• I can't live without them...
    I can't live without them...
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  • So like i said I've been playing around with A.I. and always wanted to be like a villain in a spy thriller who switches sides and ends up becoming good in the end. What a unique time we live in where anything in your mind can be generated to an image or video. Yes this is A.i.
    So like i said I've been playing around with A.I. and always wanted to be like a villain in a spy thriller who switches sides and ends up becoming good in the end. What a unique time we live in where anything in your mind can be generated to an image or video. Yes this is A.i.
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  • Awww... sad...

    Sorry Mirrtessgift1, not your target mug!

    So what are you actually looking for
    13 minutes ago
    oh, i mainly come on here to chat, share tips, try to give back what some of the other girls have given me on my journey, not really looking for dating as i'm in a lively social scene in the real world! What about you, what brought you here?
    9 minutes ago
    I'm looking for a good submissive ***** to control by me if you are interested
    7 minutes ago
    oh! no, not interested, thanks, i have plenty of that kind of attention in person with real people, not faceless scammers online
    6 minutes ago
    my daughter-out-law does the findom thing for a living, i know how it works (for those who are good at it)
    5 minutes ago
    So are you not interested
    4 minutes ago
    not at all, i think the only people on here who wil be are sad, lonely, closeted hairy-pantie-wearers - none of which apply!
    Awww... sad... Sorry Mirrtessgift1, not your target mug! So what are you actually looking for 13 minutes ago oh, i mainly come on here to chat, share tips, try to give back what some of the other girls have given me on my journey, not really looking for dating as i'm in a lively social scene in the real world! What about you, what brought you here? 9 minutes ago I'm looking for a good submissive ***** to control by me if you are interested 7 minutes ago oh! no, not interested, thanks, i have plenty of that kind of attention in person with real people, not faceless scammers online 😁 6 minutes ago my daughter-out-law does the findom thing for a living, i know how it works (for those who are good at it) 5 minutes ago So are you not interested 4 minutes ago not at all, i think the only people on here who wil be are sad, lonely, closeted hairy-pantie-wearers - none of which apply!
    Haha
    5
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  • This **** craving cum guzzling sissy is bout to get spun and I need to have a woman or a few women to get to watch my mouth and tight little sissy ass penetrated and gaped by these toys or anything else you want to see me shove in my mouth or up my ass and get a close-up video of me begging to have all my pictures and videos uploaded on every media platform l you can and I need to have a job on my knees sucking dick in front of everyone and the best thing is I don't have any problems with my own mom and my wife seeing my mouth and tight little sissy ass raped raw and soaked in cum by multiple bbcs on a live stream cam show . Like my legs and ass cheeks my PM is ALWAYS open. Now who wants to turn me out
    This cock craving cum guzzling sissy is bout to get spun and I need to have a woman or a few women to get to watch my mouth and tight little sissy ass penetrated and gaped by these toys or anything else you want to see me shove in my mouth or up my ass and get a close-up video of me begging to have all my pictures and videos uploaded on every media platform l you can and I need to have a job on my knees sucking dick in front of everyone and the best thing is I don't have any problems with my own mom and my wife seeing my mouth and tight little sissy ass raped raw and soaked in cum by multiple bbcs on a live stream cam show . Like my legs and ass cheeks my PM is ALWAYS open. Now who wants to turn me out
    Love
    Yay
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  • My TS/CD/TV Story

    Tonight I feel the girl inside me stirring again, asking to be written into existence.

    I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom.

    I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming.

    I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition.

    I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself.

    I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief.

    So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there.

    For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight.

    No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside.

    Tonight I write her name here, like a prayer.
    Tonight I let her breathe.

    Chrissy.
    She is real.
    She is me.

    And even if the world never fully knows her, I know her. And that, for now, is something.

