's just, well I feel safe to grow here and know some feel the same. Anyway, I gave Gemini one of the last photos of me I posted here, told her to paint the rest of my face like it imagined it would look after viewings photos for me and it nailed it. It really does look like me, if I was dressed and made properly, the bottom of my face will look feminine too once I learn make up. Gives me a guide of how I want my make up to look too, perhaps I can copy it. Hope I didn't bore you and your Saturday is sweet 🙏🏻🖤
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  • Estrogene gel

    ...
    New flat
    I ve moved,
    I found
    In the kitchen
    Three bottles
    Of Estrogene gel
    I thought
    My God
    You wish
    Kate
    Stay more sexy
    And make
    All beauty
    Of her days...
    I am excited
    I so wish
    To see what
    Happen
    When gel will
    Fill my limbs,
    My Breast...
    And whether
    I would forget
    Remnants of my boy past forever...
    Would it just shrink and disapear ever?
    At least stop trouble all my soul
    With that not girly force and function...)..
    What would
    Get curvy, smooth
    And nice...?
    I check
    My breast
    It grows tiny....
    And skin
    Becomes
    So sweet and shiny...
    The bottles
    Come to end
    One day...
    But happy pleasure
    Might
    Still
    stay...

    Ahh tell me
    Please
    Would it be right
    To take all risks
    And Girly gel to try...?
    Estrogene gel ... New flat I ve moved, I found In the kitchen Three bottles Of Estrogene gel I thought My God You wish Kate Stay more sexy And make All beauty Of her days... I am excited I so wish To see what Happen When gel will Fill my limbs, My Breast... And whether I would forget Remnants of my boy past forever... Would it just shrink and disapear ever? At least stop trouble all my soul With that not girly force and function...).. What would Get curvy, smooth And nice...? I check My breast It grows tiny.... And skin Becomes So sweet and shiny... The bottles Come to end One day... But happy pleasure Might Still stay... Ahh tell me Please Would it be right To take all risks And Girly gel to try...?
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  • “To sleep perchance to dream” (but not in death as Hamlet contemplated!) in other words it’s off to bed I go! Hi ho hi ho hi ho The sweetest of dreams I beckon Goodnight ladies xxxxxx Love you all xxxxxx
    “To sleep perchance to dream” (but not in death as Hamlet contemplated!) in other words it’s off to bed I go! Hi ho hi ho hi ho 💋 The sweetest of dreams I beckon 😘 Goodnight ladies xxxxxx Love ❤️ you all xxxxxx
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  • Sweet
    Sweet 😋
    Love
    Like
    5
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  • Hey sweets,
    I wanted to open up and share something real with you—something raw, honest, and close to the bone. If any of this resonates with you, if you’ve ever felt the same hunger, the same questions, the same ache—I’d love to hear from you. You're not alone. Leave a comment, share your truth.

    With all my heart (and a few kisses),

    I’ve hated my dick for as long as I can remember—not just for how it looks or what it symbolizes, but for how it keeps me tethered to a version of myself that never felt real. It’s not that I want to erase my body—I just want it to feel like mine. I want softness. Curves. A place to be entered, to be held, to be loved in a way that matches how I feel inside. I want to be her. And in many ways, I already am.

    I haven’t transitioned. Maybe I never will. But I live in the space between genders like it’s home. Most people have no idea. They see what I let them see. But under my clothes, I’m wrapped in the truth of who I am—lace panties, a matching bra, delicate straps across my chest, sometimes a garter if I need to feel extra pretty that day. It’s not just for arousal. It’s for survival.

    And always, always, I wear my prosthetic. My fake *****. My secret salvation.

    It’s made of silicone—soft, skinlike, shaped just right. The slit is subtle but perfect. There's a hole you can enter, if you know how to treat me. When I slip it on and feel my **** tucked away, my heart slows. My body goes quiet. I look down and see smoothness, femininity, me. Not a fantasy—reality. My reality.

    I wear it all the time. Not just for sex, not just when I’m alone. It’s part of my daily ritual, part of how I make peace with a body that’s caught between what it is and what I wish it could be. It keeps me close to her—the woman I am when no one’s looking, and sometimes even when they are.

