• Been so busy lately but got a new sexy fit to pose in.. alot more pics coming soon
    Been so busy lately 🙃 but got a new sexy fit to pose in.. alot more pics coming soon😅💜
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  • How do I look in my new panty host?http://t.me/Queenvaleriejeffrey
    How do I look in my new panty host?http://t.me/Queenvaleriejeffrey
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  • Amnesia...

    I have erased
    The trace
    Of Past
    My present
    Is not true
    The Fog
    Of Future
    Is a chance
    To whisper
    I Love You...

    I dont remember
    Who I am
    My record was
    once lost
    I thought
    They
    Might
    To try to check...
    Results were
    Void or False...
    And then
    I whispered
    I am
    I was
    A girl
    Girl Kate...
    Kate Aashe?
    Yes
    There is a file...
    We're waiting
    To update...
    To my surprise
    All matched
    And Weight
    And Hеight
    And lips
    And eyes.
    And fingerprints...
    I got a date
    For passport.
    I was touched...
    They let me ever read
    My past...
    Once married
    Twice divorced
    My future
    Looks
    Not very bright
    But still
    Quite light to go...
    Kind Doctor
    Checked my chromosomes
    But found only one
    The other was forever lost
    But seems nobody minds...
    I got my number
    My ID
    And made new hair cut...
    Ms. Aashe just forgot her dreams
    Long hidden in her past