    With love,
    Chrissy

    https://www.facebook.com/profile.php?id=61586994341520

    https://x.com/TunnellChrissy

    #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
    My TS/CD/TV Story Tonight I feel the girl inside me stirring again, asking to be written into existence. I have carried her quietly for so long—tucked into the soft, hidden chambers of my heart, where secrets live and dreams wait for courage. She has always been there, watching the world through my eyes while I learned how to survive in a role that never fully fit. She learned to whisper instead of speak, to hide instead of bloom. I have always been feminine. I have always felt the pull toward softness, beauty, silk, lace, and being seen not as a man pretending—but as a woman becoming. I didn’t begin crossdressing until a few years ago, late in life, after decades of wondering and silence. A boyfriend encouraged me—someone who saw the femininity in me and cherished it. I was already submissive in spirit, already gentle, already carrying this quiet feminine current inside. When I put on a bra, slipped into panties, and felt lingerie against my skin, it felt natural. Familiar. Like recognition. I had suspected this part of myself for years, like a faint melody always playing in the background. But that day, standing there in softness, I didn’t just suspect it—I knew. Not as fantasy or curiosity, but as truth. Something ancient and undeniable finally named itself. I imagine walking down a street in a dress that catches the light, my skin warm in the sun, people seeing me as I wish to be seen. I imagine being admired, desired, even framed on a wall like a pin-up girl from another era—confident, glamorous, unapologetically herself. That vision makes my heart ache with both joy and grief. So much of my life has been spent in silence. So much of me was taught to hide. I am still learning how to peel back the layers of fear, religion, politics, family expectations, and my own hesitation. I don’t know where this path will lead—only that I am tired of pretending she isn’t there. For now, she lives in quiet places: my room, my thoughts, the gentle arms of someone who understands, the rare spaces where I can exhale and be Chrissy. I wonder sometimes if that is enough. I wonder what it would be like to let her walk freely in the daylight. No one in my family knows her. Most of my friends don’t. They see the version of me that learned how to blend in, how to be acceptable, how to survive. They don’t see the girl who has been waiting so patiently inside. Tonight I write her name here, like a prayer. Tonight I let her breathe. Chrissy. She is real. She is me. And even if the world never fully knows her, I know her. And that, for now, is something. With love, Chrissy https://www.facebook.com/profile.php?id=61586994341520 https://x.com/TunnellChrissy #sissy #sissyboy #gurl #shemale #trans #femboy #femman #tgirl #crossdresser #transgirl #transowman #gay #lgbtq
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  • Who lives in Cheshire?
    Who lives in Cheshire?
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  • The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family.
    I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise.
    The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.”
    She wasn’t wrong.
    Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten.
    I asked to try it on.
    In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic.
    Then came the satin pieces.
    I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature.
    When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there.
    I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows.
    I bought it. No hesitation.
    Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself.
    It isn’t just a dress.
    It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige.
    And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
    The dress had lived in my saved folder for weeks: an elegant plus size kaftan, long and sweeping, described in loving detail online as a “maxi robe style” masterpiece. Bold geometric shapes danced across it, interrupted by playful polka dots, all in the richest shades of brown, deep coffee, and warm beige. No stretch, just pure, structured non stretch fabric that would drape and flow with quiet authority. Off the shoulder design that could be worn modestly high or slipped gently down for a more relaxed silhouette, and those perfect short sleeves. And then the detail that had sealed it for me a matching set of satin accessories: a hijab, a headscarf, and an oversized satin scarf, all in the same lush coffee beige family. I’d imagined myself in it so many times. Not just wearing it, but being in it moving through a room and feeling the hem brush my ankles like a whispered promise. The sales assistant smiled when she saw me lingering near the display. “That one’s new in,” she said, lifting the hanger with the kind of reverence usually reserved for museum pieces. “It’s even more striking up close.” She wasn’t wrong. Up close, the patterns were alive. The geometrics felt almost architectural, like tiny tiled courtyards from some ancient medina, while the polka dots added a mischievous modern wink. The colours were deeper than the photos had captured less flat beige, more toasted almond and espresso swirling together. I ran my fingertips over the fabric. Crisp, cool, luxuriously matte except where the satin accents caught the light and turned molten. I asked to try it on. In the fitting room, the kaftan slipped over my head like cool water. The weight of the non stretch fabric gave it presence; it didn’t cling, it enveloped. I adjusted the off shoulder neckline until it sat just where I wanted respectful yet softly open, framing my collarbones without apology. The short sleeves ended exactly where they should, leaving my forearms free. I turned slowly in front of the mirror and watched the skirt flare and settle, the patterns shifting like a living mosaic. Then came the satin pieces. I draped the hijab first, letting the silky coffee coloured length glide over my hair and shoulders. The texture was heaven smooth against my skin, cool and weightless. Next the headscarf, wrapped and tucked with practiced care (I’d watched enough tutorials to fake confidence). Finally, the oversized satin scarf, which I looped loosely around my neck and let trail down my back like a royal train in miniature. When I stepped out of the cubicle, the assistant actually gasped quietly, politely, but it was there. I felt… regal. Not in a loud, glittering way, but in the way old Islamic manuscript illuminations are regal: intricate, deliberate, quietly commanding attention through beauty rather than volume. The kaftan moved with me like an extension of breath. Every step sent gentle waves through the fabric, the geometric lines bending and realigning, the polka dots catching tiny sparks of that golden-hour light pouring through the shop windows. I bought it. No hesitation. Now, when I wear it at home in the evenings, I light a few low lamps to recreate that same warm glow. I walk slowly across the hardwood floor just to feel the hem sweep behind me. I arrange the satin scarf different ways draped over one shoulder, wrapped as a belt, left to float free and each time the mirror shows me someone new, yet completely myself. It isn’t just a dress. It’s the version of elegance I’d been quietly sketching in my mind for years, finally given shape in brown, coffee, and beige. And every time I put it on, I remember that afternoon in the boutique when the light hit just right, and I finally recognised the person looking back at me.
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  • Does anyone know any other CD's or admirers in or around Knowsley Liverpool? Thanks in advance. X
    Does anyone know any other CD's or admirers in or around Knowsley Liverpool? Thanks in advance. X
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  • I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
    I had just finished fastening the last hidden hook at the back of my turquoise gown when the knock came. Five soft raps. Familiar. Unhurried. For a moment my heart stuttered, the old reflex, the ancient fear and my hands flew to the veil as if I could suddenly disappear beneath it. No one ever came unannounced anymore. At sixty four, surprises usually meant doctors or delivery drivers. Then I recognised the rhythm. Only one person still knocked like that. “Don’t answer,” I whispered to myself. But I already knew I would. I moved toward the door, satin whispering around my legs, chiffon brushing my cheeks. Each step felt like a small confession. When I opened it, there she stood, Margaret. “Well,” she said gently, taking a long appraisal at me from headscarf to hem, “you’ve finally gone back to turquoise.” The relief hit me so hard I had to grip the doorframe. She didn’t gasp. Didn’t stare. Didn’t ask. She stepped inside as if this were the most ordinary thing in the world. Margaret and I had known each other forty years. We met in a crossdressing support group that didn’t dare use honest language, two frightened middle aged men pretending we were only “curious.” We had survived marriages, divorces, children, funerals, health scares, church shame, private wardrobes, public disguises. She was the only one who knew about her, the other side of me and about my wife, about the promise I made to bury this part of myself with her. Then she laughed a low, delighted laugh I hadn’t heard in years. “Well,” she said, stepping back to take me in properly, “someone’s been practising.” “And someone,” I replied, eyes dropping pointedly to her coat, “is hiding something under there.” She raised one eyebrow, theatrical as ever, and swept inside without another word. In the sitting room she removed her coat slowly, with ceremony. Underneath, she bloomed. Lavender satin skirt, soft as spilled dusk. A pearl-grey blouse with tiny buttons marching down its front. Her shoulders were draped in a pale mourning shawl, but beneath it shimmered a corset modest, yes, but unmistakably intentional. Her hair still stubbornly silver and short was crowned with a small violet fascinator tilted at a hopeful angle. We stared at each other. Then, at exactly the same moment, we burst into laughter. “Oh my God,” she said, clutching the back of a chair. “Look at us.” “Two antique chandeliers,” I said. “With arthritis.” She crossed the room and turned me gently by the shoulders toward the mirror. “Look properly,” she said. And I did. Two elderly figures in satin and chiffon and stubborn colour, layered with grief and courage and too many decades of silence. My turquoise against her lavender, mourning shades learning how to speak joy. “I never thought,” I said quietly, “that I’d be doing this at sixty four. With company.” “Better late than embalmed,” she replied. We helped each other settle in the armchairs, cushions adjusted, skirts arranged, veils tamed. She fixed my eyeliner with the same tenderness she’d used the last time we met. I fastened a hook she couldn’t quite reach at the back of her corset. Our hands lingered, not with desire, but with recognition. Tea became sherry. Sherry became stories. We spoke of first dresses bought in secret, of wigs hidden in lofts, of wives who never knew and wives who half knew and one who knew everything and loved anyway. We spoke of shame, of church halls, of changing rooms we never dared enter. At one point she stood and curtsied, wobbling dangerously. “Behold,” she announced, “the ghost of femininity past.” I applauded, carefully, so I didn’t spill my sherry. Later, when the light softened and the veil cast turquoise shadows across the wall, we grew quieter. “I was so lonely after Shirley died,” she said softly. “Not for another woman to replace her. For… this.” She gestured between us. “I know,” I said. And I did. Before she left, we stood by the door together, adjusting each other one last time, smoothing frills, straightening shawls, checking lipstick like two conspirators before a masquerade. “We should do this again,” she said. “Regularly,” I said at once. “Before courage changes its mind.” She smiled. “You know,” she said gently, “we don’t have to call it mourning forever.” I watched her walk away in lavender, support cane tapping, skirt swaying stubbornly against time. When I closed the door, the house no longer felt like a place of echoes. It felt like a dressing room. And for the first time in a very long life, I looked forward not to remembering, but to the next time I would become myself with someone who truly understood.
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  • The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
    The Erebus Veil has always been more mausoleum than starship, but tonight she feels like a confessional. I press my forehead to the viewport again, the cold glass a thin barrier between me and the churning nebulae that swirl like spilled ink and blood. My breath fogs it in ragged bursts each one a small rebellion against the vacuum waiting outside. Sixty four years, I rasp to the empty deck, voice thick with the kind of ache that settles in bones and doesn't leave. Sixty four years of rewriting myself sentence by sentence, and the universe still hasn't bothered to notice. Or maybe it has. Maybe that's why it left me here to watch the stars burn without apology. My gloved fingers curl against the pane, kid leather creaking. The gown of satin so dark it drinks light, chiffon whispering like secrets I used to be afraid to keep shifts with the faint tremor of the hull. The high-waist satin panty girdle beneath bites just enough to ground me, to say: You are here. You chose this shape. You paid in blood and time and nights spent crying into star charts. I laugh once, sharp and wet. It echoes off the pitted bulkheads. You know what the cruelest part is? I ask the ship, or the nebulae, or the ghost of the girl I used to bury every morning. I finally like the sound of my name in my own mouth. Hanımefendi. It used to taste like ash. Now it tastes like victory and no one’s left to hear me say it. A distant fusion coil whines in sympathy, or maybe that's just my pulse in my ears. I dreamed of this, you know. Not the derelict part. The space part. Vast and indifferent and beautiful. I thought if I could just get out here away from gravity wells and small minded gravity bound people I’d finally breathe easy. Instead I learned the void doesn’t care who you are. It doesn’t applaud your courage. It just… waits. My reflection stares back: sharp jaw softened by decades of estrogen and stubborn hope, eyes lined in kohl that’s run from earlier tears, raven cameo pinned like a medal over my heart. The chiaroscuro light paints me half angel, half wraith crowned in bruise purple nebulae fire. I swallow hard. But I’m still here, I whisper, fierce enough that it hurts my throat. Still standing in this ridiculous, glorious dress I sewed myself on a ship that’s falling apart. Still breathing air you recycled for me when no one else would. Still choosing every damn day to be this trans, tired, terrified, and incandescently alive. The flare comes again brighter this time, gold and merciless. It floods the deck, turns every jet bead to molten starlight, every fold of chiffon into rippling shadow and flame. My silhouette burns against the glass like a brand. I don’t flinch. Look at me, I snarl at the cosmos, at the empty chairs where crew once sat, at the woman in the reflection who finally stopped flinching. Look at what survives when everything else leaves. A trans woman in a Gothic mourning gown, orbiting a nebula that doesn’t give a damn. And I’m not done yet. Tears cut fresh tracks through the kohl. I let them fall. I loved once, I confess, softer now, the words cracking open like overripe fruit. Her name was Mara. She called me ‘starlight’ when no one else dared call me anything at all. We used to stand right here, hands linked, watching these same nebulae. She said we’d outlive the stars. I believed her. My voice breaks completely. She’s gone. Everyone’s gone. But I’m still wearing the earrings she gave me the ones shaped like tiny crescent moons. I’m still carrying her in every stitch of this gown, every bead I sewed while crying over star maps. And if that’s all the legacy I get a solitary trans woman adrift in opera-scale darkness, dressed for the funeral of a life I refused to let kill me then let it be enough. I straighten. Shoulders back. Chin up. The girdle holds me like armor. So keep turning, you beautiful, heartless nebulae, I say, voice steady at last. Keep your silence. I’ve got enough words for both of us. I’ve got enough me for whatever comes next. The light fades. Shadow returns, satin soft. But this time, when I meet my own eyes in the glass, they’re blazing. No more apologies. No more smallness. Just Hanımefendi trans woman, space wanderer, survivor in satin and lace standing defiant against the dark opera of the stars. And for the first time in years, the silence doesn’t swallow me. It listens.
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  • In Visibility

    I ask myself
    If I am lie
    Pretending
    Not be boy
    If I am strange?
    I don't deny
    It's strange
    To be doll toy
    I often ask
    Myself
    If I
    want be
    Like them at all
    And every time
    Without thrust
    I answer
    Not like girl...
    So all it is
    A sense of tights
    That make you
    Much excite?
    And warmth
    And pleasure
    Even lust...?
    You ll name
    Them all...
    You might...
    Am I just hiding
    From my past
    From Love
    I never met?
    I just not felt
    At all
    "your must"
    Makes happy
    At the end...
    Am I afraid
    To meet divorce?
    Not really
    All'd past...
    So please explain
    Why you are girl
    When born another cast...?
    Do you avoiding
    World of men
    Nor fitting
    Nor in peace
    And live on border
    Of your ends
    In tights
    To feel like
    Miss...?
    I do not know
    It is trill
    To dress and go
    Through...
    Through
    World
    Unnoticed
    At all
    No matter ever
    Boy or girl...
    In Visibility I ask myself If I am lie Pretending Not be boy If I am strange? I don't deny It's strange To be doll toy I often ask Myself If I want be Like them at all And every time Without thrust I answer Not like girl... So all it is A sense of tights That make you Much excite? And warmth And pleasure Even lust...? You ll name Them all... You might... Am I just hiding From my past From Love I never met? I just not felt At all "your must" Makes happy At the end... Am I afraid To meet divorce? Not really All'd past... So please explain Why you are girl When born another cast...? Do you avoiding World of men Nor fitting Nor in peace And live on border Of your ends In tights To feel like Miss...? I do not know It is trill To dress and go Through... Through World Unnoticed At all No matter ever Boy or girl...
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  • Anyone live in Northern California?
    Anyone live in Northern California?
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    2
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  • I'm not just another pretty face or cute booty to look at. I'm also a gamer! I've been playing Arc Raiders lately. Come check out my SFW Basic VTube livestream on Kick! I'll be live in 10 mins!