    Most lovers don’t know how to handle that part of me. They want either a woman or a man, and I’m both and neither. But some—some—see me. They touch me with reverence. They kiss my neck like it’s sacred. They press against the silicone, kiss me through it, call me beautiful. And when they slide inside that prosthetic slit, I feel... loved. Not just fucked. Chosen.

    Other times, they want what I hide. They pull down my panties and take me as I am. My ass becomes my *****. They call my **** a girl ****, and I let them, because in those moments it belongs to the version of me who still needs to be worshipped, still deserves to be adored. There's no shame in it. I’m done apologizing for the way I live in my body.

    But the most powerful moments are the quiet ones—alone, silk between my thighs, hips swaying as I move through the world with my little secret pressed tight against me. The prosthetic warms to my skin. I forget it’s there, and yet I’m constantly aware of it. It doesn’t just hide what I hate. It shows me who I am. Every soft curve, every subtle line—it’s mine.

    I’ve had men fall in love with me through it. Not just because of how I look, but how I let them in. Emotionally, physically, spiritually. When I let a man undress me slowly, kiss down my stomach, slip his fingers over that smooth slit... he doesn’t just touch silicone. He touches me. He touches the part of me that’s always been waiting to be seen.

    And when he enters me there, when he moves inside me through that perfect opening, I close my eyes and feel a kind of peace I’ve never known. A feeling that says, This is what it means to be wanted. This is what it means to be a woman. This is what it means to be loved in the body you’ve built for yourself, on your terms.