    My very Past
    Has been erased
    My present
    Is not true
    The Fog
    Of Future
    Is a chance
    I never meet with You...
    Amnesia... I have erased The trace Of Past My present Is not true The Fog Of Future Is a chance To whisper I Love You... I dont remember Who I am My record was once lost I thought They Might To try to check... Results were Void or False... And then I whispered I am I was A girl Girl Kate... Kate Aashe? Yes There is a file... We're waiting To update... To my surprise All matched And Weight And Hеight And lips And eyes. And fingerprints... I got a date For passport. I was touched... They let me ever read My past... Once married Twice divorced My future Looks Not very bright But still Quite light to go... Kind Doctor Checked my chromosomes But found only one The other was forever lost But seems nobody minds... I got my number My ID And made new hair cut... Ms. Aashe just forgot her dreams Long hidden in her past My very Past Has been erased My present Is not true The Fog Of Future Is a chance I never meet with You...
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    Yay
    15
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  • Miss Costy gots me a new top
    Miss Costy gots me a new top
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    6
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  • New body suit and leopard print heels hope everyone’s week is going well! Almost the weekend!! x
    New body suit and leopard print heels 😍 hope everyone’s week is going well! Almost the weekend!! 🥰🥰😘x
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    12
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  • My own outfit tonight is the usual liturgy of satin devotion: full length satin slip beneath a long, bias-cut satin kaftan in the same deep cocoa family, sleeves falling past my knuckles in heavy, liquid folds. Satin gloves to the elbow. Satin socks sliding inside satin lined house slippers. Even the thin belt I tied at the waist is doubled satin cord. I have not worn anything else cotton, wool, denim, polyester in years. Skin has forgotten every texture but this one. There, resting on a perfectly smooth, shimmering brown satin pillow, sits the mannequin headform. Draped across it is the headscarf fresh from its tissue paper cradle only an hour ago. The silk satin is so densely woven, so exquisitely finished, that it looks poured rather than cut and stitched. I approach the mannequin headform with deliberate slowness, my satin gloved fingers trembling just enough to send faint shivers through the fabric. The spotlight above casts a warm, golden halo, making the brown satin headscarf and hijab gleam like polished mahogany. The pillow beneath them is plush, yielding slightly as I lift the scarf first careful, so careful not to crease its pristine folds. It unfolds in my hands like a living thing, cool and heavy, the weave so tight it feels like liquid silk against my palms. I pause, holding it up to the light. The edges are hemmed with invisible stitches, the kind only a master tailor would bother with. No fray, no flaw. Just endless, unbroken sheen. My breath catches as I imagine the transformation ahead the ritual that turns ordinary skin into something exalted, wrapped in satin sanctity. First, the preparation. I glide to the satin draped vanity nearby, where my tools wait: a small satin pouch of pins, each head coated in matching brown mother of pearl, a fine misting bottle of distilled water scented with a hint of vanilla to enhance the fabric's natural luster; and a full length mirror framed in burnished brass, its surface polished to reflect every nuance. I sit on the satin stool, my kaftan pooling around me in soft waves, and begin with my face. A light dusting of translucent powder to mattify the skin no shine but satin's own allowed. Then, the undercap: a simple brown satin skullcap I slip on, smoothing it flat against my scalp until it's seamless, invisible. Now, the headscarf. I fold it diagonally, creating a perfect triangle, the hypotenuse edge aligned with mathematical precision. I drape it over my head, the point falling down my back like a veil of night. The front edge rests just above my eyebrows, cool against my forehead, and I cross the ends under my chin, pulling them taut but not tight enough to hug, to cradle. The hiss of satin on satin is intoxicating, a whisper that echoes in the quiet room. I tie a loose knot at the nape, then tuck and pin the excess fabric into soft pleats, fanning them out like wings. Each pin slides in with a satisfying click, securing the shape without piercing the illusion of fluidity. I stand and turn to the mirror. Already, the transformation stirs: my features soften under the frame, eyes sharper in contrast to the rich brown. But it's incomplete. The hijab waits on the mannequin, its longer lengths beckoning. I retrieve it next, unfolding the rectangular expanse yards of satin, bias cut for drape. This is the heart of the ritual, the layer that envelops and defines. I position it over the headscarf, centering the wide edge along my hairline, letting the bulk cascade down my shoulders and back. The weight is luxurious, grounding, like being swaddled in opulence. I wrap one end across my chest, over the opposite shoulder, then bring the other around to meet it, creating a crossover that hints at modesty but screams indulgence. Pins again strategic, hidden hold the folds in place: one at the temple, another under the chin, a third securing the tail at my back. Adjustments come in waves. I smooth with gloved hands, coaxing out ripples until the surface is flawless, a continuous flow of brown that catches the spotlight in undulating highlights. A spritz from the bottle, just enough to set the sheen without dampening. I step back, then forward, turning side to side. The mirror shows perfection: head to toe in satin, the new pieces blending seamlessly with my kaftan, as if I were carved from a single bolt of fabric. The ritual peaks in movement. I walk the room's perimeter, feeling the hijab sway with each step, the subtle friction of layers building a symphony of sound rustle, slide, sigh. It's meditative, this pacing, a communion with the texture that owns me. No exposed skin, no interruption; just satin encasing, protecting, obsessing. Finally, satisfaction settles. I return to the spotlight's center, the mannequin now bare beside me, its pillow dimpled from absence. The darkness beyond swallows everything else, leaving only this: me, ritually reborn in brown satin, ready for whatever devotion the night demands.