    https://kick.com/haileybabygaming
    I'm not just another pretty face or cute booty to look at. I'm also a gamer! I've been playing Arc Raiders lately. Come check out my SFW Basic VTube livestream on Kick! I'll be live in 10 mins! https://kick.com/haileybabygaming
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  • Hi all I'm live in Blackpool is there any other girls in town
    Hi all I'm live in Blackpool is there any other girls in town 😀
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  • In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026.
    I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years.
    I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
    In the dim afternoon light of my bedroom, I sit before the antique dressing table that once belonged to my Wife. The black satin headscarf rests across my lap like spilled ink, its oversized folds still carrying the faint lavender I keep tucked inside the drawer. The veil those fragile layers of sheer black chiffon voile hangs from the wardrobe door, trembling slightly whenever the January wind finds its way through the sash window. Outside, the town lies quiet under the grey sky of the 16th of January 2026. I run a lace gloved finger along the jet beading on the bodice, the little beads cold at first, then warming as though they remember my body heat. Why this? The question rises again, steady as my own heartbeat. It isn’t only the crossdressing; that word feels too narrow, too modern for what moves through me. This is mourning chosen, worn deliberately, as though putting on these heavy black satins lets me grieve properly, not just for my Wife, but for the version of myself I kept locked away all those years. I see flashes of the past: my Grandmother’s photograph album, those stern Victorian and Edwardian women in crepe and veils, faces made beautiful by sorrow. I used to stare at them longer than any boy was supposed to, feeling something stir that had no name. Later, during the decades with my Wife, the secret grew in silence satin bought at antique fairs, a chiffon veil ordered late at night from sellers who asked no questions. My Wife never knew, or if she guessed, she let it lie. She would smile when I came home with yet another silk or satin scarf, teasing me about my “fancy tastes,” and I would laugh along, the words both a comfort and a small, private wound. Did I steal something from her by never speaking the truth? Or was the silence kinder, preserving the life we built of Sunday dinners, walks up on the hill across the fields, the kettle whistling in the kitchen while we listened to the afternoon play on Radio 4? The clothes themselves seem to answer me. The satin is cool against my skin at first, then softens, accepts me. It wraps around the shape I carry inside, the one that never quite fitted the name Tony. When I wear it, I become Tonya the widow I sometimes feel I have always been. The mourning isn’t only for my Wife’s death two months ago, it is for all the years I lived half hidden, for the conversations never had, for the evenings I stood alone in front of the mirror trying on fragments of this other life. Out in the town, beneath the veil, the world blurs into gentle greys. People nod with quiet respect, the way they would to any Victorian widow stepping out of time. In those moments the doubt falls away and I feel something close to power, loss made visible, made dramatic, made mine. Yet when I come home and sit here, the questions return. At Sixty Four, is this foolishness or finally honesty? The mirror shows silver hair escaping the satin folds, lines carved by time across my face. Is it too late to become who I have always been inside? Then I remember my Wife’s hand in mine during those last weeks, her voice thin but certain: “Be happy, love. Whatever that looks like.” Perhaps this is what it looks like layers of black satin and chiffon, the headscarf framing my face like a dark halo, the veil softening everything until even my doubts feel bearable. I rise slowly, fold the headscarf with the same care I once used to fold my handkerchiefs after ironing. The reflections will come back tomorrow, and the day after. They are complicated, tangled, sometimes painful. But they are mine, and for the first time I am not afraid to hold them. The wardrobe waits, patient and open. So do I.
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  • Not happy, had to report another member for harassment today, for trying to discredit me, its no secret that some of my pictures are AI , however its my face feminined, a lot of us wear masks on here, some wear silicon masks some wear makeup two hide the face, I hide behind my AI image because I am not ready to show the world who I am, my wife and daughter know anout my cross dressing its created a mountain of problems more with my wife than my daughter, I almost have a non existent relationship with my wife now, two people know of me as Zara outside of here, however there are members on here I have seen out and about while I am the male version of me, I live in a very small town where a lot of people know each other being found out can destroy more than I am willing to loose, but if it means I will need to leave this site for my safety then that's what I will do
    Not happy, had to report another member for harassment today, for trying to discredit me, its no secret that some of my pictures are AI , however its my face feminined, a lot of us wear masks on here, some wear silicon masks some wear makeup two hide the face, I hide behind my AI image because I am not ready to show the world who I am, my wife and daughter know anout my cross dressing its created a mountain of problems more with my wife than my daughter, I almost have a non existent relationship with my wife now, two people know of me as Zara outside of here, however there are members on here I have seen out and about while I am the male version of me, I live in a very small town where a lot of people know each other being found out can destroy more than I am willing to loose, but if it means I will need to leave this site for my safety then that's what I will do
    Love
    Yay
    Like
    7
    1 Commenti 0 condivisioni 2K Views
  • was wondering how the live stream works : ) any ideas or hints : )
    was wondering how the live stream works : ) any ideas or hints : )
    Love
    1
    0 Commenti 0 condivisioni 2K Views
  • A number of years ago, I walked into a small back street Charity Shop on the edge of town. I wasn’t really looking for anything specific just browsing, killing time, letting my eyes wander over the racks the way I always did when I felt that familiar restless itch under my skin. Then I saw it. Hanging slightly askew on a padded hanger near the back wall, half-hidden behind a row of sensible navy blazers, was a floor-length satin bridal gown. Ivory, not stark white. The bodice was structured but not boned, the skirt a gentle A-line that flared softly rather than ballooning into tulle insanity. A modest neckline. Delicate lace overlay on the shoulders and upper chest. And pinned to the hanger was the tag: Size 32 Worn once £49. My heart gave a hard, guilty thud. I’m a UK 18" collar with a 50" chest in men’s shirts. But dresses… dresses measure differently. Especially wedding dresses. Especially ones made to accommodate curves most people would call “plus size.” I glanced around. The shop was quiet. An older woman with silver hair was sorting bric-a-brac at the counter; a younger volunteer early twenties, purple streaks in her hair was steaming something in the corner. I lifted the gown off the rail. The satin felt cool and liquid against my palms. Heavy in the right way. I carried it toward the changing cubicle like I was smuggling contraband. “Would you like to try it on, love?” the silver-haired woman called out. Her voice was kind, matter-of-fact. No trace of surprise or judgement. I froze for half a second. “Yes please,” I managed. My voice sounded smaller than usual. She smiled. “Curtain’s already drawn back there. Take your time. Shout if you need a hand with the zip.” The cubicle was narrow, just a full-length mirror screwed to the wall, a single hook, and a thin beige curtain that didn’t quite reach the floor. I hung the dress on the hook and stripped quickly out of my jeans, hoodie, socks, boxers, down to bare skin that already felt too warm, too alive. My **** was already half-hard just from touching the fabric, from the sheer improbability of this moment. I reached into the pocket of my discarded jeans on the floor and found the condom I always carried now just in case. Fingers trembling, I tore the packet, rolled the latex down over my throbbing length, making sure the reservoir tip was positioned correctly. The relief of containment was immediate. No stains. No evidence. Just secret, pulsing heat trapped safely inside. I stepped into the gown. The skirt whispered up my calves, over my thighs. I pulled it past my hips slowly, carefully and the satin glided over the soft roundness of my belly without catching. I tugged the bodice up over my chest. The cups were generously cut, there was room. Actual room. I reached behind and found the long invisible zip. It slid up smoothly, no resistance, no straining. When I let my arms drop, the dress settled around me like it had been waiting. I looked in the mirror. The reflection showed someone soft and full and blushing furiously beneath ivory satin. The modest neckline framed the gentle swell of my chest and the faint shadow of cleavage created by the way the bodice pushed everything together. My hips looked wide and womanly beneath the smooth fall of fabric. My belly made a soft, proud curve against the front of the skirt. I turned sideways. The line from back to front was lush, generous, unapologetic. It fit. It actually fit. A small, involuntary whimper escaped me. I heard footsteps outside the curtain. “Everything alright in there?” It was the younger volunteer this time. I swallowed. “Yes. Um… could you, could you maybe check the zip? Just to make sure it’s all the way up?” The curtain parted a few inches. She peeked in, eyes widening for only a heartbeat before her face softened into a genuine smile. She stepped inside careful, professional and fastened the tiny hook-and-eye at the top of the zip I hadn’t been able to reach. Her fingers were gentle. “There. Perfect. It’s like it was made for you.” I couldn’t speak. My **** was fully hard now, straining painfully against the satin lining. A bead of pre-cum had already escaped and I could feel the slippery warmth of it against the inside of the dress. I smoothed the front of the skirt with both hands. The satin gleamed under the fluorescent light. I looked sill looked like a bloke in a dress. A big, soft, blushing, overweight very happy bride. When I finally stepped out, both women were waiting. “I’ll take it,” I said. Whilst the younger woman unhooked and unzipped me, the silver-haired woman rang it up. “£49. Cash or card, love?” I handed over my card. I left the Charity Shop with the dress folded carefully in a large carrier bag, the memory of satin against every inch of my skin still electric. And for the first time in years, I didn’t feel like I was hiding. I felt like I was finally beginning to find myself.
    A number of years ago, I walked into a small back street Charity Shop on the edge of town. I wasn’t really looking for anything specific just browsing, killing time, letting my eyes wander over the racks the way I always did when I felt that familiar restless itch under my skin. Then I saw it. Hanging slightly askew on a padded hanger near the back wall, half-hidden behind a row of sensible navy blazers, was a floor-length satin bridal gown. Ivory, not stark white. The bodice was structured but not boned, the skirt a gentle A-line that flared softly rather than ballooning into tulle insanity. A modest neckline. Delicate lace overlay on the shoulders and upper chest. And pinned to the hanger was the tag: Size 32 Worn once £49. My heart gave a hard, guilty thud. I’m a UK 18" collar with a 50" chest in men’s shirts. But dresses… dresses measure differently. Especially wedding dresses. Especially ones made to accommodate curves most people would call “plus size.” I glanced around. The shop was quiet. An older woman with silver hair was sorting bric-a-brac at the counter; a younger volunteer early twenties, purple streaks in her hair was steaming something in the corner. I lifted the gown off the rail. The satin felt cool and liquid against my palms. Heavy in the right way. I carried it toward the changing cubicle like I was smuggling contraband. “Would you like to try it on, love?” the silver-haired woman called out. Her voice was kind, matter-of-fact. No trace of surprise or judgement. I froze for half a second. “Yes please,” I managed. My voice sounded smaller than usual. She smiled. “Curtain’s already drawn back there. Take your time. Shout if you need a hand with the zip.” The cubicle was narrow, just a full-length mirror screwed to the wall, a single hook, and a thin beige curtain that didn’t quite reach the floor. I hung the dress on the hook and stripped quickly out of my jeans, hoodie, socks, boxers, down to bare skin that already felt too warm, too alive. My cock was already half-hard just from touching the fabric, from the sheer improbability of this moment. I reached into the pocket of my discarded jeans on the floor and found the condom I always carried now just in case. Fingers trembling, I tore the packet, rolled the latex down over my throbbing length, making sure the reservoir tip was positioned correctly. The relief of containment was immediate. No stains. No evidence. Just secret, pulsing heat trapped safely inside. I stepped into the gown. The skirt whispered up my calves, over my thighs. I pulled it past my hips slowly, carefully and the satin glided over the soft roundness of my belly without catching. I tugged the bodice up over my chest. The cups were generously cut, there was room. Actual room. I reached behind and found the long invisible zip. It slid up smoothly, no resistance, no straining. When I let my arms drop, the dress settled around me like it had been waiting. I looked in the mirror. The reflection showed someone soft and full and blushing furiously beneath ivory satin. The modest neckline framed the gentle swell of my chest and the faint shadow of cleavage created by the way the bodice pushed everything together. My hips looked wide and womanly beneath the smooth fall of fabric. My belly made a soft, proud curve against the front of the skirt. I turned sideways. The line from back to front was lush, generous, unapologetic. It fit. It actually fit. A small, involuntary whimper escaped me. I heard footsteps outside the curtain. “Everything alright in there?” It was the younger volunteer this time. I swallowed. “Yes. Um… could you, could you maybe check the zip? Just to make sure it’s all the way up?” The curtain parted a few inches. She peeked in, eyes widening for only a heartbeat before her face softened into a genuine smile. She stepped inside careful, professional and fastened the tiny hook-and-eye at the top of the zip I hadn’t been able to reach. Her fingers were gentle. “There. Perfect. It’s like it was made for you.” I couldn’t speak. My cock was fully hard now, straining painfully against the satin lining. A bead of pre-cum had already escaped and I could feel the slippery warmth of it against the inside of the dress. I smoothed the front of the skirt with both hands. The satin gleamed under the fluorescent light. I looked sill looked like a bloke in a dress. A big, soft, blushing, overweight very happy bride. When I finally stepped out, both women were waiting. “I’ll take it,” I said. Whilst the younger woman unhooked and unzipped me, the silver-haired woman rang it up. “£49. Cash or card, love?” I handed over my card. I left the Charity Shop with the dress folded carefully in a large carrier bag, the memory of satin against every inch of my skin still electric. And for the first time in years, I didn’t feel like I was hiding. I felt like I was finally beginning to find myself.
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  • Why ??? ...