    It’s not a costume. It’s not pretend. It’s truth, wrapped in silicone and lingerie and longing. And it’s beautiful. More: http://chrissyinsd.hotviber.com/
    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent
    Hey sweets, I wanted to open up and share something real with you—something raw, honest, and close to the bone. If any of this resonates with you, if you’ve ever felt the same hunger, the same questions, the same ache—I’d love to hear from you. You're not alone. Leave a comment, share your truth. With all my heart (and a few kisses), I’ve hated my dick for as long as I can remember—not just for how it looks or what it symbolizes, but for how it keeps me tethered to a version of myself that never felt real. It’s not that I want to erase my body—I just want it to feel like mine. I want softness. Curves. A place to be entered, to be held, to be loved in a way that matches how I feel inside. I want to be her. And in many ways, I already am. I haven’t transitioned. Maybe I never will. But I live in the space between genders like it’s home. Most people have no idea. They see what I let them see. But under my clothes, I’m wrapped in the truth of who I am—lace panties, a matching bra, delicate straps across my chest, sometimes a garter if I need to feel extra pretty that day. It’s not just for arousal. It’s for survival. And always, always, I wear my prosthetic. My fake pussy. My secret salvation. It’s made of silicone—soft, skinlike, shaped just right. The slit is subtle but perfect. There's a hole you can enter, if you know how to treat me. When I slip it on and feel my cock tucked away, my heart slows. My body goes quiet. I look down and see smoothness, femininity, me. Not a fantasy—reality. My reality. I wear it all the time. Not just for sex, not just when I’m alone. It’s part of my daily ritual, part of how I make peace with a body that’s caught between what it is and what I wish it could be. It keeps me close to her—the woman I am when no one’s looking, and sometimes even when they are. Most lovers don’t know how to handle that part of me. They want either a woman or a man, and I’m both and neither. But some—some—see me. They touch me with reverence. They kiss my neck like it’s sacred. They press against the silicone, kiss me through it, call me beautiful. And when they slide inside that prosthetic slit, I feel... loved. Not just fucked. Chosen. Other times, they want what I hide. They pull down my panties and take me as I am. My ass becomes my pussy. They call my cock a girl cock, and I let them, because in those moments it belongs to the version of me who still needs to be worshipped, still deserves to be adored. There's no shame in it. I’m done apologizing for the way I live in my body. But the most powerful moments are the quiet ones—alone, silk between my thighs, hips swaying as I move through the world with my little secret pressed tight against me. The prosthetic warms to my skin. I forget it’s there, and yet I’m constantly aware of it. It doesn’t just hide what I hate. It shows me who I am. Every soft curve, every subtle line—it’s mine. I’ve had men fall in love with me through it. Not just because of how I look, but how I let them in. Emotionally, physically, spiritually. When I let a man undress me slowly, kiss down my stomach, slip his fingers over that smooth slit... he doesn’t just touch silicone. He touches me. He touches the part of me that’s always been waiting to be seen. And when he enters me there, when he moves inside me through that perfect opening, I close my eyes and feel a kind of peace I’ve never known. A feeling that says, This is what it means to be wanted. This is what it means to be a woman. This is what it means to be loved in the body you’ve built for yourself, on your terms. It’s not a costume. It’s not pretend. It’s truth, wrapped in silicone and lingerie and longing. And it’s beautiful. More: http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent
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  • Greetings my excellent friends! Hope you've had a lovely weekend and are looking forward to a gentle Sunday evening to finish. Time to crack open that baileys? Well and why not? It's chilly outside, better to sink your satin covered posterior into a comfy sofa, put your fluffy slippers up on a footstool and sip something sweet and warming. Xxx
    Greetings my excellent friends! Hope you've had a lovely weekend and are looking forward to a gentle Sunday evening to finish. Time to crack open that baileys? Well and why not? It's chilly outside, better to sink your satin covered posterior into a comfy sofa, put your fluffy slippers up on a footstool and sip something sweet and warming. 🙂 Xxx
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  • Patti loves her dresses and heels, but as most girls I want to go shopping for more, I love very short dresses and skirts, I love trying on new heels. They make me feel so feminine, Patti wants everybody on here to know she thinks you’ll are beautiful sweet and amazing girls and hopes you all are having a wonderful day of night
    Patti loves her dresses and heels, but as most girls I want to go shopping for more, I love very short dresses and skirts, I love trying on new heels. They make me feel so feminine, Patti wants everybody on here to know she thinks you’ll are beautiful sweet and amazing girls and hopes you all are having a wonderful day of night
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  • Sweet or naughty? Yeah, with this pic it sounds a lil' dirty—but honestly, I couldn’t care less! Forgive me, boys, I’m completely booked—hopping straight from one party to the next! Just yesterday I was lighting up the Bahamas, and now we’re deep into Halloween celebrations day after day! When the future’s all foggy, you’ve got to master living in the moment—and that’s exactly what I’m doing!
    Sweet or naughty? Yeah, with this pic it sounds a lil' dirty—but honestly, I couldn’t care less! Forgive me, boys, I’m completely booked—hopping straight from one party to the next! Just yesterday I was lighting up the Bahamas, and now we’re deep into Halloween celebrations day after day! When the future’s all foggy, you’ve got to master living in the moment—and that’s exactly what I’m doing!
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  • Just f#cking WOW, just got back from the Skindred gig... OMG the vibes, the energy, was sweating like a kid in a sweetshop with unlimited cash. Girls I highly recommend going to see them if you get the chance. You WON'T regret it.
    Just f#cking WOW, just got back from the Skindred gig... OMG the vibes, the energy, was sweating like a kid in a sweetshop with unlimited cash. Girls I highly recommend going to see them if you get the chance. You WON'T regret it.
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  • Time for some sweets Happy Halloween my darlings should be a good night
    Time for some sweets Happy Halloween my darlings should be a good night
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  • Good evening sweets! I'm off to work. But thought I'd leave you with a story. More: http://chrissyinsd.hotviber.com/
    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent

    Chrissy on the Hillcrest Bus

    The bus hissed as it opened its doors on University Avenue, right in the heart of Hillcrest, San Diego’s famous gay neighborhood. I climbed aboard, heart racing a little faster than usual. On the outside I was in my “boy clothes” — plain pants, a simple shirt — but underneath I was my secret self: Chrissy Marie Tunnell. Pink floral panties hugged my smooth hips, a matching bra cupped my chest, and tiny flashes of trans-colored jewelry — a ring, a dangling earring — shimmered in the afternoon light.