    My own outfit tonight is the usual liturgy of satin devotion: full length satin slip beneath a long, bias-cut satin kaftan in the same deep cocoa family, sleeves falling past my knuckles in heavy, liquid folds. Satin gloves to the elbow. Satin socks sliding inside satin lined house slippers. Even the thin belt I tied at the waist is doubled satin cord. I have not worn anything else cotton, wool, denim, polyester in years. Skin has forgotten every texture but this one. There, resting on a perfectly smooth, shimmering brown satin pillow, sits the mannequin headform. Draped across it is the headscarf fresh from its tissue paper cradle only an hour ago. The silk satin is so densely woven, so exquisitely finished, that it looks poured rather than cut and stitched. I approach the mannequin headform with deliberate slowness, my satin gloved fingers trembling just enough to send faint shivers through the fabric. The spotlight above casts a warm, golden halo, making the brown satin headscarf and hijab gleam like polished mahogany. The pillow beneath them is plush, yielding slightly as I lift the scarf first careful, so careful not to crease its pristine folds. It unfolds in my hands like a living thing, cool and heavy, the weave so tight it feels like liquid silk against my palms. I pause, holding it up to the light. The edges are hemmed with invisible stitches, the kind only a master tailor would bother with. No fray, no flaw. Just endless, unbroken sheen. My breath catches as I imagine the transformation ahead the ritual that turns ordinary skin into something exalted, wrapped in satin sanctity. First, the preparation. I glide to the satin draped vanity nearby, where my tools wait: a small satin pouch of pins, each head coated in matching brown mother of pearl, a fine misting bottle of distilled water scented with a hint of vanilla to enhance the fabric's natural luster; and a full length mirror framed in burnished brass, its surface polished to reflect every nuance. I sit on the satin stool, my kaftan pooling around me in soft waves, and begin with my face. A light dusting of translucent powder to mattify the skin no shine but satin's own allowed. Then, the undercap: a simple brown satin skullcap I slip on, smoothing it flat against my scalp until it's seamless, invisible. Now, the headscarf. I fold it diagonally, creating a perfect triangle, the hypotenuse edge aligned with mathematical precision. I drape it over my head, the point falling down my back like a veil of night. The front edge rests just above my eyebrows, cool against my forehead, and I cross the ends under my chin, pulling them taut but not tight enough to hug, to cradle. The hiss of satin on satin is intoxicating, a whisper that echoes in the quiet room. I tie a loose knot at the nape, then tuck and pin the excess fabric into soft pleats, fanning them out like wings. Each pin slides in with a satisfying click, securing the shape without piercing the illusion of fluidity. I stand and turn to the mirror. Already, the transformation stirs: my features soften under the frame, eyes sharper in contrast to the rich brown. But it's incomplete. The hijab waits on the mannequin, its longer lengths beckoning. I retrieve it next, unfolding the rectangular expanse yards of satin, bias cut for drape. This is the heart of the ritual, the layer that envelops and defines. I position it over the headscarf, centering the wide edge along my hairline, letting the bulk cascade down my shoulders and back. The weight is luxurious, grounding, like being swaddled in opulence. I wrap one end across my chest, over the opposite shoulder, then bring the other around to meet it, creating a crossover that hints at modesty but screams indulgence. Pins again strategic, hidden hold the folds in place: one at the temple, another under the chin, a third securing the tail at my back. Adjustments come in waves. I smooth with gloved hands, coaxing out ripples until the surface is flawless, a continuous flow of brown that catches the spotlight in undulating highlights. A spritz from the bottle, just enough to set the sheen without dampening. I step back, then forward, turning side to side. The mirror shows perfection: head to toe in satin, the new pieces blending seamlessly with my kaftan, as if I were carved from a single bolt of fabric. The ritual peaks in movement. I walk the room's perimeter, feeling the hijab sway with each step, the subtle friction of layers building a symphony of sound rustle, slide, sigh. It's meditative, this pacing, a communion with the texture that owns me. No exposed skin, no interruption; just satin encasing, protecting, obsessing. Finally, satisfaction settles. I return to the spotlight's center, the mannequin now bare beside me, its pillow dimpled from absence. The darkness beyond swallows everything else, leaving only this: me, ritually reborn in brown satin, ready for whatever devotion the night demands.
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  • My TS/CD/TV Story