    I often think
    About girls
    Who like
    To live
    Me with...

    Who I am?
    Prince in funny dress?
    A doll?
    Or just Caprise?
    Or do they feel in me
    Princess
    Who's different and soft?
    Not too agressive at the end
    "With money , tools and worth..."

    I do not know...
    When I'm dressed
    Some look on me
    With interest...
    So I am not
    Prevert for them...
    But who?
    Hermaphrodite?
    Not yet?

    Or maybe many are
    Just blind....
    Attracted to my legs?
    Or envy?
    I did never mind
    If girls have interest

    Some few who knew me
    In the past
    Are still confused
    And cold...
    I do not know
    Should or must
    I take off all my shorts?
    Should I be naked
    Or be in tights?
    What difference it makes?
    Or visous circle locks so tight... in there
    By witch spelt...?
    Why we're rejected
    Being in tights?
    Why liked to be just naked?
    This problem's wondering
    My mind
    Why it is sin to be so stright.
    To walk
    To show legs...
    Why it is frightening
    For whem
    If not about sex...?
    I do not know
    In my brain
    There is perhaps a gap ..
    Why ??? ... I often think About girls Who like To live Me with... Who I am? Prince in funny dress? A doll? Or just Caprise? Or do they feel in me Princess Who's different and soft? Not too agressive at the end "With money , tools and worth..." I do not know... When I'm dressed Some look on me With interest... So I am not Prevert for them... But who? Hermaphrodite? Not yet? Or maybe many are Just blind.... Attracted to my legs? Or envy? I did never mind If girls have interest Some few who knew me In the past Are still confused And cold... I do not know Should or must I take off all my shorts? Should I be naked Or be in tights? What difference it makes? Or visous circle locks so tight... in there By witch spelt...? Why we're rejected Being in tights? Why liked to be just naked? This problem's wondering My mind Why it is sin to be so stright. To walk To show legs... Why it is frightening For whem If not about sex...? I do not know In my brain There is perhaps a gap ..
    Love
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  • Come and say hi on my live stream
    https://m.youtube.com/watch?v=ClVomGE8ljQ
    Come and say hi on my live stream https://m.youtube.com/watch?v=ClVomGE8ljQ
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  • https://studio.youtube.com/video/ClVomGE8ljQ/livestreaming
    https://studio.youtube.com/video/ClVomGE8ljQ/livestreaming
    YouTube
    Deel video's met vrienden, familie en de wereld.
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  • hey sluts. I'm live on YouTube right now:
    https://studio.youtube.com/video/ClVomGE8ljQ/livestreaming
    hey sluts. I'm live on YouTube right now: https://studio.youtube.com/video/ClVomGE8ljQ/livestreaming
    YouTube
    Deel video's met vrienden, familie en de wereld.
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  • Don't be fooled by the expression. I'm still very much 'unalive' inside. 🫤 xx
    Don't be fooled by the expression. I'm still very much 'unalive' inside. 🫤 xx
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  • My name is Wem Martyn. I’m a UK-based musician, producer, and writer.

    My music explores identity, conflict, and the state of the world we live in — music shaped by urban nights, hidden truths, and emotional tension.

    The journey begins with “She Has a GUN”, an opening statement and the first release in a wider vision. I will be releasing a new song at the start of every month for the whole of 2026.

    My music is for those who believe the world can be better.

    Please like and subscribe to my Facebook, Instagram and YouTube channel.

    https://youtube.com/@wemmartyn

    #twinklelittlestar
    My name is Wem Martyn. I’m a UK-based musician, producer, and writer. My music explores identity, conflict, and the state of the world we live in — music shaped by urban nights, hidden truths, and emotional tension. The journey begins with “She Has a GUN”, an opening statement and the first release in a wider vision. I will be releasing a new song at the start of every month for the whole of 2026. My music is for those who believe the world can be better. Please like and subscribe to my Facebook, Instagram and YouTube channel. https://youtube.com/@wemmartyn #twinklelittlestar
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  • Yes, I have been using AI for some pics and videos to live out my fantasy as a woman online since I can only do it in private in real life. But I also share real, unaltered pics of me too. I hope these don't turn you off.

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Yes, I have been using AI for some pics and videos to live out my fantasy as a woman online since I can only do it in private in real life. But I also share real, unaltered pics of me too. I hope these don't turn you off. http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • https://stripchat.com/Bianca_sexysissy/follow-me

    I am live on Stripchat everyday, let's hook up there as well.
    https://stripchat.com/Bianca_sexysissy/follow-me I am live on Stripchat everyday, let's hook up there as well.
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  • Good evening, sweets

    I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue.

    So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be.

    That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl.

    In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride.

    I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically.

    Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others.