    I wasn’t fully comfortable living openly as a girl yet, but I loved leaving little clues for anyone observant enough to notice.

    As I walked down the aisle, I felt eyes on me. One man’s gaze dropped to where the pink waistband of my panties peeked above my pants. Another tilted his head just enough to catch the faint outline of my bra straps beneath the thin cotton of my shirt. My jewelry glinted when the bus jolted, and I knew they’d seen the colors.

    Their eyes followed me hungrily as I slid into a seat halfway down. Even the bus driver, watching through the mirror, licked his lips and adjusted in his chair.

    “Hey…” one man finally said, his voice a mix of awe and lust. “You’re Chrissy… the trans model, aren’t you?”

    My cheeks burned, but I gave a shy smile. “Yes.”

    A low whistle came from the back. “Damn. You should take those clothes off.”

    I laughed nervously, shaking my head. “I can’t here…”

    Then the driver’s voice, gravelly but warm, floated down the aisle: “It’s okay. I won’t say anything.” His eyes met mine in the mirror, daring me.

    A shiver ran through me. My body trembled with a mix of nerves and arousal as I stood up slowly, the bus swaying beneath my feet. I grabbed the metal pole for balance, slipped off my shirt one button at a time, and slid my pants down my thighs. Gasps and murmurs spread as I revealed my pink bra and panties, smooth legs, and the bulge already straining with need.

    “Goddamn…” someone whispered.

    I posed for them, turning so they could see the curve of my ass, bending just enough to make my cheeks round and full under the thin fabric. I arched my back, running my hands down my torso, teasing myself for their eyes. The air hummed with catcalls and whistles, every sound feeding my arousal.

    I felt powerful. Desired. Exposed.

    The driver adjusted his mirror again, his eyes glued to me. My **** twitched inside my panties, leaking, the wet spot spreading. A chorus of moans and encouragement filled the bus as I spread my legs, cupped myself through the silky fabric, and let them watch my face flush and my chest rise and fall with each deep breath.

    I was their show, their Chrissy, their secret ******* on wheels.

    Chrissy’s Bus Show – The Climax
    The bus swayed along the road, but I barely noticed. Every set of eyes was on me — hungry, wide, devouring. I stood in the aisle in nothing but my pink floral bra and panties, my smooth skin glistening under the fluorescent lights, my **** straining the damp satin.

    “Do it, Chrissy,” someone whispered, voice husky with need.

    “Yes… show us,” another begged.

    The encouragement hit me like waves of heat. I hooked my thumbs under the band of my panties, tugged them tight against my bulge, and let out a trembling gasp. My **** pulsed, the wet spot spreading. The riders groaned, some openly rubbing themselves as they watched.

    I spread my legs wider, arched my back, and cupped myself through the silky fabric. The friction was maddening. My hips bucked, the panties darkening with each spurt of precum.

    “God, look at you,” the bus driver moaned from the mirror, his knuckles white on the wheel.

    The passengers cheered me on, clapping, catcalling, shouting my name. “Chrissy! Chrissy!”

    I slid one hand up my chest, over my flat stomach, to my bra — tugging at the cups, making my nipples stand hard under the lace. My other hand rubbed furiously over the soaked bulge, grinding, stroking, teasing myself to the edge.

    The entire bus rocked with my moans. My thighs quivered, my lips parted, sweat dripping down my temples. I was lost in it, lost in them, lost in the rush of being seen.

    Then it hit.