    Tonight I feel the girl inside me stirring again, asking to be written into existence.

    I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom.

    I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming.

    I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition.

    I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself.

    I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief.

    So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there.

    For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight.

    No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside.

    Tonight I write her name here, like a prayer.
    Tonight I let her breathe.

    Chrissy.
    She is real.
    She is me.

    And even if the world never fully knows her, I know her. And that, for now, is something.

    With love,
    Chrissy

    https://www.facebook.com/profile.php?id=61586994341520

    https://x.com/TunnellChrissy

    #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
    My TS/CD/TV Story Tonight I feel the girl inside me stirring again, asking to be written into existence. I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom. I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming. I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition. I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself. I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief. So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there. For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight. No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside. Tonight I write her name here, like a prayer. Tonight I let her breathe. Chrissy. She is real. She is me. And even if the world never fully knows her, I know her. And that, for now, is something. With love, Chrissy https://www.facebook.com/profile.php?id=61586994341520 https://x.com/TunnellChrissy #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
    Love
    1
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  • How do my new heels look? http://t.me/Queenvaleriejeffrey
    How do my new heels look?👠 http://t.me/Queenvaleriejeffrey
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    Haha
    Yay
    10
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  • New outfit getting ready for my pool i think i like the 2 piece better loves babes
    New outfit getting ready for my pool i think i like the 2 piece better loves babes 😘 💕
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    24
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  • Happy Girl today. New dress and gorgeous 6 inch heels arrived. Can't wait for someone to see them up close. X
    Happy Girl today. New dress and gorgeous 6 inch heels arrived. Can't wait for someone to see them up close. X
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    Like
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    30
    9 Commenti 0 condivisioni 2K Views
  • I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    Haha
    2
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  • Dommes! What is one piece of advice you would give a prospective submissive who’s new to the scenes??
    Dommes! What is one piece of advice you would give a prospective submissive who’s new to the scenes??
    Haha
    2
    4 Commenti 0 condivisioni 901 Views
  • The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family.
    I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise.
    The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.”
    She wasn’t wrong.
    Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten.
    I asked to try it on.
    In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic.
    Then came the satin pieces.
    I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature.
    When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there.
    I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows.
    I bought it. No hesitation.
    Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself.
    It isn’t just a dress.
    It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige.
    And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
    The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family. I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise. The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.” She wasn’t wrong. Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten. I asked to try it on. In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic. Then came the satin pieces. I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature. When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there. I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows. I bought it. No hesitation. Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself. It isn’t just a dress. It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige. And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
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  • New pink bodysuit top! Feelsgoodman clap!
    New pink bodysuit top! Feelsgoodman clap! 😆
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  • I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
    I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
    Love
    4
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  • I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    Haha
    2
    0 Commenti 0 condivisioni 2K Views
  • Melanie's new navy-striped satin blouse has arrived!
    So looking at doing some photo-shoots in this next weekend.....
    Melanie's new navy-striped satin blouse has arrived! So looking at doing some photo-shoots in this next weekend.....
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    Like
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    12
    0 Commenti 0 condivisioni 2K Views
  • Id like to know what toys you girls use and love bigger, thicker, longer, i love them all but im looking to add some new ones to my collection. Please send pictures and a short message about why you like your favorite toy or toys to help me decide thankyou to all that actuality read this message
    Id like to know what toys you girls use and love bigger, thicker, longer, i love them all but im looking to add some new ones to my collection. Please send pictures and a short message about why you like your favorite toy or toys to help me decide thankyou to all that actuality read this message
    0 Commenti 0 condivisioni 2K Views
  • Another cute new dress with my nude heels hope everyone has had a lovley weekend! xx
    Another cute new dress with my nude heels 😍 hope everyone has had a lovley weekend! 😘xx
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    Yay
    19
    11 Commenti 0 condivisioni 2K Views
  • Omg this new site! We’ve come so far girlies Hope everyone has a gorgeous and peaceful weekend
    Omg this new site! We’ve come so far girlies 🥲 Hope everyone has a gorgeous and peaceful weekend 🖤
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    5
    5 Commenti 0 condivisioni 2K Views
  • It's great to be back. Miss you all so much. I have nothing new I'm affraid, but still I have some never posted reserves from Christmas.
    It's great to be back. Miss you all so much. I have nothing new I'm affraid, but still I have some never posted reserves from Christmas.
    Love
    25
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  • Well new look site same old scammers so why not contact me on my grammar phone or zingie zanger what’s it and give me all the money! Love you all x
    Well new look site same old scammers so why not contact me on my grammar phone or zingie zanger what’s it and give me all the money! Love you all x
    Love
    Haha
    Like
    Wow
    26
    14 Commenti 0 condivisioni 2K Views
  • Tragic news for many of you on here who shop....
    Tragic news for many of you on here who shop.... 😂
    Haha
    Wow
    6
    7 Commenti 0 condivisioni 1K Views
  • Got some new lingerie must admit it feels fantastic

    Got some new lingerie must admit it feels fantastic ❤️
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    Like
    11
    2 Commenti 0 condivisioni 2K Views
  • New butt plug day and new dress day, absolutely loving them all
    New butt plug day and new dress day, absolutely loving them all 😘😈🍆🍑💦💄📸💥😋
    Love
    19
    4 Commenti 0 condivisioni 2K Views
  • I was enjoying the new site updates but the new notification noise freaked the hell out of me the first couple of times! Anyone else get hit by that?
    I was enjoying the new site updates but the new notification noise freaked the hell out of me the first couple of times! Anyone else get hit by that? 🤣
    Haha
    Sad
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    2 Commenti 0 condivisioni 2K Views
  • I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy

    I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy
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    7
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  • Reflecting on my journey down the rabbit hole, going deeper, i found myself overwhelmed with a plethora of new feelings and emotions, some good some not so much. Perseverance made me reach my goals. This was one of them.
    Reflecting on my journey down the rabbit hole, going deeper, i found myself overwhelmed with a plethora of new feelings and emotions, some good some not so much. Perseverance made me reach my goals. This was one of them. ❤️
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    Wow
    18
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  • Waking up to a new update.
    The site is looking pretty nice now
    Waking up to a new update. The site is looking pretty nice now 👌
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    35
    11 Commenti 0 condivisioni 2K Views
  • New babydoll, feels amazing 🩷🩷🩷
    New babydoll, feels amazing 🩷🩷🩷
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    33
    10 Commenti 0 condivisioni 2K Views
  • Trying Something New
    Trying Something New 💝😉
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  • New pjs
    New pjs
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    12
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  • Bad news folks. For those who like my profile picture, I shaved all my hair off the other day
    Bad news folks. For those who like my profile picture, I shaved all my hair off the other day
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  • New Naughty Pics on the CD Stories Group chat xxxx
    New Naughty Pics on the CD Stories Group chat xxxx 💋💋
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    1
    0 Commenti 0 condivisioni 1K Views
  • The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag.
    I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one.
    They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both.
    The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down.
    Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark.
    A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape.
    I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run.
    She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago.
    "You're late," I said, voice low, muffled by chiffon.
    "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances."
    "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?"
    She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice.
    "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments."
    I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be.
    "And what do you want from me?" I asked.
    "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first."
    I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both.
    "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes."
    She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price."
    I nodded once. The rain drummed harder, like applause for bad decisions.
    "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done."
    She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing.
    I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean.
    The city exhaled around me, smoke, rain, rust.
    I started walking toward Cutler Street.
    The rainbow dress in the wardrobe would have to wait another night.
    Some colours aren't meant to be worn in the light.
    The rain came down in silver sheets, turning the cobbles into black mirrors that reflected the sodium glow of the single working streetlamp. I leaned against its rusted iron, the cold metal biting through the heavy layers of satin and chiffon like it wanted to remind me I was still flesh under all this funeral drag. I took a long drag on the cigarette, the cherry flaring briefly under the edge of my veil. The black chiffon draped across my face softened the world into shadow theatre, everything a little unreal, a little safer that way. My lips, painted the color of dried blood, left a faint crescent on the filter. I exhaled smoke that twisted upward to join the mist, two kinds of fog becoming one. They called me Valentine in the old precinct days, before the badge became a liability and the mirror became an accusation. Now I was just Val to the few who still owed me favors, or the ones who needed someone who didn't flinch at the smell of blood and cheap perfume. Tonight the city smelled of both. The gown dragged behind me like a widow's promise, long black satin, ankle-skimming, catching what little light there was and throwing it back in wet, liquid gleams. The blouse beneath frothed with rococo frills, glossy and ridiculous against the grime. Mourning attire from a century that knew how to grieve properly. I wore it because it fit the part I was playing: the ghost who refuses to lie down. Somewhere in the alley behind me, my wardrobe waited in a condemned boarding house door half off its hinges, the only bright thing inside a floor length rainbow satin dress hanging like a forgotten carnival prize. Long sleeves, high ruffled collar, shimmering like oil on water. I kept it there the way some men keep a pistol in a drawer. A reminder that colour still existed, even if I only visited it in the dark. A low rumble rolled through the street. The red double decker bus, the corpse of the only one left running those nights, it lay half-buried in fallen brick and twisted rebar two blocks down. Its paint had rusted to the color of old blood; one headlamp still flickered like a dying eye. No one bothered to tow it anymore. It was just another corpse in the landscape. I flicked ash into a puddle. The cigarette hissed and went out. That's when I saw her silhouette at the mouth of the alley, trench coat too big, heels too high for the broken pavement. She moved like someone who knew she was being watched but couldn't afford to run. She stopped under the cone of lamplight, rain tracing black rivulets down her face. Mascara already surrendered hours ago. "You're late," I said, voice low, muffled by chiffon. "You're early," she answered. Her eyes flicked over my outfit, the veil, the frills, the shine that didn't belong here. She didn't laugh. Smart girl. "They said you were... particular about appearances." "They say a lot of things." I pushed off the lamppost. The gown whispered against itself with every step. "You got the envelope?" She reached inside her coat, produced a slim packet sealed with red wax. Her hand trembled just enough to notice. "Inside is everything, names, dates, the garment dress warehouse on Cutler Street. They think they're untouchable because they own half the magistrates and all the shadows." She swallowed. "But they killed my sister. Slowly. For asking too many questions about the satin shipments." I took the envelope without looking at it. Slipped it inside the satin folds where a heart should be. "And what do you want from me?" I asked. "Justice." The word sounded small and antique in her mouth. "Or revenge. Whichever comes first." I studied her through the veil. Young. Broken in the right places. The kind of client who pays in blood or tears, sometimes both. "Revenge is expensive," I told her. "And justice... justice is just revenge wearing prettier clothes." She met my eyes, dark eyeliner smudged into war paint. "Then I'll pay the price." I nodded once. The rain drummed harder, like applause for bad decisions. "Go home," I said. "Lock the doors. Burn anything with your name on it. I'll find you when it's done." She hesitated, then turned and walked back into the dark. Her heels clicked once, twice, then nothing. I lit another cigarette. The flame briefly illuminated my reflection in the wet lamppost glass: black lips, darker eyes, a widow who never married, a detective who never solved anything clean. The city exhaled around me, smoke, rain, rust. I started walking toward Cutler Street. The rainbow dress in the wardrobe would have to wait another night. Some colours aren't meant to be worn in the light.
    Love
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    5
    1 Commenti 0 condivisioni 2K Views
  • I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy

    I am happy to guide you, if you are a beginner, I love to open new doors and show you the kinky side of life hit me up and let's explore. #sissy #femboy
    Haha
    1
    0 Commenti 0 condivisioni 2K Views
  • Got myself a new ring light 12in With colored lighting ✨️
    Loving the way red comes out
    Got myself a new ring light 12in With colored lighting ✨️ Loving the way red comes out
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    27
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  • got new skirt and corset : ) .. aaand boots : )
    got new skirt and corset : ) .. aaand boots : )
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    19
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  • I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    I'm recruiting newbie subs that wants to serve me and get trained and completely owned by Me #sissyslut #femboy
    1 Commenti 0 condivisioni 2K Views
  • Got a new skirt today
    Got a new skirt today☺️
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    14
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  • Love my new wig. 🩷🩷
    😚Love my new wig. 🩷🩷🎀
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    7
    2 Commenti 0 condivisioni 2K Views
  • New pantyhose that my wife bought for herself.... i could not resist
    New pantyhose that my wife bought for herself.... i could not resist
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    4
    0 Commenti 0 condivisioni 1K Views
  • Good evening everyone hope you have a fabulous evening
    Just a couple showing off my new c cup size
    I lov3 the outfit and the look of my hair in these
    Good evening everyone hope you have a fabulous evening Just a couple showing off my new c cup size 😍😊 I lov3 the outfit and the look of my hair in these 😊
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    15
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  • Last lot of this outfit I swear got lots of new outfits to share for this year I can’t wait hope everyone has had a good Monday xx
    Last lot of this outfit I swear 😋 got lots of new outfits to share for this year I can’t wait 🥰 hope everyone has had a good Monday 😘xx
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    30
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  • Today i have received my new sexy stockings.
    Today i have received my new sexy stockings.
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    24
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  • I don't think glams gets it. She can keep starting new accounts with different numbers but will still get reported and blocked. Go on a BDSM site, no one is interested
    I don't think glams gets it. She can keep starting new accounts with different numbers but will still get reported and blocked. Go on a BDSM site, no one is interested
    Like
    6
    3 Commenti 0 condivisioni 1K Views
  • Hello everyone, i'm Jalen, Im new on this app, looking to meet up with new friends for social events. Anyone in South London/Croydon/Surrey areas would especially like to connect with you.
    Hello everyone, i'm Jalen, Im new on this app, looking to meet up with new friends for social events. Anyone in South London/Croydon/Surrey areas would especially like to connect with you.
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