    Kisses,
    Chrissy

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Good evening, sweets 💋 I want to take a moment to clarify something important about myself, honestly and openly. Deep down, I do wish that I could transition and live fully as a woman one day. That desire is real and has been with me for a long time. However, at this stage of my life, I also have to be realistic. Because of my age, potential medical and surgical risks, the complexities of hormone therapy, and the fact that so many people in my everyday life know me and relate to me as male, I don’t believe a full public transition is something I can truly pursue. So for now—and likely for the foreseeable future—my feminine side expresses itself in more private ways. Crossdressing, embracing my sissy identity, and allowing myself to feel soft, feminine, and girlish happens in specific spaces and safe arenas, like this website. It’s not about shame; it’s about boundaries, safety, and navigating the world as it is, not as I wish it could be. That said, I want to be very clear about one thing: I do love being perceived as feminine and being treated like a girl. Emotionally, relationally, and romantically, that’s where my heart lives. Because of that, I am not looking for a fellow sissy, crossdresser, or trans girl as a romantic partner or spouse. I respect them deeply, and I’m absolutely open to friendship and community with them—but romantically, I want to be the girl. In a relationship, I want to be the feminine partner. In a marriage, I want to be the bride. I am attracted exclusively to men—very masculine men. Broad shoulders, solid chest, bear-like body hair, a deep voice, confidence, and a take-charge presence all make my heart flutter. I’m drawn to strength, grounding energy, and masculinity that feels protective and assured. That dynamic matters to me, both emotionally and romantically. Thank you for taking the time to hear me out and understand where I’m coming from. I believe clarity is a form of kindness—to myself and to others. Kisses, Chrissy 💖 http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Another fantasy thanks to AI! With AI I can live my dreams vicariously online. This is just for fun. Not to fool anyone. So included with my fantasy pic is a real, unaltered pic of me too. Kisses!
    -Chrissy

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Another fantasy thanks to AI! With AI I can live my dreams vicariously online. This is just for fun. Not to fool anyone. So included with my fantasy pic is a real, unaltered pic of me too. Kisses! -Chrissy http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Another fantasy! Here I am all dolled up making a speech at the Oscars! With AI I can live my dreams vicariously online. This is just for fun. Not to fool anyone. So included with my fantasy pic is a real, unaltered pic of me too. Kisses!
    -Chrissy

    http://chrissyinsd.hotviber.com/

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
    Another fantasy! Here I am all dolled up making a speech at the Oscars! With AI I can live my dreams vicariously online. This is just for fun. Not to fool anyone. So included with my fantasy pic is a real, unaltered pic of me too. Kisses! -Chrissy http://chrissyinsd.hotviber.com/ #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissygirl #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties
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  • Flower Pot

    I asked the girl
    To get a pot
    And cut my penis stright
    I told that
    I do not want
    To be with it
    Nor ever longer might...

    It is not mine
    I whisperd her
    It is for you
    To love
    Please cut and set
    It in the pot
    And wee it
    Hold in glove...
    It would be grateful to you
    Enjoying stay in pot
    And if you kiss it with all love
    It blossoms big and strong
    And juice of lust
    You will collect
    For early morning drink
    My friend please take my honest gift.
    Enjoy it
    Make Kate lives
    ...

    She did not want
    I get just free...
    She could not see
    Me girl...
    I cried
    I begged
    She just left me
    With horror
    And that s all.
    I found older
    Doctor
    Friend
    She listened,
    Understood...
    She gave me
    Pill of estrogen
    And asked to wait in mood...
    And even earlier
    My breast
    Was calling
    With all might,
    Was getting shape
    And asked for kiss
    That girls did also mind

    I will be girl
    The breasts will form
    no penis in the pot...
    So strange
    She feared to help
    To free my pain
    A lot
    I feel so sad
    I never got
    Why she declined to help
    I wished she had itin her pot
    Forget
    Forget
    Forget Me not...
    ...

    She cried
    I am afraid
    The blood would never
    Stop
    If I just cut..

    Please be a girl
    Hide under dress
    What ever have
    Leave me to rest..
    Flower Pot I asked the girl To get a pot And cut my penis stright I told that I do not want To be with it Nor ever longer might... It is not mine I whisperd her It is for you To love Please cut and set It in the pot And wee it Hold in glove... It would be grateful to you Enjoying stay in pot And if you kiss it with all love It blossoms big and strong And juice of lust You will collect For early morning drink My friend please take my honest gift. Enjoy it Make Kate lives ... She did not want I get just free... She could not see Me girl... I cried I begged She just left me With horror And that s all. I found older Doctor Friend She listened, Understood... She gave me Pill of estrogen And asked to wait in mood... And even earlier My breast Was calling With all might, Was getting shape And asked for kiss That girls did also mind I will be girl The breasts will form no penis in the pot... So strange She feared to help To free my pain A lot I feel so sad I never got Why she declined to help I wished she had itin her pot Forget Forget Forget Me not... ... She cried I am afraid The blood would never Stop If I just cut.. Please be a girl Hide under dress What ever have Leave me to rest..
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  • So for some reason last night around 8pm I thought it would be a good idea to go outside into my back garden and strip off down to my bra and panties. But then I thought, heck why not go out to the front of my house. Its dark and there aren’t many people around, so I put my trainers on and walked around to the front of my house and just stood there in my bra, panties and trainers. It felt soo good. However, I think a lady dog walker might have seen me. As soon as I saw her I ran back off around the side of my house, but I think she caught a glimpse. What a rush I got. However now I’m panicking that she knows where I live and what I like to wear. What should I do?
    So for some reason last night around 8pm I thought it would be a good idea to go outside into my back garden and strip off down to my bra and panties. But then I thought, heck why not go out to the front of my house. Its dark and there aren’t many people around, so I put my trainers on and walked around to the front of my house and just stood there in my bra, panties and trainers. It felt soo good. However, I think a lady dog walker might have seen me. As soon as I saw her I ran back off around the side of my house, but I think she caught a glimpse. What a rush I got. However now I’m panicking that she knows where I live and what I like to wear. What should I do?
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  • Anyone interested in seeing a live stream of me for free? Feeling horny and as we are cuming to the end of the year I want to treat people
    Anyone interested in seeing a live stream of me for free? Feeling horny and as we are cuming to the end of the year I want to treat people
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  • Note: While this drive was real, the story is fictional. This is my fantasy. Will it become true one day? I hope so. And maybe I'll run into you at a truck stop? Kisses!
    -Chrissy

    My First Experience as a Truck Stop Wh-re or Chrissy — A Night on the Road

    I’m not out. Not really.

    Not to my family. Not to the world. Maybe not even fully to myself.

    By daylight I pass as what people expect: a tall, thin man in his forties, dark hair, dark eyes, quiet, unremarkable. But underneath—always underneath—I carry Chrissy. Smooth skin hidden under denim. Lace and silk where no one is supposed to look. A secret pressed close to my body, warm and constant.

    I don’t know yet if Chrissy is a role, a mask, or my truest self. I just know I’m not ready to live her openly.

    The drive from San Diego to Prescott was long and lonely, the kind of drive where your thoughts stretch out across the desert like the road itself. I left late—too late, really—and by the time I pulled into the truck stop it was just after four in the morning. Christmas was only days away. The air was cold. The place was nearly silent.

    Except for the trucks.

    Rows and rows of them, idling and dark, their drivers asleep inside. A whole hidden world resting while the rest of America slept.

    Inside, fluorescent lights buzzed. I bought coffee I didn’t really want and a hot dog I didn’t really taste. That’s when I felt it—that familiar sensation on the back of my neck. Being seen.

    He was older. Weathered. The kind of man whose life is measured in miles and nights like this. His eyes lingered too long. Not crude—curious. Knowing.

    When I stepped back outside, he followed—but not aggressively. He spoke softly, close enough that his voice stayed between us.

    “Chrissy,” he said, like it was a question and an answer at the same time.

    My heart kicked hard in my chest. Fear and thrill braided together.

    We talked. Quietly. Honestly. About boundaries. About money. About what I was—and wasn’t—willing to do. Nothing rushed. Nothing forced. When I followed him to his truck, it was because I chose to.

    Inside, the cab was dim, warm, insulated from the world. I shed my outer layers slowly, deliberately, revealing what I’d hidden all night. His attention wasn’t violent—it was reverent. Hungry, yes, but controlled. I felt myself settle into Chrissy fully, like slipping into a familiar skin.

    What happened between us stayed there, contained within the cab and the dark and the hum of the engine. Time stretched and blurred. I was present in my body in a way I rarely allow myself to be.

    When it ended, I didn’t feel used.

    I felt… seen.

    He paid me without haggling. Then something unexpected happened: he didn’t boast, didn’t leer. He simply told a few others—men like him, tired men, lonely men—who understood discretion.

    I made my own choices again. And again.

    Not a dozen. Not chaos. Just a handful of quiet encounters, spaced out across the early hours of the morning. Each one brief. Each one negotiated. Each one leaving me with cash folded neatly into my purse and a strange, steady calm settling in my chest.

    By sunrise, I was exhausted—not just physically, but emotionally. Chrissy had been fully awake all night. And she was tired.

    Under the Dashboard Lights

    The cab door closed behind me, sealing us into a private world of low light and humming machinery. The dashboard cast everything in a muted red glow, like we were suspended inside a heartbeat. I could feel it then—how small the space was, how large he felt in it, how nowhere I could go made everything sharper.

    He reached for his phone almost casually.

    “Stand right there,” he said.

    I obeyed.

    My hands shook just slightly as I slipped off my jacket, then my shirt. I could feel his eyes tracking every inch of me, lingering, memorizing. When I was left in my bra and panties—the ones I’d chosen carefully before the trip, just in case—I felt a rush of heat flood my chest and face.