    “Ahhh—!” My body seized, **** jerking uncontrollably as I came hard in my panties. Hot, sticky release poured out, soaking the pink fabric, running down my thighs. Gasps and cheers filled the air, some passengers clapping, others moaning with me as if they’d climaxed, too. (continued in comments below):


    -Chrissy
    Good evening sweets! I'm off to work. But thought I'd leave you with a story. More: http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent Chrissy on the Hillcrest Bus The bus hissed as it opened its doors on University Avenue, right in the heart of Hillcrest, San Diego’s famous gay neighborhood. I climbed aboard, heart racing a little faster than usual. On the outside I was in my “boy clothes” — plain pants, a simple shirt — but underneath I was my secret self: Chrissy Marie Tunnell. Pink floral panties hugged my smooth hips, a matching bra cupped my chest, and tiny flashes of trans-colored jewelry — a ring, a dangling earring — shimmered in the afternoon light. I wasn’t fully comfortable living openly as a girl yet, but I loved leaving little clues for anyone observant enough to notice. As I walked down the aisle, I felt eyes on me. One man’s gaze dropped to where the pink waistband of my panties peeked above my pants. Another tilted his head just enough to catch the faint outline of my bra straps beneath the thin cotton of my shirt. My jewelry glinted when the bus jolted, and I knew they’d seen the colors. Their eyes followed me hungrily as I slid into a seat halfway down. Even the bus driver, watching through the mirror, licked his lips and adjusted in his chair. “Hey…” one man finally said, his voice a mix of awe and lust. “You’re Chrissy… the trans model, aren’t you?” My cheeks burned, but I gave a shy smile. “Yes.” A low whistle came from the back. “Damn. You should take those clothes off.” I laughed nervously, shaking my head. “I can’t here…” Then the driver’s voice, gravelly but warm, floated down the aisle: “It’s okay. I won’t say anything.” His eyes met mine in the mirror, daring me. A shiver ran through me. My body trembled with a mix of nerves and arousal as I stood up slowly, the bus swaying beneath my feet. I grabbed the metal pole for balance, slipped off my shirt one button at a time, and slid my pants down my thighs. Gasps and murmurs spread as I revealed my pink bra and panties, smooth legs, and the bulge already straining with need. “Goddamn…” someone whispered. I posed for them, turning so they could see the curve of my ass, bending just enough to make my cheeks round and full under the thin fabric. I arched my back, running my hands down my torso, teasing myself for their eyes. The air hummed with catcalls and whistles, every sound feeding my arousal. I felt powerful. Desired. Exposed. The driver adjusted his mirror again, his eyes glued to me. My cock twitched inside my panties, leaking, the wet spot spreading. A chorus of moans and encouragement filled the bus as I spread my legs, cupped myself through the silky fabric, and let them watch my face flush and my chest rise and fall with each deep breath. I was their show, their Chrissy, their secret goddess on wheels. Chrissy’s Bus Show – The Climax The bus swayed along the road, but I barely noticed. Every set of eyes was on me — hungry, wide, devouring. I stood in the aisle in nothing but my pink floral bra and panties, my smooth skin glistening under the fluorescent lights, my cock straining the damp satin. “Do it, Chrissy,” someone whispered, voice husky with need. “Yes… show us,” another begged. The encouragement hit me like waves of heat. I hooked my thumbs under the band of my panties, tugged them tight against my bulge, and let out a trembling gasp. My cock pulsed, the wet spot spreading. The riders groaned, some openly rubbing themselves as they watched. I spread my legs wider, arched my back, and cupped myself through the silky fabric. The friction was maddening. My hips bucked, the panties darkening with each spurt of precum. “God, look at you,” the bus driver moaned from the mirror, his knuckles white on the wheel. The passengers cheered me on, clapping, catcalling, shouting my name. “Chrissy! Chrissy!” I slid one hand up my chest, over my flat stomach, to my bra — tugging at the cups, making my nipples stand hard under the lace. My other hand rubbed furiously over the soaked bulge, grinding, stroking, teasing myself to the edge. The entire bus rocked with my moans. My thighs quivered, my lips parted, sweat dripping down my temples. I was lost in it, lost in them, lost in the rush of being seen. Then it hit. “Ahhh—!” My body seized, cock jerking uncontrollably as I came hard in my panties. Hot, sticky release poured out, soaking the pink fabric, running down my thighs. Gasps and cheers filled the air, some passengers clapping, others moaning with me as if they’d climaxed, too. (continued in comments below): -Chrissy
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  • Good afternoon sweets! More: http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent
    Good afternoon sweets! More: http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent
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