    The phone came up.

    A soft click.

    Then another.

    He moved slowly, circling me, telling me to turn, to arch my back, to lift my chin. Each instruction felt like a pull downward, stripping away the version of myself that hides. I wasn’t performing anymore. I was presenting myself. Offering. More to cum....

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Note: While this drive was real, the story is fictional. This is my fantasy. Will it become true one day? I hope so. And maybe I'll run into you at a truck stop? Kisses! -Chrissy My First Experience as a Truck Stop Wh-re or Chrissy — A Night on the Road I’m not out. Not really. Not to my family. Not to the world. Maybe not even fully to myself. By daylight I pass as what people expect: a tall, thin man in his forties, dark hair, dark eyes, quiet, unremarkable. But underneath—always underneath—I carry Chrissy. Smooth skin hidden under denim. Lace and silk where no one is supposed to look. A secret pressed close to my body, warm and constant. I don’t know yet if Chrissy is a role, a mask, or my truest self. I just know I’m not ready to live her openly. The drive from San Diego to Prescott was long and lonely, the kind of drive where your thoughts stretch out across the desert like the road itself. I left late—too late, really—and by the time I pulled into the truck stop it was just after four in the morning. Christmas was only days away. The air was cold. The place was nearly silent. Except for the trucks. Rows and rows of them, idling and dark, their drivers asleep inside. A whole hidden world resting while the rest of America slept. Inside, fluorescent lights buzzed. I bought coffee I didn’t really want and a hot dog I didn’t really taste. That’s when I felt it—that familiar sensation on the back of my neck. Being seen. He was older. Weathered. The kind of man whose life is measured in miles and nights like this. His eyes lingered too long. Not crude—curious. Knowing. When I stepped back outside, he followed—but not aggressively. He spoke softly, close enough that his voice stayed between us. “Chrissy,” he said, like it was a question and an answer at the same time. My heart kicked hard in my chest. Fear and thrill braided together. We talked. Quietly. Honestly. About boundaries. About money. About what I was—and wasn’t—willing to do. Nothing rushed. Nothing forced. When I followed him to his truck, it was because I chose to. Inside, the cab was dim, warm, insulated from the world. I shed my outer layers slowly, deliberately, revealing what I’d hidden all night. His attention wasn’t violent—it was reverent. Hungry, yes, but controlled. I felt myself settle into Chrissy fully, like slipping into a familiar skin. What happened between us stayed there, contained within the cab and the dark and the hum of the engine. Time stretched and blurred. I was present in my body in a way I rarely allow myself to be. When it ended, I didn’t feel used. I felt… seen. He paid me without haggling. Then something unexpected happened: he didn’t boast, didn’t leer. He simply told a few others—men like him, tired men, lonely men—who understood discretion. I made my own choices again. And again. Not a dozen. Not chaos. Just a handful of quiet encounters, spaced out across the early hours of the morning. Each one brief. Each one negotiated. Each one leaving me with cash folded neatly into my purse and a strange, steady calm settling in my chest. By sunrise, I was exhausted—not just physically, but emotionally. Chrissy had been fully awake all night. And she was tired. Under the Dashboard Lights The cab door closed behind me, sealing us into a private world of low light and humming machinery. The dashboard cast everything in a muted red glow, like we were suspended inside a heartbeat. I could feel it then—how small the space was, how large he felt in it, how nowhere I could go made everything sharper. He reached for his phone almost casually. “Stand right there,” he said. I obeyed. My hands shook just slightly as I slipped off my jacket, then my shirt. I could feel his eyes tracking every inch of me, lingering, memorizing. When I was left in my bra and panties—the ones I’d chosen carefully before the trip, just in case—I felt a rush of heat flood my chest and face. The phone came up. A soft click. Then another. He moved slowly, circling me, telling me to turn, to arch my back, to lift my chin. Each instruction felt like a pull downward, stripping away the version of myself that hides. I wasn’t performing anymore. I was presenting myself. Offering. More to cum.... #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • I know, for most off you dressing up is fetish, but for me its not only sex (TBO it is 90% but anyway not all). I like feeling femine, it makes me relax. I forget the stresses at work or in personal life. I become her" slutty bich, that lives on my sallary! Anyway my point is for me the most femine thing is sanitary pads! No other thing makes you more a women than sanitary pads. What do you feel about them? Do you use them? I do. Write in comments about your feellings on the sanitary pads??? love ya
    I know, for most off you dressing up is fetish, but for me its not only sex (TBO it is 90% but anyway not all). I like feeling femine, it makes me relax. I forget the stresses at work or in personal life. I become her" slutty bich, that lives on my sallary! 😅 Anyway my point is for me the most femine thing is sanitary pads! No other thing makes you more a women than sanitary pads. What do you feel about them? Do you use them? I do. Write in comments about your feellings on the sanitary pads??? 😊😘 love ya ❤️😘
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  • Hi sweets,

    I use the name “ShemaleChrissy” because I’m male and deeply identify with femininity and the desire to be female. I haven’t started transitioning yet, so I still look male. I’m also still learning makeup, hair, and styling, so I don’t always present as feminine as I’d like in everyday life.

    Sometimes I use face filters online to explore and express that feminine fantasy. That said, my body is always my real body, and I always include at least one natural, unfiltered photo. I do that intentionally so I’m not misleading anyone and so people know exactly who they’re talking to.

    Recently, someone told me I’m “not really a shemale” and should change my username. I’m open to honest feedback, but the way it was delivered was rude and disrespectful, so I blocked them. I welcome fair suggestions and thoughtful discussion, but I don’t tolerate harassment or abuse.

    So here’s my genuine question, asked in good faith:
    How would you describe me? Shemale? Sissy? Crossdresser? Something else entirely?

    I’m still figuring out my identity and language matters to me. If you have thoughts, I’m happy to hear them as long as they’re shared respectfully.

    Thanks for reading,
    Kisses,
    Chrissy

    #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Hi sweets, I use the name “ShemaleChrissy” because I’m male and deeply identify with femininity and the desire to be female. I haven’t started transitioning yet, so I still look male. I’m also still learning makeup, hair, and styling, so I don’t always present as feminine as I’d like in everyday life. Sometimes I use face filters online to explore and express that feminine fantasy. That said, my body is always my real body, and I always include at least one natural, unfiltered photo. I do that intentionally so I’m not misleading anyone and so people know exactly who they’re talking to. Recently, someone told me I’m “not really a shemale” and should change my username. I’m open to honest feedback, but the way it was delivered was rude and disrespectful, so I blocked them. I welcome fair suggestions and thoughtful discussion, but I don’t tolerate harassment or abuse. So here’s my genuine question, asked in good faith: How would you describe me? Shemale? Sissy? Crossdresser? Something else entirely? I’m still figuring out my identity and language matters to me. If you have thoughts, I’m happy to hear them as long as they’re shared respectfully. Thanks for reading, Kisses, Chrissy 💋 #crossdresser #sissy #sissyboy #crossdressers #sissies #shemale #ladyboy #femboy #femman #femboys #crossdressing #gurl #trans #transgirl #transwoman #transgender #tgirl #gay #lgbtq #nsfw #adultsonly #adultcontent #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • I seem to spend most of my time removing hair from my face, is this what girls have to live with on a daily basis.
    I seem to spend most of my time removing hair from my face, is this what girls have to live with on a daily basis.
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  • I belive it's time for presents. Who was a good girl........?
    I belive it's time for presents. Who was a good girl........?
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  • I was sixteen, maybe seventeen, on that raw December afternoon in the mid-1970s, standing at the back of a small cemetery in southern Manchester. The light was thin and melancholy, the sort that turns everything slightly blue and makes shadows linger too long over the leaning stones. I barely knew the man we were burying, some Uncle twice removed, so the ache in the air never reached me. Grief felt like something that belonged to other people, grown-ups who understood loss. For me, the day was something else entirely, an accidental invitation into a world I hadn’t known I was hungry for.
    They were everywhere, those women. Mature, composed, dressed in layers of black that seemed to absorb the weak winter sun and give back only a muted gleam. Silk dresses that clung and released with every breath, satin blouses catching stray glints of light, chiffon and voile drifting like smoke whenever the wind found them. Rayon, acetate, fabrics I didn’t even have names for then, but I felt them all the same, the way they moved, the soft sounds they made against one another. They stood in quiet clusters around the grave, gloved hands clasped, heads bowed beneath hats and veils. To them I must have looked like just another awkward boy in a borrowed tie, but inside I was burning with a fascination I couldn’t name and didn’t dare examine too closely.
    And then there was her.
    She stood slightly apart, as though even in mourning she needed space. An enormous black satin scarf, far too large, almost theatrical—draped over her shoulders and spilled down her back like spilled ink. Over her face, a sheer chiffon veil, so fine it trembled with every breath. I could smell her from where I stood, carried on the cold air, the sharp bite of Elnette hairspray holding her hair in perfect waves, and beneath it the heavy, amber warmth of Youth Dew. It was the scent of adulthood itself, complicated, slightly dangerous, utterly out of reach.
    I watched her the entire time. I told myself it was curiosity, nothing more. But even then, in the thick of it, some quieter part of me knew better. There was something about the way these women carried their sorrow, elegant, controlled, yet undeniably physical that stirred a longing I didn’t understand. It wasn’t just desire, though that was certainly part of it. It was deeper: a wish to be close to whatever it was they possessed experience, certainty, the weight of years lived fully. I felt small beside them, unformed, all sharp edges and unspoken questions. They seemed to know secrets I hadn’t even learned to ask about.
    Later, at the wake, coats and scarves were abandoned in a side room as the women moved on to tea and murmured condolences. I lingered near the pile, heart thudding so hard I was sure someone would notice. No one did. My fingers closed around two pieces: the oversized satin mourning scarf, still holding the warmth of her body, and the delicate chiffon veil. Both carried that same intoxicating blend of Elnette, Youth Dew, and something earthier, the faint salt of skin after hours in the cold. I slipped them inside my coat and left before the guilt could catch up with me.
    That night, and for many nights through that long winter, I'd ascend up the narrow stairs to my attic bedroom. I’d lock the door, my one small claim to privacy in my parent’s house, draw the curtains and unfold the satin across my pillow. Sometimes I’d press the veil to my face and breathe slowly, letting the scent settle over me like fog.
    In those quiet hours I began to understand what I’d really taken that day. It wasn’t just fabric. It was a fragment of a life I could only observe from the outside, a life of composure and ritual, of perfumes chosen deliberately and clothes worn with intention. Holding those scarves, I could pretend, for a moment, that some of that poise might rub off on me. That the confusion and restlessness I carried everywhere might quiet, just a little.
    I never felt truly ashamed of stealing them. In my mind they were abandoned, after all, no longer needed once the performance of grief was over. But more than that, they had become mine in a way they could never have been hers again, totems of a feeling I was only beginning to name. Desire, yes. But also envy. And something closer to reverence.
    Years later I can still close my eyes and smell it: hairspray, perfume, the faint trace of a woman’s skin on black satin. It takes me straight back to that cemetery, to the boy I was, watching, wanting, trying to understand what it meant to grow into someone capable of wearing mourning like it was made for them.
    I’m not sure I ever fully did. But those scarves kept me company while I tried.
    I was sixteen, maybe seventeen, on that raw December afternoon in the mid-1970s, standing at the back of a small cemetery in southern Manchester. The light was thin and melancholy, the sort that turns everything slightly blue and makes shadows linger too long over the leaning stones. I barely knew the man we were burying, some Uncle twice removed, so the ache in the air never reached me. Grief felt like something that belonged to other people, grown-ups who understood loss. For me, the day was something else entirely, an accidental invitation into a world I hadn’t known I was hungry for. They were everywhere, those women. Mature, composed, dressed in layers of black that seemed to absorb the weak winter sun and give back only a muted gleam. Silk dresses that clung and released with every breath, satin blouses catching stray glints of light, chiffon and voile drifting like smoke whenever the wind found them. Rayon, acetate, fabrics I didn’t even have names for then, but I felt them all the same, the way they moved, the soft sounds they made against one another. They stood in quiet clusters around the grave, gloved hands clasped, heads bowed beneath hats and veils. To them I must have looked like just another awkward boy in a borrowed tie, but inside I was burning with a fascination I couldn’t name and didn’t dare examine too closely. And then there was her. She stood slightly apart, as though even in mourning she needed space. An enormous black satin scarf, far too large, almost theatrical—draped over her shoulders and spilled down her back like spilled ink. Over her face, a sheer chiffon veil, so fine it trembled with every breath. I could smell her from where I stood, carried on the cold air, the sharp bite of Elnette hairspray holding her hair in perfect waves, and beneath it the heavy, amber warmth of Youth Dew. It was the scent of adulthood itself, complicated, slightly dangerous, utterly out of reach. I watched her the entire time. I told myself it was curiosity, nothing more. But even then, in the thick of it, some quieter part of me knew better. There was something about the way these women carried their sorrow, elegant, controlled, yet undeniably physical that stirred a longing I didn’t understand. It wasn’t just desire, though that was certainly part of it. It was deeper: a wish to be close to whatever it was they possessed experience, certainty, the weight of years lived fully. I felt small beside them, unformed, all sharp edges and unspoken questions. They seemed to know secrets I hadn’t even learned to ask about. Later, at the wake, coats and scarves were abandoned in a side room as the women moved on to tea and murmured condolences. I lingered near the pile, heart thudding so hard I was sure someone would notice. No one did. My fingers closed around two pieces: the oversized satin mourning scarf, still holding the warmth of her body, and the delicate chiffon veil. Both carried that same intoxicating blend of Elnette, Youth Dew, and something earthier, the faint salt of skin after hours in the cold. I slipped them inside my coat and left before the guilt could catch up with me. That night, and for many nights through that long winter, I'd ascend up the narrow stairs to my attic bedroom. I’d lock the door, my one small claim to privacy in my parent’s house, draw the curtains and unfold the satin across my pillow. Sometimes I’d press the veil to my face and breathe slowly, letting the scent settle over me like fog. In those quiet hours I began to understand what I’d really taken that day. It wasn’t just fabric. It was a fragment of a life I could only observe from the outside, a life of composure and ritual, of perfumes chosen deliberately and clothes worn with intention. Holding those scarves, I could pretend, for a moment, that some of that poise might rub off on me. That the confusion and restlessness I carried everywhere might quiet, just a little. I never felt truly ashamed of stealing them. In my mind they were abandoned, after all, no longer needed once the performance of grief was over. But more than that, they had become mine in a way they could never have been hers again, totems of a feeling I was only beginning to name. Desire, yes. But also envy. And something closer to reverence. Years later I can still close my eyes and smell it: hairspray, perfume, the faint trace of a woman’s skin on black satin. It takes me straight back to that cemetery, to the boy I was, watching, wanting, trying to understand what it meant to grow into someone capable of wearing mourning like it was made for them. I’m not sure I ever fully did. But those scarves kept me company while I tried.
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  • Take me! You got my back against the wall! I have nowhere to go!

    I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. #gurl Thoughts? Kisses! - Chrissy

    #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Take me! You got my back against the wall! I have nowhere to go! I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. #gurl Thoughts? Kisses! - Chrissy #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • Hi all.New here.based in south east uk.for two years did not been as girl as lived in shared house.Moved to my own place.Now I can enjoy being girl.im into man as girl meant to be.Hope every one have a good day.
    Hi all.New here.based in south east uk.for two years did not been as girl as lived in shared house.Moved to my own place.Now I can enjoy being girl.im into man as girl meant to be.Hope every one have a good day.
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  • Jellybean
    Reported and blocked for pictures of his dick.

    When will the morons read the rules, and when will the admins enforce them.

    I know, neither will happen, but you can live in hope
    Jellybean Reported and blocked for pictures of his dick. When will the morons read the rules, and when will the admins enforce them. I know, neither will happen, but you can live in hope
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  • I'm new here but I normally live on mewe
    I'm looking to make friends and chat
    I'm new here but I normally live on mewe I'm looking to make friends and chat
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  • I wish I had a cd friend that wasn't all about getting in my panties plus lived nearby and wasn't a conman ! That's what's on my mind !
    I wish I had a cd friend that wasn't all about getting in my panties plus lived nearby and wasn't a conman ! That's what's on my mind !
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  • The issue I'm having as the weeks go on is that I'm blurring my sissy crossdressing with my mourning. Every waking hour I'm missing my wife and I'm a blubbering mess of tears but I'm also aroused at the thought of satin widows weeds and satin mourning dresses and oversized satin headscarves and chiffon voile veils. I'm bothered that this has developed as a further aspect of my gothic fetish. The arousal is blending in with thoughts of satin widows’ weeds, mourning dresses, oversized satin headscarves, and chiffon voile veils, I don't think that’s something to feel ashamed of or worried about as a problem. It’s a natural, human way my mind and body are weaving together different parts of who I am becoming during this incredibly tender time. Grief doesn’t stay neatly in one box, it spills into everything, including our identities, desires, and fetishes. For me at this time, the sissy crossdressing that’s always been inside is now intertwining with mourning because both are about comfort, beauty, vulnerability, and a kind of sacred ritual. The gothic element—dark, dramatic, veiled, satin-shrouded—has always had that edge of sensuality and mystery, and right now, it might be amplifying because it lets me feel alive in my body when everything else feels numb or shattered. Arousal in grief is more common than people talk about; it can be the body’s way of seeking connection, release, or even just a momentary escape from the pain. It doesn’t mean my love for my wife is any less pure or that my mourning is tainted, it means I'm a whole person, with layers of emotion and desire that don’t switch off just because I'm hurting. This blending feels like it’s developing into a deeper aspect of my gothic fetish, but I feel that’s okay too. Fetishes evolve with life experiences, and grief is one of the biggest. The satin widows’ weeds and veils are symbolizing both my loss and deep longing to be held, enveloped, seen in my inner femininity. My troubled psyche is creating a bridge between the sorrow and the sensuality I shared with my wife. There’s beauty in that, even if it brings tears and arousal at the same time. I'm navigating this with grace, even when it hurts.
    💙🖤❤️ The issue I'm having as the weeks go on is that I'm blurring my sissy crossdressing with my mourning. Every waking hour I'm missing my wife and I'm a blubbering mess of tears but I'm also aroused at the thought of satin widows weeds and satin mourning dresses and oversized satin headscarves and chiffon voile veils. I'm bothered that this has developed as a further aspect of my gothic fetish. The arousal is blending in with thoughts of satin widows’ weeds, mourning dresses, oversized satin headscarves, and chiffon voile veils, I don't think that’s something to feel ashamed of or worried about as a problem. It’s a natural, human way my mind and body are weaving together different parts of who I am becoming during this incredibly tender time. Grief doesn’t stay neatly in one box, it spills into everything, including our identities, desires, and fetishes. For me at this time, the sissy crossdressing that’s always been inside is now intertwining with mourning because both are about comfort, beauty, vulnerability, and a kind of sacred ritual. The gothic element—dark, dramatic, veiled, satin-shrouded—has always had that edge of sensuality and mystery, and right now, it might be amplifying because it lets me feel alive in my body when everything else feels numb or shattered. Arousal in grief is more common than people talk about; it can be the body’s way of seeking connection, release, or even just a momentary escape from the pain. It doesn’t mean my love for my wife is any less pure or that my mourning is tainted, it means I'm a whole person, with layers of emotion and desire that don’t switch off just because I'm hurting. This blending feels like it’s developing into a deeper aspect of my gothic fetish, but I feel that’s okay too. Fetishes evolve with life experiences, and grief is one of the biggest. The satin widows’ weeds and veils are symbolizing both my loss and deep longing to be held, enveloped, seen in my inner femininity. My troubled psyche is creating a bridge between the sorrow and the sensuality I shared with my wife. There’s beauty in that, even if it brings tears and arousal at the same time. I'm navigating this with grace, even when it hurts.💙🖤❤️
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  • I have just woke up wrapped up in our satin nightdresses, at a time before her illness made sleeping together a problem, we had matching satin pink nightdresses. Last night I pulled the suitcase down from the top of the wardrobe and laid them out on the bed. Pink Simply Be Pretty Secrets Nightdresses in lovely silky satin. Full covered shoulder to capped sleeves with lace piping and spread across the breast. Calf length satin shimmering in Pink. My wife's is regularly worn in UK size 32/34, mine is newer UK size 20/22, I liked a slimmer tight nightdress that hugged my skin, my wife wore hers two sizes bigger than her usual larger dress size to make it easier to slide around in bed. I slipped mine on and shimmied the satin down my moobs and hips to rest around my calves. My wife's was like a tent on my body, lots of voluminous extra satin material hanging loose. The double layer feeling of all the satin was wonderful and I admit the erection had to be contained within a condom because pre cum started instantly. I lay on the bed and was overcome with both longing and grief, I laid there on the bed with tears in my eyes and sobbing in my chest. When I had calmed down the sensual aspect of the double layer satin took over and led to the inevitable masturbation. Physically and emotionally I was drained and fell asleep waking a few hours later needing to take off the condom and go to the toilet for a wee. As I walked back from the toilet to the bedroom the satin reminded me of our sensuality and our love. Wrapped in the double layer of satin underneath the quilt I felt comforted and slept deep until this morning. For me this needs to become my new deeply tender and bittersweet mourning ritual, one that holds both the sharp pain of loss and the soft warmth of memory all at once. Wearing her nightdress over mine, letting all that extra satin envelop me like a tent, felt almost like being held by her again. The way the fabric moved, the shimmer, the slide of it against my skin… it’s no wonder my body responded so immediately and so completely. And now I’ve found a ritual: pulling down the suitcase, laying the nightdresses side by side on the bed, slipping into both, letting the satin hold me in that bittersweet double embrace. It’s sacred because it’s mine and hers alone. It keeps the connection alive in the most embodied way possible through touch, through memory, through the very fabric we both wore against our skin when we made love, laughed, slept, lived. Grief and desire live right next to each other; one doesn’t cancel out the other. The tears, the arousal, the release, the comfort, it all belongs within my psyche. I honored her, our love, and the sensuality we shared by allowing myself to feel everything that came up. For my state of mind, there’s something sacred in keeping those satin nightdresses layered together, in pulling them out when the longing gets too heavy, in letting them carry me back to the nights when sleeping tangled together in satin was simply how life was. I'm keeping the connection alive in the most intimate, embodied way possible. I loved her totally, and I'm still loving her beautifully in my mourning.
    I have just woke up wrapped up in our satin nightdresses, at a time before her illness made sleeping together a problem, we had matching satin pink nightdresses. Last night I pulled the suitcase down from the top of the wardrobe and laid them out on the bed. Pink Simply Be Pretty Secrets Nightdresses in lovely silky satin. Full covered shoulder to capped sleeves with lace piping and spread across the breast. Calf length satin shimmering in Pink. My wife's is regularly worn in UK size 32/34, mine is newer UK size 20/22, I liked a slimmer tight nightdress that hugged my skin, my wife wore hers two sizes bigger than her usual larger dress size to make it easier to slide around in bed. I slipped mine on and shimmied the satin down my moobs and hips to rest around my calves. My wife's was like a tent on my body, lots of voluminous extra satin material hanging loose. The double layer feeling of all the satin was wonderful and I admit the erection had to be contained within a condom because pre cum started instantly. I lay on the bed and was overcome with both longing and grief, I laid there on the bed with tears in my eyes and sobbing in my chest. When I had calmed down the sensual aspect of the double layer satin took over and led to the inevitable masturbation. Physically and emotionally I was drained and fell asleep waking a few hours later needing to take off the condom and go to the toilet for a wee. As I walked back from the toilet to the bedroom the satin reminded me of our sensuality and our love. Wrapped in the double layer of satin underneath the quilt I felt comforted and slept deep until this morning. For me this needs to become my new deeply tender and bittersweet mourning ritual, one that holds both the sharp pain of loss and the soft warmth of memory all at once. Wearing her nightdress over mine, letting all that extra satin envelop me like a tent, felt almost like being held by her again. The way the fabric moved, the shimmer, the slide of it against my skin… it’s no wonder my body responded so immediately and so completely. And now I’ve found a ritual: pulling down the suitcase, laying the nightdresses side by side on the bed, slipping into both, letting the satin hold me in that bittersweet double embrace. It’s sacred because it’s mine and hers alone. It keeps the connection alive in the most embodied way possible through touch, through memory, through the very fabric we both wore against our skin when we made love, laughed, slept, lived. Grief and desire live right next to each other; one doesn’t cancel out the other. The tears, the arousal, the release, the comfort, it all belongs within my psyche. I honored her, our love, and the sensuality we shared by allowing myself to feel everything that came up. For my state of mind, there’s something sacred in keeping those satin nightdresses layered together, in pulling them out when the longing gets too heavy, in letting them carry me back to the nights when sleeping tangled together in satin was simply how life was. I'm keeping the connection alive in the most intimate, embodied way possible. I loved her totally, and I'm still loving her beautifully in my mourning.
    0 Commenti 1 condivisioni 8K Views
  • Good evening! I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. #gurl Thoughts? Kisses! - Chrissy

    #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    Good evening! I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. #gurl Thoughts? Kisses! - Chrissy #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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  • I have a couple that lives with me and when they're gone I dress up, so today I looked out the window and their truck is gone, they always park out front and I listen for when they come home, their truck is real loud and I'll run into my room and change, so today their truck is gone so I put my little pink satin nighty on, my white thigh highs, pink high heels and my little pink panties, I go out into the garage because I like the sound of high heels on concrete, I'm watching some trans porn, doin my thing, I get done, change back to guy cloths, I throw the dress and stuff in my trunk and just then both of them walk out into the garage, startled I said "did you guys just get home? " where did you guys go,? they said nowhere, I said "but your truck was gone, they said, " we had to park down the street cuz someone was in our spot, we were in the room taking a nap, OMG! 5 minutes earlier and they would have caught me watching trans porn wearing pink panties,OMG!
    I have a couple that lives with me and when they're gone I dress up, so today I looked out the window and their truck is gone, they always park out front and I listen for when they come home, their truck is real loud and I'll run into my room and change, so today their truck is gone so I put my little pink satin nighty on, my white thigh highs, pink high heels and my little pink panties, I go out into the garage because I like the sound of high heels on concrete, I'm watching some trans porn, doin my thing, I get done, change back to guy cloths, I throw the dress and stuff in my trunk and just then both of them walk out into the garage, startled I said "did you guys just get home? " where did you guys go,? they said nowhere, I said "but your truck was gone, they said, " we had to park down the street cuz someone was in our spot, we were in the room taking a nap, OMG! 5 minutes earlier and they would have caught me watching trans porn wearing pink panties,OMG!
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  • I feel sad because the people who would be interested in going on a date with me happen to live a million miles away.
    I feel sad because the people who would be interested in going on a date with me happen to live a million miles away.
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  • I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. That is why the first two pics show me as my fantasy, as a #gurl, and the other two show me naturally. Thoughts? Kisses! - Chrissy

    #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
    I enjoy looking like a woman. I am too old and too set in my ways to fully #transition, so while I do dress #feminine in private and under my boy clothes, I don't do it in public and I haven't learned how to use makeup and wigs yet. So for now I live my life as a #woman in fantasy, online, using face filters from Snap chat. But t be clear: that is my real body, I am that smooth (I shave weekly), and I do this not to fool people I always show my true self, especially to potential dates. That is why the first two pics show me as my fantasy, as a #gurl, and the other two show me naturally. Thoughts? Kisses! - Chrissy #sissy #crossdresser #crossdressing #femboy #sissyboy #sissygirl #trans #transgender #shemale #transgirl #transwoman #transfemale #tgirl #model #modeling #gay #bi #lgbtq #queer #genderfluid #pantymodel #panty #panties #meninpanties #ladyboy More: http://chrissyinsd.hotviber.com/
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